Milliardaire ou presque

I found the music to be so annoying. In several scenes I could not hear what the actors were saying over the VERY LOUD music!

Courtney works as a VIP concierge (is that even a thing? if so, where can I drop my CV?) and is given a job to go to the mountains with a guy named Joe Franklin. However, there is something Joe is hiding from her: who he really is.

It literally took me 24hs to watch this (I kept being distracted by you know, real life, sleep, work, and even a Turkish show, seriously). I did pay attention (mostly) but... honestly? It bored me a little bit. I liked the leads, they had good chemistry and enough scenes to make the romance believable.

(It's funny how her professionalism flew out the window as soon as he asked her to come with him. It didn't took much convincing. That being said, he is so charming, I would probably go with him as soon as he asked too.)

I love winter movies, we saw curling, we saw the leads skiing, we saw dog sledding and the views were pretty.

The plot was okay. I understand why Joe hesitated to tell her the truth and it's a forgivable excuse, and I think Courtney took it quite well, while it was a problem, it wasn't something serious.

And most reviewers are right, the music, specially in the final scene, was too loud, I could barely hear what they said.

The 2021 New Year New Movies films, only five, were mostly good, especially 'A New Year's Resolution'. The one exception being 'Snowkissed', though personally would count that as more of a Winterfest film as it would have been categorised as in any of the previous years. 'A Winter Getaway' also feels more like a Winterfest film than a New Year New Movies film. Expectations were somewhat mixed, the story sounded really charming but due to really disliking Nazneen Contractor in 2020's 'The Christmas Ring' that brought the expectations down.

Of the New Year New Movies films, 'A Winter Getaway' is to me the second weakest. Do prefer 'Take a Shot at Love', 'A New Year's Resolution' and 'Two for the Win', but it is much better than 'Snowkissed' (the only bad one of the five in my view). 'A Winter Getaway' does do a good deal right and one aspect came off much better than expected, but there was room for improvement too (though the flaws have been executed far worse in many other Hallmark films).

'A Winter Getaway' succeeds a lot more than it fails. The best aspect of it is the scenery, which is nothing short of spectacular which is what a vast majority of the 2021 Hallmark films have in common. The camera was clearly in love with it and there are some lovely and lovingly framed shots throughout. Enough of the script flows well and is light-hearted without being too jokey and not going into cutesy overload generally.

While the story is not perfect, it is not as formulaic as most Hallmark films are and has a genuine sweetness and charm without the sentimentality going overboard. 'A Winter Getaway' to me has two lead characters worth caring for. Brooks Darnell is a charming leading man but the biggest surprise was seeing the massive improvement in Contractor's acting here compared to 'The Christmas Ring'. She is a lot more relaxed and expressive here. Their chemistry is engaging and is particularly sweet towards the end.

However, there was room for improvement. The supporting cast are competent, but nobody stands out and they don't have the memorability factor that the two leads have. The film is perhaps a slow starter and some parts are on the overripe side in the writing.

Really have to agree with everybody regarding the music. The film is over-scored in general, but it really does drown everything else at the end. Which is a shame because the final 10-15 minutes do have a good amount of heart.

Overall, above average but wasn't wowed. 6/10.

Particularly during this world-wide pandemic, The Hallmark films have been a perfect oasis for my wife and me. The lead actors are charming, consummate actors. They took the words written by a fine writer and made the story believable and seamless. The director also honored the writers' story. It was refreshing to see this film slightly deviate from the usual Hallmark format. I would gladly recommend this film to everyone. The viewer will spend a fast 2 hour in a beautiful setting with an excellent cast.

*This section may not end up with my sincere review above. Hallmark, I think you should read and discuss my observations. I have had a long career in the music production business. The music in this film is well written and performed by professional musicians. However, in the last 15 minutes...the two lead actors are having a very honest and loving conversation...but by most accounts the viewer will not hear the writers script or be able to respond emotionally to the two actors portraying impassioned feelings in their facial cues and vocal delivery. Why? Because for some reason, either the director, music composer or the music mix engineer at the final dubbing session decided to diminish the writers words and the actors performance by pushing the level of a singing vocalist way above the level of the actors voices. Invariably this "punch it up" surge in the singers track happens at the most important story point of the film. Thereby robbing the viewer of the time they have invested in watching the film. That is bad enough, but not six minutes later, the singing vocalist again "steps" on the last few lines of the film where the leads are trying to plan their future. This technique, of adding a song near the end of a drama, has become a popular cliche'. Grey's Anatomy is the most consistent offender of this cheap trick. For example: A lady's husband has died suddenly, by an excessive injection of the wrong medicine. At the end of the drama the apologetic Dr talks to the decedents wife..." but this is where the predictable, obligatory song that has nothing to do with the story must be sung over the Dr's apology and wife's grief.

Not for acting, not for story itself , not for the too sweet end it is not bad to see this film but for details, from curling, art gallery, beer and old game of apparences. And, off course, for landscapes. It is just a correct Hallmark film, predictable, nice and reduced at theoretical chemistry between main characters.