The Ward : L'Hôpital de la terreur

I felt it was very drawn out. Tiny little pieces were given along the way and it built to a huge, twist finish. The characters were believable and there left enough unclosed at the end to make your own decision, without any confusion - it ended without ending.

It is very riveting despite the drab surroundings, the acting does grip you, the baddies frustrate, the goodies you want to cuddle and there's one mysterious character. The doctor, it's impossible to determine which side he is on.

Very good film by a great man. Not a John Carpenter classic but worth a watch.

There has been a lot of "mental health" stuff in the cinema recently, and in almost all cases the storyline has played a trick on the audience in the manner of the brilliant "Sixth Sense". There is history in this too with the Three Faces of Eve standing out as the way to entertain, enlighten and educate film goers.

Although "The Ward" is reasonably well done it just isn't disturbing enough at the personality level to convince. Perhaps that is down to the acting but I would question a screenplay which is more about shocks than about insight. Yes there are signposts along the way just as there were in the Sixth Sense, but they are not as carefully constructed nor as lovingly lingered with as they could and should have been. It seemed to me director Carpenter wasn't too convinced of the robustness of the story told in a different, more true to life, way and instead took the route most likely to shock people with it's "twisted" end.

Most of all I felt this film lacked claustrophobia, the shackles and chains that surround mentally disturbed people both in their minds and in the places where they are secured.

There was a lot of wasted talent here and that is a great shame.

Kristen is taken into a ward for those with mental illness, she's desperate to escape, but she's haunted by a ghostly figure.

Horror fans will of course be drawn to the name John Carpenter, but if it's horror you're after, you'll be pretty disappointed, if class The Ward as more of a psychological thriller, more towards Shutter Island than Halloween.

It's a little disappointing, Carpenter is a fantastic Director, but something about this film is a little off, maybe it's the pacing, or maybe it's the lack of out and out scares, it never really sparks into life.

It definitely has some degree of atmosphere, and the ideas are pretty good, the final revelation did come as a surprise to me.

Jared Harris is pretty good as The Doctor, and I'd rate this as one of my favourite performances of Amber Heard, she manages to make Kristen interesting.

It's not a bad film, I'd just hoped for so much more.

6/10.

The Ward is an adequate horror film but could have been directed by anyone; after such a long hiatus one would expect John Carpenter to produce something much, much better.

The film suffers from a fairly weak script (not penned by Carpenter) and the big "surprise" ending is easily deduced very early in the film. As other reviewers here have noted, the "horror" elements are basically comprised of things jumping out variety; if you expect mood and atmosphere (e.g. Escape from NY, The Thing, Prince of Darkness)--THINK AGAIN.

It would appear the film was made on an extremely low budget; 95% of the movie takes place indoors; most of it in just a few rooms. The set design adequately portrays 1966 (the film's setting), however the wardrobe, makeup and hairstyles of the primary actresses are anachronistic and undermine suspension of disbelief.

Let me expand on that last point as it betrays an artistic compromise I was surprised to see JC make; every one of the main actresses is dolled up--in a modern way. Their hair is cut, dyed, streaked, and styled in a completely modern manner. And although they're supposedly in a mental ward, they apparently put copious amounts of makeup on each and every day. And it's not old-style makeup; in one scene, a female lead character is clearly wearing lip gloss. One woman wears Ronsir Shuron (geek) glasses, however her look is much more "hipster" than it is authentic. Oh, the clothes the "patients" wear--let's just say they're colorful and fabulous...not what I'd expect to find in a mid-60s mental ward. One more thing in this area; all the primary women actresses are beautiful. This is a common element in modern "horror" films where style trumps substance; unfortunately I expected JC to make more of an effort to set an atmosphere where I'm less likely to ogle the actresses than I am to be sucked into the nightmare he's trying to portray.

Having seen every Carpenter film (in the theatre) over the past 30 years, I am disappointed that I was forced to watch the master release this nearly direct-to-DVD title. If you're a JC fan, by all means watch this, but don't expect more than a slightly above-average horror film. The biggest disappointment is that the film was directed by Carpenter and I'm left wondering if this is the best he can do, or if he was hemmed in by a small budget and producers who demanded he make a more cookie-cutter type film.

John Carpenter has made some of my favourite films, however, his more recent efforts have been a little wide of the mark. So it was with much trepidation that I hit the play button for this one; the reports I'd read had not been encouraging. Sorry to say the reports were right to some extent, although I don't think it deserved some of the vitriolic bile aimed at it. I'll tell you what I mean by that after this brief summary.

When the young Kristen is sent to a psychiatric ward in 1966, she finds herself with a group of young women who all have different problems. On her first night someone steals her blanket and yet she is locked alone in her room. The others, Emily, Sarah, Zoey and Iris are all adamant that there is no way out, but Kristen wants to leave. Things come to a head when she is attacked in the shower; not by one of the other girls, but by a ghost! Investigating, she finds the name, Alice Hudson and, as her fellow inmates begin to disappear one by one she gets more desperate to escape! But there's a problem and her physician, Dr. Stringer, holds the key. I won't say any more or the Spoiler Police will be locking me up (again).

It's all quite well shot, but (to me) it has the feel of quite a low-budget picture. I felt some of the acting was quite forced, if not poor, in places (particularly at the beginning). Since nobody really stood out I will give honourable mentions to; Amber Heard as Kristen, Mamie Gummer as Emily, Danielle Panabaker as Sarah, Laura-Leigh as Zoey, Lyndsy Fonseca as Iris and Jared Harris as Dr. Stringer.

Some of the reviews I've read about this film have been really venomous in their criticism of it. To some extent I agree, John Carpenter is capable of making much better films than this. But on the other hand; what he has produced, if not entirely original, is still quite watchable (after a while) and there are some genuinely frightening moments in it. In conclusion I guess what I'm trying to say is yes, it's not all that good, but at the same time it's not all that bad either. There are some good ideas here but the execution didn't quite work this time… As far as recommendation goes, I'll leave that entirely up to you.

My score: 4.9/10.

IMDb Score: 5.6/10 (based on 10,186 votes at the time of going to press).

Rotten Tomatoes 'Tomatometer' Score: 32/100 (based on 65 reviews counted at the time of going to press).

Rotten Tomatoes 'Audience' Score: 27/100 (based on 9,057 user ratings counted at the time of going to press).