Oh! Juinnim

Part 2, at the end part 1 is the beginning of part 2, he wakes up from a coma to his real father sitting next to him. His real father is alive, he was kept secret from him until he ended up in a coma. Everyone is still alive. When he gets out of the hospital he rewrites the story. Joo-in doesn't like him and is in relationship with Yu-jin. Anyway Joo-in is convinced into acting in the series. BI-soo ends up with Joo-in after she realizes he wrote the series for her. Bi-soo's mother doesn't have cancer divorces the step dad and dates Kim Cang wan. Bi-soo's mother and Joo-in's mother move into their own place, traveling all over the world.

The story is actually quite good, and the acting of the main role actress is impressive.

Beginning episodes were good, but after watching episode 6 and above, this drama was starting to be strange and hate to watched.

I stopped watch this drama after episode 12, because the both main characters were already being non-logical and inacceptable any more.

The main actor's character turned to be a kind of garbage & meanful man. The writer suddenly made the man's character to be so mean to the woman's character.

Never has a man, who deeply loves a woman, could be so mean to the woman's heart and hurt her heart so deep even the woman did nothing harm to him.

In other drama, the actor's character is made to be a gentle heart man, so the viewer could enjoy the romantic atmosphere in the story.

Does the writer of this drama know? That in the real life, when a man loves a woman, he would never hurt the woman's heart by any reason, even when the man is dying. So, please learn from the fact in the real world life before you write a story about romance. It's just very ridiculous to make all the main's character to be such annoying person.

In the end of this story, are the writer gonna make spectacular change? The actor doesn't die, and they will get marriage happily after all what happened between them in this story?? You think this is a cartoon drama?

This is a classic example of what I like to call a waste of carbon emission. It's impressive how a drama can fail on every metric there is and still get to finish its full run. It's fundamentally dysfunctional even if we were to disregard the epilogue. Yikes! On another note, Nana needs to figure out how to turn on her facial muscles appropriately with the scene. This is a classic example of what I like to call a waste of carbon emission. It's impressive how a drama can fail on every metric there is and still get to finish its full run. It's fundamentally dysfunctional even if we were to disregard the epilogue. Yikes! On another note, Nana needs to figure out how to turn on her facial muscles appropriately with the scene.

For a start the title Lady Lord is ridiculous - it would be Landlady if anything. I am wondering how a mother could sell the house her son lives in without telling him - and how if she is the owner - he has the power to stop the sale. This is the standard of writing in this series.

Th FL is a poor actress taking the part of a poor actress - you'd think she would be good at that but she wasn't.

I only watched this for Li Min ki - I have no idea why he signed on for this which was a total rip-off of "Because this is my first life". That series was better in every regard including acting - writing and directing.

I guess it was just a means to a financial end.

This kdrama hits many of the familiar tropes, but nails them with such accuracy and charm that viewers will be willing to forgive the familiarity. Lee Min-ki and Nana are both excellent in this type of rom-com, and they exhibit great chemistry. The side characters are all well drawn and have nice story arcs too. The first few episodes are light and fresh... but the show teases hidden depths to come. This is a great drama for those experienced with the kdrama aesthetic... or for those who want a perfect introduction. With this... and last year's fantastic "Into the Ring", Nana is quickly becoming the go-to-actress for this type of role -- the strong independent woman with a heart of gold.