Serial Killer Clown: Ce cher Mr Gacy

For a college term paper, a rather naive young man named Jason Moss (played by actor improbably named Jesse Moss) decides to interview notorious, real-life serial killer John Wayne Gacy (William Forsythe). The story, which is true, is set in the early 1990s.

Gacy was convicted in 1980 of killing over thirty Chicago area boys and young men in the 1970s, and was on death row when Moss sent Gacy the initial written inquiry. Through the plot, the two correspond via letter and talk on the phone. Eventually, Gacy arranges for a personal visit from Moss.

Jason comes across as smart, ambitious, and a bit smug and cocky. At no time does he express any genuine interest in Gacy as a person. Instead, Jason hopes to gain the confidence of Gacy so as to learn details about Gacy's experiences that law enforcement and the FBI were unable to learn. Jason's motives are thus somewhat selfish, and aimed at furthering his own academic career. I really didn't much sympathize with him or his tactics. And of course Gacy, the killer who dressed up as a clown, was truly evil. In short, there's no one to root for in this film.

This is an unusual movie in that close-up camera shots of characters comprise much, if not most, of the scenes. Lighting is conventional. The film offers little in the way of suspense. It comes across as a TV docu-drama. Casting and acting are acceptable.

For viewers interested in true crime stories, "Dear Mr. Gacy" offers a strange after-the-fact twist to a dreadful episode. And at the film's very end, the script makes a startling revelation about one of the real-life characters.

I was afraid for this flick for two reasons, is is said to be based on a true event, the John Wayne Gacy story and it was made by the producers of "Monster (2003)" another flick based on a true event (serial killer Aileen Wuornos). Monster did follow how it all happened so there it couldn't go wrong but on the part op Gacy there are so many flicks about him that aren't correct. Some did exploit his part as Pogo The Clown and let him do killings dressed as a clown, it never happened that way. But still the best flick about Gacy is To Catch A Killer (1992) and let the performance of Brian Dennehy in that particular flick being the best Gacy so far.

So with some prejudice I watched it. And I must say that I really enjoyed this flick. The title says Dear Mr Gacy but isn't really about Gacy. This flick is more about Jason Moss, a student who gets in contact with Gacy and gets obsessed with him. What happens with Jason is shown in this flick. To be honest, only two actors are in this flick and made this flick. First is Jesse Moss who plays Jason Moss and he did it in a perfect way. But he surely knew his stuff been in Final Destination 3, Ginger Snaps and the gem Tucker And Dale vs Evil. What he did here is really well done. Gacy is played by another famous horror actor William Forsythe. I have met the guy and yes he has that look in his eyes as seen in Halloween the remake and The Devils Reject. Both carry this flick.

It is filed under horror but I shouldn't say that it fits there. It's more a drama especially due what happened to Jason's life. But Svetozar Ristovski as director did well to keep you attracted to the screen. Naturally the whole true event is pure horror but I recommend this to everyone. It do has some news reel in the beginning and at the end some news reel about Jason. It really got into me, a sad story but one to watch. No special effects pure talking and still it gets you...as Gacy did. And William gets really close to Brian's Gacy performance.

Gore 0/5 Nudity 0/5 Effects 0/5 Story 5/5 Comedy 0/5

It's surprising that the substantial bulk of serial killer movies has yet to render anything really compelling about one of its most complex and twisted subjects --- John Wayne Gacy. The sheer number of accredited murders combined with the episodic series of cat and mouse plays throughout the convicted child killer/rapist's life would seem to be quite juicy fodder.

And yet, all we really have to show for it are two sub-par outings (a passable TV procedural starring Brian Dennehy and a really awful feature with hammy unknown Mark Holton). And then comes "Dear Mr. Gacy" which --- if you're not aware of its extremely factual basis --- almost sounds like a bad joke.

Crime student Jason Moss (Jesse Moss) embarks on an almost masochistic journey into fear and loathing by establishing a communication with the killer during his last months on earth at Illinois' Menard prison. His idea (and it IS a clever one) is to establish himself as a textbook victim that Gacy will have no choice but to lure into his web, granting Moss a first-hand look into the delusional self-aggrandizing psychopath's mind for his college Criminology term paper.

It's a scenario almost tailor made for a movie script because, as we all know by now in films, if you want something that badly, the worst thing that can happen is that you get it, and Moss does. He also finds himself playing a little too perfectly into Gacy's hypnotic spell, which is complemented by all the right situational elements of his own life --- boredom with his girlfriend, resentment of his controlling mother, subtle contempt for his passive brother's victim-hood at the hands of the school bully.

The weakest link here is Jesse Moss, and that's only very rarely. Mostly his performance is very good, though there are a few times it's hard to believe his reactions wouldn't be a bit more emotional after some of Gacy's truly threatening phone tirades. William Forsythe is a great actor and never more disturbing than in this role...he's the creepiest Gacy by far, expertly channeling his voyeurism with subtle bullying and manipulation, then morphing it into the "caring" love of a protective father figure, shifting on a dime. It's hard to know if his self-proclaimed stance as "king of the roost" at Menard is reality or in his head. His paintings were fetching a handsome sum near the end of his life, he had a cell with a view, TV, plants, and he could paint and smoke Cuban cigars smuggled in by guards who addressed him half-jokingly as "boss." Forsythe is a virtual cypher in the role, disappearing effortlessly into it, and leaving you very queasy in the process.

All in all, DMG is an intense, fun ride you won't forget. If it had a broader scope, it might just be the definitive Gacy biopic, but it probably wouldn't be as outright compelling, either. What's probably most disturbing about this particular story is what happened to the real Jason Moss, in the end. Be careful what you wish for, indeed.

I wasn't sure I wanted to watch another moralistic 'movie-of-the-week' about a serial killer since they are usually whitewashed beyond recognition to make them palatable to mainstream America.

When I found out this was based on the true story of a college student contacting John Wayne Gacy in prison before he was executed, however, I thought I would give it a chance.

It all starts like a 'docudrama' by the look of the cast, but with the first glimpse of the gritty characterization of Jason's mother, this film took on a much edgier realism than I was expecting. It seemed to me that I had not seen a woman like this before - not pretty, not likable, not whitewashed.

In fact, none of the characters were Hollywood suburban - they were conflicted, vulnerable, angry, manipulative and contradictory. And, 'Jason Moss' takes us on a journey that seems ordinary at first, but step by step, the tension ramps up and we soon find ourselves betting against higher and higher stakes on a happy ending.

What we end up experiencing is an intense and uncomfortable story that goes far deeper into the psyche of Gacy and anyone who came into contact with him than the usual fare. The acting is superb on everyone's part, especially Jesse Moss and William Forsythe - so much so that I had a hard time connecting to the pix of the real people at the end of the film.

This is one of the best studies of serial murderers that I have ever seen. Watch it but be prepared to go places that aren't 'nice'. People are much scarier than we care to believe - an idea that John Wayne Gacy used skillfully to entrap his victims up until the end.

This is a difficult movie to watch. I rented it over the holiday week for entertainment.

I felt the movie draws the viewer into the emotional sea of conflict and any flick that can do that, in my estimation is superior.

Certain parts are very difficult because they deal with sexuality , ciminiality and morals all at once.

The flick should not be rejected simply because it might to thought to be anti-gay. There were parts that I thought could pander to homophobic people.

I would recommend it and advise imagine you are 18 years old and dealing with a psychological experiment where you become the bait for the vampire.