Lettres au Père Jacob

I'm assuming that the reader's idea of a great movie does not necessarily include explosions, gunfire or sex. Those can be part of a good movie, but you won't find them here. This is literally a quiet movie that has to be judged on its own terms. In that context, this is a terrific movie. The story is simple but well told and well acted. It's moving without being maudlin or syrupy. Straightforward yet emotionally involving. It's about forgiveness, redemption, and purpose in life, as worked out by a most odd couple, an aged blind priest and an ex-con who did time for murder. So within its limited parameters, I found it a beautiful film. My only complaint relates to the ending, which was rather contrived. I don't want to add a spoiler, but I thought the ending could've been drawn out a bit longer and been more convincing and effective. Watch it - and do watch it, if it sounds even remotely appealing - and I think you'll see what I mean.

first word - touching. but it is only a small suggestion. in fact, it is a kind of poem. puzzle of precise art to give to each piece not only importance but soul. it is beautiful but not the beauty is important. Kaarina Hazard, who remembers by Restituta Kafka, in an extraordinary role, mixture of force and storm of feelings, Heikki Nousiainen as priest who gives the light of Orthodoxy - delicate scene in church - in skin of Protestantism, Jukka Keinonen as postman - fragile, naive, full of fear. and the letters as axis of story. it is a gem. or an ice castle because, for director and viewer, the risk is same - to fall. but the gift is the subtle joy. that is basis for my invitation to see it. because it has potential of experience. because, like each good movie, it is a window - mirror. and because the faith has strange power to change a life.

Very simple story, Leila (Hazard) gets pardoned from jail and gets a simple job and a roof over her head by working for the blind Father Jaakob (Nousiainen). The job is very simple. All she has to do is take care of him which isn't much and help him with his favorite past time which is read and write letters that come to him.

Quickly you learn to love father Jaakob and understand he is just as human as everyone else is. Right off the bat we understand that there is some type of anger stored inside of Leila's head while we also wonder how she made it to jail in the first place. She also seems to neglect every time Jaakob offers some words of wisdom.

The only other supporting character that we see throughout the 75 minute film is the postman (Keinonen). He has seemed to of developed a close relationship with father Jaakob over the years and loves seeing Jaakob's face light up when he delivers the mail. Of course Leila doesn't seem to be to happy with the man on the bike.

It's a simple film. It is much like the simpleness of The Bycycle Thief as of both movies will keep you intrigued throughout the whole film.

Very enjoyable. My rating 8.5/10 or A-

I've seen lots and lots of Finnish movies, but this was the best one of them. It went straight to my top 10 movies. It lasts only a little over an hour, but still I think it's the most important film Finnish have done. I loved everything in this clip, and I think you will too, at least the ones who like to watch art movies. I ain't going to tell about the movies plot, 'cause all of you should definitely see this great piece of art. I want to thank the idealist behind all of this, Jaana Makkonen, and also the scriptwriter, Klaus Härö. You've both done something that is going to be part of our culture, and a way of understanding all over the world.

Now here is a movie that everybody should see. A sad story, though not sentimental. The optimistic ending leaves you in a comfortable feeling that even the worst situation can turn to better.

The Finnish landscape is beautifully pictured. Postcard like sceneries. Two brilliant actors, the directing is what you may expect from Härö: simply brilliant, as true as life.

The filmmakers have shared a very strong trust in humanity. The most warmhearted priest meets a woman whose fate has been to suffer a jail sentence that should never have been judged.

Do yourself a favor, watch this film.