Irma Vep

This Tv show is about people making a TV show, so if you dislike anything Hollywood (spoiled movie stars, eccentric filmmakers, etc), annoying french artists and classic cinema/theatre, then look somewhere else. But if love this kind of thing, you're in for a treat. The show's writing and acting feels natural and fluid, and Alicia Vikander has an undeniable screen presence. . We've only seen the first two episodes, so don't expect me to give you my take on the first 30 minutes of a movie-You gotta watch the whole thing before you can talk crap about the story or characters.

This show is really well written and feels authentic. A peek into the life of a show, the actors, the director, the crew. It also feels quite personal from the director Olivier Assayas.

Give it a try and don't get influenced by the bad reviews who only watched the first episode..

...are not interesting if there is no resolution or continuity. We see things happen and end scene. Then we see something else happen and end scene. Then we see another thing happen and all of these things feel like cliffhangers and then none of the things we have seen have any consequences in anything that follows what we've seen so what is the point of even watching?

I started watching it because of Alicia Vikandar but really liked the approach of this show. Making a TV show inside a TV show. It's funny and exciting. The director Renè's storyline is so good and just watching Alicia is just pure pleasure.

I know it's not everyone's cup of tea but if you like movies and wonder how they make them then I think it's for you.

I've seen both the original 1916 Les Vampires and the 1996 Irma Vep, so I "get" what the director is trying to do with this series. I'm two episodes in and it seems this is written exclusively for critics, cinephiles, and fans of French film history. 7/10 is generous, but my memory of the original 1916 series keeps me interested.

The original series is "wacky" and very hard to describe. It certainly had energy. Cinema was still in its infancy, so they could just make it up as they went along and dream up ridiculous situations. You'll notice the actors in the HBO series keep lamenting that no one would say or do these things in 2022.

Musidora wasn't classically beautiful but had a strange, magnetic sex appeal. Maggie Cheung in the 1996 version was brilliant, odd casting and incredibly sexy. Her befuddlement added to the chaos. Alicia Vikander is not quite inspired casting. She's done a good job on her American accent, but her character is bland, listless, and gives off little sexual energy. Musidora was voluptuous; Vikander is a twig. Perhaps more inspired casting could have better captured the essence of Irma Vep.

I don't think the world was waiting for another version of Irma Vep. I'll watch to the end, but I can't recommend this to the casual viewer.

UPDATE: I have now finished the series and downgraded my score to 6/10. In 8 hours of tedium there were only 2 interesting characters; Rene, played tenderly by Vincent Macaigne, and Gottfried, channeling Keith Richards, played with reckless abandon by Lars Eidinger. Both deserve future Emmy nominations. Oddly, Irma Vep/Mira is the most poorly written character in the series. Mira really has nothing interesting to say or do, and Vikander infuses her with zero charisma. Fala Chen, in a bit part, lights up the screen as Lily Flower. Perhaps she should have played Mira/Irma Vep?