Cryptozoo

A veterinarian and her friend decide to save cryptids from the depredations of the world. For those of you unfamiliar with the term, a cryptid is a beast which science hasn't proven exists, but which is believed to exist by many people: the yeti is one; the chupacabra is another. For the purposes of this movie, cryptids include a variety of fabulous creatures like fauns, dragons, medusas and will-o-the-wisps. The plans of these women is to start an exhibition park, where people will pay to see these creatures; once familiar with them, acceptance will be the next step.

You can't have a story without a villain -- actually you can -- and here the villain is a fellow who wants to weaponize these creatures for the military, and who has plenty of soldiers with guns, tanks, and poorly drawn helicopters to enforce his scheme. In the end, both plans fail, and the best course of action, it turns out, is to leave these beings alone; they've been doing fine for a long time without these geniuses. Or, as I heard the Einstein quote beautifully mangled, "If there weren't so many people trying to solve problems, we wouldn't have so many problems to solve."

This movie, despite its good intentions, annoyed me on many levels. The first was the easy choice of making the military the villain. The second was the general idiocy, the going 'round Robin Hood's barn to conclude that the best thing to have done at the end would have been nothing in the first place. Finally, I did not enjoy the unpolished nature of the images, the quarter animation. I understand that this was an independent production, and that the producers wrought miracles to raise enough money to make this unfortunately crude cartoon, the most expensive type of movie making. Given my dissatisfaction with the story, however, this just added to my general impression.

Cryptozoo is a zoo where cryptids are being secretly held. Lauren Grey is one of the cryptozoologists. It's 60's San Francisco. A young couple stumbles upon the zoo. The guy Mathew is killed by an unicorn. Amber is forced to kill the unicorn.

This adult animation is unlike anything in the mainstream. It very much reminds me of the outsider art of the 70's. It is a bit chaotic to the point of overwhelming the audience. This is not animation for the kids. It is the best aspect of this film. I would suggest a more cleaner and clearer story. It may be the effect of the visuals which is discombobulating my brain.

I tried liking it, but maybe my mindset wasn't great to give the movie a chance. Its weird to watch, social kind of animation. The tone was immediately set in the first 10 minutes. I think this is one of those that, you either like it or you don't, type of thing. For me, nope, not my kind of movie, but a solid 6 nevertheless.

Cryptozoo is an interesting look at the relationship between idealism, the utopian vision, and the alluring power of controlling dreams by government forces.

The animation can go from being really good to mediocre. I have no word in for animation but I do give the artist one hell of a prop for hand drawing every scene. I really think the backdrops are incredible looking especially towards the end. As for the voice acting, it's very good. Love the acting and story. It's very unique and creative. My biggest complaint is the pacing and I can't tell if it's the animation or the editing. It goes slow, fast, slow, fast....you get it.

If you loved Dash's work from before, you'll most certainly find this film to be an improvement over the last.

Cryptozoo is an oddly-animated feature that rambles along like it was a storybook adventure crafted in the Seventies - when details were blurred in a haze and stories for children were not always safe.

Honestly, Cryptozoo accomplishes the goal of any good fantasy and science fiction story by crafting a timely tale set in a timeless fashion. Unfortunately the chosen medium and distinct art style highly restricts what should be a tale of openness and inclusion.

Animation is, theoretically, budgetless. The artist can sculpt and paint and render imaginative, unseen worlds and bring them to life. Why then does Cryptozoo look like flipbook doodles on the corners of a Dungeons & Dragons module?

The animation is certainly an acquired taste. Fortunately, its rudimentary style does not totally diminish the compelling story of social relevance. Fiction like this is what opens conversation regarding the importance of freedom and the rights of all. Including animators with questionable art styles.