IMDb RATING
6.7/10
16K
YOUR RATING
Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to st... Read allHumans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death.
- Awards
- 39 wins & 30 nominations total
Yanmanzi Zhu
- Hao Xiaoxi
- (as Manzi)
Featured reviews
This is a massive movie that has many many absolutely amazing scenes. I was really blown away, but after an hour I was finding it to be a bit too much intensity and it was becoming a bit exhausting. Still very impressive. I found I was not interested in the human drama built into the story. I don't know why the dubbed English parts were so odd. There is a lot of dialogue you have to read subtitles for that is going quickly but there is so much action you end up missing something no matter where you look. Overall this movie is a wild ride but just started to feel like too much of a good thing if that makes sense.
I saw this film last night with perhaps twenty others. Most of the audience were young and female. And Mandarin speaking.
My province in Canada - British Columbia - has a large Asian community but this mainland China blockbuster is only being shown in two cities, Vancouver and Victoria.
Pity.
In some ways the film's story surprised me: there is a mission, the mission seems largely Chinese led, but the success of this mission depends entirely on the cooperation of thirty three nations.
We dive in quickly with the arrival of 1138 new recruits who are blasted into space at 9 Gs. We are introduced to key characters who will have a role to play over the next three hours, amd thirty years.
Their mission is almost stillborn because of a successful, well organized and coordinated terrorist attack by 'terrorists' of DIGITAL LIFE. This group strongly disagrees with the coalition to build massive engines to move the earth away from the advancing sun predicted by science to hit Earth in one hundred years.
The balance of the film focuses on efforts to build those engines; preserve space elevators; move or blow up the moon. Obstacles at every point.
I grew irritated by on screen announcements of events that would unfold: in years, months, hours, minutes...
I appreciated how Sfx were used to show the great strides science could implement especially the supercomputer 550 and its successors.
I was able to sort out the leading players: two Chinese officials, a Russian and an American in a futuristic UN; two key Chinese scientists- hello ANDY LAU who looked impossibly young in the scenes with his AI daughter, and a handful of pilots who bond despite their nations' politics.
Indeed the closest I came to shredding a tear came late with said pilots 'volunteered' on essentially asus ice mission.
Did anyone else feel key characters were killed off, only to. Resurrected?
This film should challenge you: it should make you sad; you may feel you are helpless against what fate Mankind is maki f for itself.
If a significant part of the world's population questioned the existence of COVID, a significant number of people believe an election was stolen, I am relieved this film ends with "I choose hope".
My province in Canada - British Columbia - has a large Asian community but this mainland China blockbuster is only being shown in two cities, Vancouver and Victoria.
Pity.
In some ways the film's story surprised me: there is a mission, the mission seems largely Chinese led, but the success of this mission depends entirely on the cooperation of thirty three nations.
We dive in quickly with the arrival of 1138 new recruits who are blasted into space at 9 Gs. We are introduced to key characters who will have a role to play over the next three hours, amd thirty years.
Their mission is almost stillborn because of a successful, well organized and coordinated terrorist attack by 'terrorists' of DIGITAL LIFE. This group strongly disagrees with the coalition to build massive engines to move the earth away from the advancing sun predicted by science to hit Earth in one hundred years.
The balance of the film focuses on efforts to build those engines; preserve space elevators; move or blow up the moon. Obstacles at every point.
I grew irritated by on screen announcements of events that would unfold: in years, months, hours, minutes...
I appreciated how Sfx were used to show the great strides science could implement especially the supercomputer 550 and its successors.
I was able to sort out the leading players: two Chinese officials, a Russian and an American in a futuristic UN; two key Chinese scientists- hello ANDY LAU who looked impossibly young in the scenes with his AI daughter, and a handful of pilots who bond despite their nations' politics.
Indeed the closest I came to shredding a tear came late with said pilots 'volunteered' on essentially asus ice mission.
Did anyone else feel key characters were killed off, only to. Resurrected?
This film should challenge you: it should make you sad; you may feel you are helpless against what fate Mankind is maki f for itself.
If a significant part of the world's population questioned the existence of COVID, a significant number of people believe an election was stolen, I am relieved this film ends with "I choose hope".
Over the last decade, Chinese cinema has made giant leaps and bounds in terms of quality and sophistication of their films, especially in sci-fi genre. The Wandering Earth and this prequel, The Wandering Earth II, is a significant milestone. As a prequel, it has more depth in the story than the first, though the premise behind the main conflict is a bit shallow to be believed, as if "digital life" and survival of the planet are mutually exclusive. Pizza OR pepperoni? What kind of a decision is that? You still need the pizza, with or without the pepperoni.
