The Extra Man

Henry Harrison (Kevin Kline) is "The Extra Man", but to him, he's an "essential man". He seems to live in a time and class that he doesn't physically occupy. Louis Ives (Paul Dano) would really just like to be a character in an F. Scott Fitzgerald novel. These characteristics were so intriguing at the beginning of the film because there are a lot of thoughtful and interesting directions to take it.

They make a great pairing, except for the fact that Henry isn't just homophobic, but proudly and defiantly, extremely homophobic, and Louis is proudly and completely confused. And neither of them understand the nature of their friendship. When the film chooses to explore Louis' inner transvestite and getting deeper into Henry's obsession as the essential man, everything just gets weird.

"The Extra Man" is an extremely intelligent film. There was clearly a lot of effort put into the writing, the characters, the acting and the making of this film, but the weird directions it took were too much for me. I want to recommend it to those who like smart, philosophical, but weird, independent films. Just look out for some "sexually deviant behaviour".

This movie actually took me by surprise.

First of all, let me start off by saying that the story is so compelling and spellbinding that it will blow you away. There is just something about this movie that is so unique in every way.

The characters in this movie are so fantastically unique, quirky and lovable. It all just came together for a greater unity. The role of Louis Ives (played by Paul Dano) was the quirkiest of all, struggling to find his place in life, dealing with his sexuality and the admiration of Henry and trying to find acceptance. And I must admit that Paul Dano portrayed his character in a very good way; he was awesome in this movie. And his resemblance to a young Liam Neeson is just uncanny.

Moving on to the role of Henry Harrison (played by Kevin Kline), well his role was eccentric and strict. But, as usual, Kline put on a magnificent performance. He is very charismatic and have a good voice. He is indeed one of the better actors of recent times.

And also, not forgetting, the strange character of Gershon Gruen (played by John C. Reilly) was also very memorable and lovable, especially his voice.

In all fairness, then this movie worked so good on all levels. However, I think that a share of people might be put off by the movie, as it does have that certain epic cinema moment to it, and also dealing with (and I use this term in lack of better) sexually deviant behavior. For me, I found that aspect of the movie to be one of the driving factors, because it showed how Louis Ives was struggling to find himself and dealing with his needs.

The movie is very beautiful in more than one way. The story is beautiful, the cinematography is beautiful, the music is beautiful, and so forth. This is one of the better movies I have seen in a while. It is a fresh breath of change in the movie scene for me. Nice with a movie that stands out from the mainstream comedies, and dares to be so unique as it is.

If you haven't already seen "The Extra Man", then you owe it to yourself to do so, especially if you are (like me) a lover of the cinema and movies. This is a story that will stay with you for a long, long time.

Thumbs up, way, way up from me!

Great to see Kevin Kline in a witty role again. Cleverly written lines give some snickers, excellent techniques at times transported me. The physical slapstick was a little off, but the gags made up for it. If you like Kevin Kline, you'll like this movie. Give it a try. It will appeal to the astute mind. The rich old women are entertaining and the glimpses of the other side of life are sensitively done, with tongue in cheek. The metaphor of the pigeons is a clever one observed by Henry (Kevin Kline) himself, in this high-brow yet Oscar Wildeish thrust-and-parry into the world of the Henry and his protégé, the young gentleman. Ending on a feel-good note with the credits rolling to a zany variation of a Marc Bolan written T-Rex number 'Dandy in the Underworld'. 8/10.

Shari Springer Berman & Robert Pulcini's 'The Extra Man' is average stuff... that had the potential to come out as a pure gem. But, the writing is weak, especially in the final 30-minutes.

'The Extra Man', based on a novel, tells the story of a failed playwright, who develops an odd mentor relationship with a Louis Ives, a troubled, cross-dressing, aspiring writer to whom, he sublets a room in his New York apartment.

The idea, is fairly interesting, and it does hit the right points in the beginning. But, after a point, the writing begins to lose. The pace suddenly dips, and even the culmination comes out bland. Shari Springer Berman & Robert Pulcini's adapted screenplay is flawed. Their direction is just about okay.

Performance-Wise: Kevin Kline is damn good. He is the life of the show. Paul Dano does reasonably well, while John C. Reilly sports a hideous get-up. Katie Holmes is alright. Alicia Goranson is fair.

On the whole, an average effort, that had great potential, but sadly, gets wasted due to weak writing. Watch it if you must!

Bring Clifton Webb forward 60 years, add wackiness, and you have Kevin Kline as the eccentric bachelor in a rent-stabilized dump on the Upper East Side (yes, there are such flats still). His new roomie played by Paul Dano has a poignance, a sad yearning that I haven't seen conveyed so well since Timothy Bottoms in "Last Picture Show." Dano has the sort of face you only see nowadays looking at you across time in family pictures from a century ago or more. The face is ingenuous, pure. The kind of face that America just doesn't make anymore.

Both characters have built protective walls around themselves, perhaps necessarily. Though they fascinate each other, and unintentionally entertain each other, they can't decide whether or not to be real allies.

The older man depends on super-annuated ladies of wealth for his dining out and his winters in Florida. The younger man, though straight, enjoys wearing ladies lingerie while having sex. It can be all a bit depressing.But there's a soft landing, a nice ending to this opus all around.