The Long Call

Having just binged on Shetland (all in 2 weeks), Broadchurch and Hinterland plus a few others ..... this one is again very similar to those just mentioned. Lead man in charge is slightly damaged due to life in general and all with a strong woman being his second. Above titles in order of best first etc.

This series doesn't pick up any speed and just makes it way through the 4 episodes slowly and methodically. Really not much real action .... what you should pay attention to is the writing and the acting. I would unfortunately be placing this show at the end of above list. Watch the others first if you have a chance ... but the scenery is as usual ... awesome.

Casting is very well done, love Juliet Stevenson but major kudos to Anita Dobson .... wow does she shine in the drab and harried portrayal of Grace. Also one character that kept drawing my attention and not sure why. I then checked her name .... Aiofe Hinds .... ahhh Ciaran Hinds daughter another up and coming actor in family.

Yes the first episode is kinda slow but it seems to me as if it's intentional. Each episode peeled back the layers of lies and secrets. Even exposing Matthew to how he hid his own shame and even he had to tearfully acknowledge that. I hope there's a second season where the characters can be further developed.

I was so excited to hear that this show was based on novel by Ann Cleeve, the author of Vera and Shetland, two of my top10 British detective stories! The second a Vera episode is released, I watch it and about a week later I watched it again. So i was looking forward to this show.

Two main components of a good detective story is that, first, the protagonist is quirky, or tormented, or an alcoholic, crazy, goofy, and/or fish a out of water and second, they are extremely passionate about being a detective, by finding the killer, and justice for the victims. Everything else in their lives is secondary. (Ex Grantchester, Vera, Murder in paradise, Sherlock Holmes, Shetland, etc.).

You won't find either of these components at work here. Half of the 20th century protagonist are gay so that's not "quirky" anymore. And although this actor is eye candy, he looks super bored with his work. In one scene, he looks at the murder board and scratches his chin and ........that's it. That would never fly in a Vera episode. My favorite Vera scenes are when she looks at the murder board, turns around and yells at everybody to get to work and find the answer.

The cult angle was interesting, but many mystery murders find that the murder is related to their past and this makes them even more crazy about finding the answer, but once again I just didn't feel passion with this actor.....and if the protagonist is not passionate about what he does, how can u expect us, the viewer, to be.

If u have nothing is to watch, catch this, the scenery is OK. It seemed like everyone lived in a house with huge windows overlooking the sea??...but you would be better served watching another Vera episode.

By episode 3 I'd forgotten what the story was all about. The characters are like cardboard. Flat and totally without character. The speech is muffled and toneless. The plot is....don't really know, my brain was too bored to take it in.

What a complete waste of the ITV 9 o'clock slot.

And coming straight after Hollingdon Drive series! (another dreadful waste of time) ITV get your act together.

I really, really tried to like this more but the boredom of the direction and script defeated me. The stationary camera fails to keep our eyes interested, despite some of the gorgeous scenery. Then there's a stony Ben Aldridge who fails to capture our empathy.

The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.

There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.