But like its predecessor, the problem is pacing. The story is grand, an epic tale of an audacious plan to save mankind and Earth from the dying sun. But the pacing is so ridiculously fast, that it's difficult to enjoy and appreciate it. It's so focused on the crisis from all angles that it feels like every scene and every shot is less than two seconds long. For subtitle readers, it's even worse to follow. On top of that, there is visual information overload, with names flashing on the screen. There is so much going on, you will be afraid to blink and miss an important plot point.
And then there are the annoying tropes. I think this is the third or fourth Chinese film and TV show I've recently watched that has a shrill little girl/daughter yelling and crying "Baba! Baba!" to stoke our sympathy and emotional attachment to. And, where do they find these foreign actors?!? They cannot act and they are loud. Perhaps this is how they want to portray westerners, but there are plenty of international films shown in China--they have to know how bad these actors are, right? With so many actors (waiters) in Hollywood looking for work, you'd think it'd be easy to find more passable supporting cast.
Despite all this, you're not going to watch The Wandering Earth series for the acting--this is a CGI spectacle. It's gorgeous, and if you treat it like cut scenes from a triple-A video game, you'll enjoy it a lot.
But like its predecessor, the problem is pacing. The story is grand, an epic tale of an audacious plan to save mankind and Earth from the dying sun. But the pacing is so ridiculously fast, that it's difficult to enjoy and appreciate it. It's so focused on the crisis from all angles that it feels like every scene and every shot is less than two seconds long. For subtitle readers, it's even worse to follow. On top of that, there is visual information overload, with names flashing on the screen. There is so much going on, you will be afraid to blink and miss an important plot point.
And then there are the annoying tropes. I think this is the third or fourth Chinese film and TV show I've recently watched that has a shrill little girl/daughter yelling and crying "Baba! Baba!" to stoke our sympathy and emotional attachment to. And, where do they find these foreign actors?!? They cannot act and they are loud. Perhaps this is how they want to portray westerners, but there are plenty of international films shown in China--they have to know how bad these actors are, right? With so many actors (waiters) in Hollywood looking for work, you'd think it'd be easy to find more passable supporting cast.
Despite all this, you're not going to watch The Wandering Earth series for the acting--this is a CGI spectacle. It's gorgeous, and if you treat it like cut scenes from a triple-A video game, you'll enjoy it a lot.
This one is better than the first movie, which is very rare these days. The story lines are great. Although there are some plots that do not make a lot sense, it doesn't affect the overall rating at all. It doesn't make me feel it's a 3hr movie at all. This is actually the best Si-Fi movie I have watched in the last 3 years (and I've watched a lot lol) and I think it's fair to say it's better than 70% of the Hollywood Si-Fi movies these days.
I'm looking forward to the third one now given there are some flash forward scenes hinting at the next story line. Also, don't miss the credits at the end. I left early and have to read up on the end credit scenes online afterwards.
I'm looking forward to the third one now given there are some flash forward scenes hinting at the next story line. Also, don't miss the credits at the end. I left early and have to read up on the end credit scenes online afterwards.
The Wandering Earth II tells a disaster story from an oriental point of view instead of the western one (which is getting more and more cliche), where humans work as a team to face the overwhelming crisis. There's no hero who can save the Earth single-handedly; still, every effort matters.
In many ways, TWE II is a true sight for the sore eyes in nowadays movie industry, even by the criteria of Hollywood. Outstanding visuals & acoustics, compelling narrative, numerous convincing concepts and details, and furthermore, a much more "universal" human value. It raises the ceiling for movies of the same genre to a whole new level.
If you let go of all the stereotypical thinking and preconceived bias against Chinese movies, then TWE II is definitely worth seeing (better in IMAX).
(Taking one star off in case they get cocky /doge)
In many ways, TWE II is a true sight for the sore eyes in nowadays movie industry, even by the criteria of Hollywood. Outstanding visuals & acoustics, compelling narrative, numerous convincing concepts and details, and furthermore, a much more "universal" human value. It raises the ceiling for movies of the same genre to a whole new level.
If you let go of all the stereotypical thinking and preconceived bias against Chinese movies, then TWE II is definitely worth seeing (better in IMAX).
(Taking one star off in case they get cocky /doge)
Did you know
- TriviaThe film is a prequel to the 2019 film The Wandering Earth, which is based on the short story of the same name by Liu Cixin, who serves as the film's producer.
- GoofsThe concept behind a space elevator would be the many massive payloads can be hauled into orbital space with very little energy use as compared to the present use of large rocket boosters. It would also not be necessary to subject human occupants to 9 Gs of acceleration to get to space.
- ConnectionsFollowed by Liu Lang Di Qiu 3 (2027)
- How long is The Wandering Earth II?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Wandering Earth - La fin des temps
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CN¥900,000,000 (estimated)
- Gross US & Canada
- $5,023,132
- Gross worldwide
- $615,023,132
- Runtime2 hours 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.76 : 1
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