Coup de théâtre

A murder-mystery with Sam Rockwell and Saoirse Ronan as the investigators. Who could resist such a premise? Not me. Since watching it I've heard it described as a very 'Wes Anderson' type film. I'm glad I didn't hear that before going in because I can't stand Anderson's films. I did quite enjoy this one though, so it would've been a false warning.

The chemistry between Ronan and Rockwell is what sells this. They nail it. I could watch these two on screen for a hundred more movies. The humour in the film is very clever. It may not make you laugh out loud all too often, but it will certainly bring a smile to your face.

The actual whodunit mystery itself is good, without being mind-blowing. It suffices in keeping the audience interested and curious while also giving the lead characters plenty of room to do their thing. This was a good one. 7/10.

This movie had a great potential to be a better one.

It was exciting in the beginning and it kept me entertained as it progressed, till some events happened that were strongly related to the plot and did not make any sense to me. That was disappointing in addition to the movie's ending.

The acting of the main characters was not perfect but was not bad either. There was a lot of sarcastic comedy some throughout the movie of which made me laugh.

I am sad that my rating had to drop from 7 to 6 as I liked the movie but I wish if it was executed in a better way.

After all, it was a fun experience and I do not regret watching it. If you are looking for a silly movie with a mystery to solve, watch it.

It may not be the smartest or funniest whodunit out there but See How They Run is still a really fun murder mystery that succeeds at creating an engaging mystery and solid gag rate bolstered by some surprisingly dark and mature themes.

Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.

Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.

It doesn't pretend to be high art. It's silly and enjoyable and was the equivalent of enjoying a good piece of cake - pleasurable but soon forgotten.

The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.

If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)

Q. When is too much split screen too much?

A. See How They Run.

I was so looking forward to this that i can't help feeling a tinge of disappointment. Towards the end of See How They Run, i was feeling almost nauseous with the use of split screen. It's every 5 minutes, and i'm not joking.

The movie thinks it's a lot cleverer than it is (telling us how the movie will end, the clever wink winks all the time). Some of the humour is great, mostly involving Saoirse Ronan who shows she's gifted in physical comedy and slapstick as well as everything else she puts her mind too.

The movie, for a whodunit, fails to fill the story with credible suspects and towards the end i had mostly lost interest in who the murderer was even going to be. Adrien Brody is great for the amount of screen time he receives but whenever he, Sam Rockwell or Saoirse aren't on screen, the movie drags.

Tom George's direction isn't the best and it makes me wonder what the film could look like if in better hands. Outside of the split screen issues, quick cuts are another constant but just makes me think of better directors and the lifting Tom George is taking from superior movies.

I went in to this hoping for another Knives Out but sadly this is nowhere near it.