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It's a film made in 2009, but what it tried to address as a sub plot was miles better than what Love Cuts did through an entire film, with a better cast, direction, and of course, budget. Stricken is a Dutch film directed by Reinout Oerlmans, based on a novel by Raymond van de Kulndert, that deals with romance, sickness and mortality all rolled into one, firm in its focus on the principle characters whom you'd probably see shades of someone in your circle, and is about life's journey that everyone will have to go through.

When we're young, the world is our oyster and the sky's the limit. There's this feeling of invincibility that nothing can touch us, and that we're infallible. That is until Fate almost always know how to throw a curve ball at us, so that we and others around us will get to learn some lessons, eat humble pie, and start to seriously look at what we're doing with our lives. Stijn (Barry Atsma) is a high flying advertising executive who meets an equally career minded superwoman in Carmen (Carice van Houten) with whom he falls instantly in love with. They soon get married after a whirlwind romance, and life's looking pretty good with their venturing out on their own, and becoming their own boss. Until Carmen gets a lump in her breast that's deemed malignant.

For the first third of the film, told in chapters, it recounts what countless of breast cancer patients had already gone through, and as such turns in to be quite instructive, with a peek into how the Dutch medical system handles the chemotherapy, radiation treatment and the option of amputation. The shock in its discovery, denial, acceptance, and to live life with a condition, is what van Houten, a wonderful actress, aces in her role of Carmen, now a wife and mother to a toddler, trying to live a life of normalcy while battling the dreaded disease. Support comes from her husband in accompanying her to the doctor's, chauffeuring her around and such. But there's a problem that she's well aware of - his infidelity, and in what would be mentioned in fairly crude terms, he's a boob man, and so lies the insecurities and fear of not being a complete woman to prevent her husband from straying.

What she doesn't know is of the extent of his infidelity, which is only privy to Stijn's best friends who cover his tracks for him, and us the audience. Again it makes you wonder what marriage vows are for and if they're worth any weight in gold, and what truly hammers it home is that while one can provide physical support by being around when needed, or even to the point of scooting off whenever opportunity presents itself, what would really matter in any closed one's time of need, is emotional availability. And this is sometihng that can be sensed whether you are conscious of it or otherwise. Sensed by the person suffering, and adding a bit of unnecessary stress and worry. Anyone who had provided care and been a primary care giver before, will know the hardships associated with being there for someone, and sometimes battling the need for a little time off.

Which in Stijn's case, that time off from the wife meant having to go get laid, beginning a more serious affair with painter Roos (Anna Drijver) whom he meets at the club in an annual festival, finally mustering the courage not to accept a friendly smile, but demanding something more. It's easy to condemn Stijn as a character since we can all cast rocks at his adulterous behaviour, but I guess for cinematic reasons Drijver could be here just for eye candy reasons. What I felt was this being a personification of anything that's to distract us from doing what's necessary, since anything out of routine, together with gratification obtained, would surely beat the dreadedness in caring for the sick.

Stricken catches itself and gets its act together for the emotional, final half hour, after plenty of dalliances between the different love affairs, and for Stijn to finally wake up through a round-about fashion. While van Houten may be the bigger name on the marquee thanks to films like Black Book and Valkyrie that were released here, Barry Atsma held his own opposite van Houten, and we feel the pain felt by both characters as they maneuver around the disease which start to wreck havoc in their lives. And this is truly an experience nobody would like to go through, with questions, insecurities and escapism rolled out against a spectrum of emotions accurately captured and portrayed by the actors, with an ending that will surprise, though not uncommon depending on the laws of the land.

Rated R21 here for the countless of nudity scenes from van Houten, Drijver and countless of other faceless females that Stijn can't seem to get enough of, and one bloody harrowing scene where a female clubber dances, strips, and then proceeds to rip her breast off in one sweeping motion. Bound to give anyone some nightmares for its degree of gore.

This is a very beautifull, good acted and realistic movie. Drama and yes, tears will apear too.

For starters, i did not read the book. So i'm not going to make a comparison.

The movie has a heavy story to tell, as movies about cancer always have. But this one is different. The main character cant coop with the cancer his wife has, and fills his emptiness with the love of another woman. Not that he had such clean hands before, and his wife is aware of that. For some reason he just can't have enough of one woman. The movie will tell you how that develops trough time in the harsh time that is awaiting them.

Directing and script.

I found Reinout Oerlemans did a pretty good job on the directing, but there are a few critical points.I thought the directing got a bit in a loop, using to much of the same angles and effects which can be a bit boring for the viewer. The same thing happens with the script, you come to a point were everything is clear, and it should enter a new chapter in the story. But it seems the director needed to be sure he got the message to the viewer. And that for me is the weakest part of the movie, it spreads the whole thing a bit to long.

Acting

The acting is great, Carice does a great, great job (as always). Showing allot of different emotions and giving so much character to here role. Also Barry Atsma does a great job on acting as well, i was not familiar with him but I'm anxious to see more movies with his screenplay. All the supporting roles where fine and well picked. I did not notice my self the be annoyed with any role or what so ever.

A must see film, a directing debute for Reinault Oerlemans who did a great job, but could use a bit more finesse and diversity.

Tissues advised.

Like the book, this movie doesn't allow you to easily identify or sympathise with the main character. You have to admire the book as well as the film for bringing on a main character that you want to kick the sh1t out of every now and again, and still getting the sales that it does.

What the book does, and this carries over nicely to the film, is raise a couple what-if questions that many (read: most of us) would feel uncomfortable to answer. Mainly for that reason, the book got some irate reviews in the Netherlands. Since the movie is fairly true to the book's theme, it is inevitable that the same would happen again.

Barry Atsma does a stellar job in creating a character that most of us would want to kick the crap out for most of the movie. And Carice van Houten is... well, what can I say? If anyone could've done justice to the Carmen character from the book, it's her.

Do see this movie if you're ready to have your prejudices about love (we all have them) challenged. You might end up puzzled, which is a good thing, because it will force you to think.

If rethinking your values is not your Cup Of Tea, then I'd not recommend it.

Not worth watching. The typical (commercial) dutch cinema will guarantee a story that will give you the 'deja vu' experience of a lifetime, because of the selling-point of these movies they need to make a success movie... To bad that they just keep looking in what was a success in the Hollywood box office...

And they never seem to actually do it...

The story is of-course a rip-off of many many Hollywood movies. To bad that there is not enough money left in the dutch cinema to make something less cheesy. Let alone forbid the fact that they will not cop to the pressure of "this needs to be a success"

So bad man... good wife... lots a bullshit around it to fill the rest o the movie. True love... uhh yeah something like that...

Anyways a lot of resemblance for woman that have a bad choice in men in real life so they can become just as mad as when they are watching a bad soap opera...

Which is exactly what this movie is. A ninety minute soap opera. Better go and watch something fun and romantic from the Hollywood section.