Lettres au Père Jacob

If you want to see cinematographic art, see this movie. I won't tell the plot. This is something you can find on other sites. The movie is moving and deeply thoughtful while being light and entertaining. A reflection on today's world without being schoolmarmish. It is comparable to Whale Rider in the storytelling. And it is beautifully photographed as well. There are scenes where just the movement of the birch tree leaves by the wind are shown and they themselves tell a story. A must see. I hope it will be shown in many countries. I have seen it at the Vancouver International Film Festival. It didn't win, unfortunately. Well done Finland. I hope to see more from this director and crew.

Have you ever seen a movie that just sneaks up on you? You find yourself watching a film that seem okay and then suddenly you realize that it's really a magnificent and moving picture? Well, I sure have and I wish it happened more often, that's for sure. Like "My Afternoons with Margueritte", "Letters to Father Jacob" is one of these sweet pictures. But, because it sneaks up on you, be sure to pay attention and fight that urge to turn it off--it's a terrific little film.

The film begins in prison. Leila has been pardoned for her crime but she refuses to leave! It seems she has no where to go and is content to stay in prison. However, an old blind priest named Father Jacob has requested that she be paroled to him--as a housekeeper. She is not thrilled but has no other options and moves in with the guy. Her job is to do light housekeeping as well as read letters to him. Apparently, he's received thousands of letters from people requesting his advice and prayers and that is his ministry. Leila seems pretty bored by this and even begins tossing many of the letters away and contemplates running. However, she stays and then it happens--the film really goes right for the heart. I won't say more--it would spoil it. However, suffice to say it was NOT predictable, many questions are answered and you should have some Kleenex nearby.

The bottom line is that this film is exceptional--great writing, wonderful natural acting by folks who do not appear to be professional actors (though they are--especially Heikki Nousiainen who has had many film appearances) and the direction was just wonderful. If you don't mind a film without explosions, super-stars or glitz but just want a great film about people, give this one a try---you'll be glad you did!

Now here is a movie that everybody should see. A sad story, though not sentimental. The optimistic ending leaves you in a comfortable feeling that even the worst situation can turn to better.

The Finnish landscape is beautifully pictured. Postcard like sceneries. Two brilliant actors, the directing is what you may expect from Härö: simply brilliant, as true as life.

The filmmakers have shared a very strong trust in humanity. The most warmhearted priest meets a woman whose fate has been to suffer a jail sentence that should never have been judged.

Do yourself a favor, watch this film.

I'm assuming that the reader's idea of a great movie does not necessarily include explosions, gunfire or sex. Those can be part of a good movie, but you won't find them here. This is literally a quiet movie that has to be judged on its own terms. In that context, this is a terrific movie. The story is simple but well told and well acted. It's moving without being maudlin or syrupy. Straightforward yet emotionally involving. It's about forgiveness, redemption, and purpose in life, as worked out by a most odd couple, an aged blind priest and an ex-con who did time for murder. So within its limited parameters, I found it a beautiful film. My only complaint relates to the ending, which was rather contrived. I don't want to add a spoiler, but I thought the ending could've been drawn out a bit longer and been more convincing and effective. Watch it - and do watch it, if it sounds even remotely appealing - and I think you'll see what I mean.

Careful, finely-honed directing by Klaus Härö features wonderful performances by Heikki Nousiainen and Kaarina Hazard. Brilliant casting. Small, tiny, luminous inventions are everywhere; nothing is heavy-handed. The story, first written by Jaana Makkonen, is austere, moving; the film ends just where it needs to in order for the story resonate. In any other person's hands besides Härö's, the result could have been disastrous. Why? Because the story does not appear to be overtly exceptional; and the visuals of the film need to be composed with the actors in natural, country surroundings and among existing buildings and a church. Härö, a cinematic poet, transmutes the physical materials he has on hand into gold. See this film if you dislike badly made movies and yearn for outstanding quality.