Trapped Inn

Sure, I had never heard about "Trapped Inn" prior to sitting down and watching it here in 2025. And the movie's cover was actually interesting enough to make me stop and give it a gander. But that was a mistake on my account.

The storyline in the movie was insanely slow paced, sluggish and downright boring and pointless. I zoned out about 15 minutes into the movie, and tossed the towel in the ring at the 37 minute marker. I just couldn't take anymore of the boredom that writer and director Leah Sturgis had conjured up for this dumpster fire of a movie. Was there a point to this 2024 sci-fi thriller from writer and director Leah Sturgis? I doubt it. Or at least I failed to see it, and the movie was far from being even remotely entertaining. In fact, "Trapped Inn" was a swing and a miss of a movie.

I was not familiar with the cast ensemble in the movie, and that is usually something I do enjoy when I sit down to watch a movie. But the actors and actresses on the cast list in "Trapped Inn" virtually stood a snowballs chance in Hell, as they had absolutely nothing wholesome to work with.

"Trapped Inn" is definitely one of the worst movies I've stumbled upon in a long, long time. Sure, the production value was fair enough, but the total lack of script, character gallery and just general entertainment ensured that this stinker sank quicker than a cannon ball in water.

Don't waste your time, money or effort on "Trapped Inn". It just simply isn't worth the time of day.

My rating of writer and director Leah Sturgis's travesty of a sci-fi thriller lands on a generous one out of ten stars.

What if the things we rely on to advance humanity-AI, space exploration, and cutting-edge technology-became the very tools of our undoing? That's the chilling question Leah Sturgis' Trapped Inn dares to ask.

The film may seem like a survival thriller on the surface, but dig deeper, and you'll find a commentary on the times we live in. It's no coincidence that the story unfolds during a pandemic, reflecting the collective trauma we've all faced. But Sturgis takes it a step further, weaving in themes of technological manipulation, societal control, and even space colonization.

Elon Musk, SpaceX, and the global AI race are clear inspirations here. There's a particularly unnerving subplot about AI becoming weaponized-a subtle nod to the debates around its unchecked growth. In one scene, a team member discovers an AI-driven device that malfunctions in ways that feel less accidental and more... intentional. It's the kind of chilling "what if" scenario that sticks with you.

What makes Trapped Inn so relevant is its ability to tie these grand ideas to a grounded, terrifying story. The hotel becomes a microcosm of a world on the brink of collapse-isolated, manipulated, and struggling to survive.

By the end, you're left questioning: Are we truly advancing, or are we building our own cages? Trapped Inn is a timely, thought-provoking thriller that's impossible to shake off, especially in an age where tech seems to touch every corner of our lives.

Despite the criticism it's received, I couldn't help but find Leah Sturgis' Trapped Inn an intriguing, if flawed, exploration of our technological future. The film's sprawling themes may be messy at times, but they carry a chilling resonance that feels all too relevant in today's world.

At its heart, the movie is about survival-but not just from the immediate dangers faced by the stranded cycling team. It's about humanity's struggle to survive in a world increasingly shaped by artificial intelligence, pandemics, and the quest for space colonization. The eerie setting of an isolated hotel in the Andorran mountains becomes the perfect metaphor for our current state: beautiful on the surface, but teeming with unseen threats beneath.

One of the film's most compelling aspects is its commentary on AI and the unchecked growth of technology. From malfunctioning systems to cryptic messages that hint at something far more sinister, Trapped Inn forces viewers to confront the darker side of our technological progress. The nods to real-world tech propagandas add an extra layer of relevance, making the story feel like a warning as much as a thriller.

Yes, the movie isn't perfect. The narrative feels overstuffed at times, with elements like a sudden dance scene or a romantic subplot detracting from the tension. But even these quirks add to the film's surreal, haunting vibe.

In the end, Trapped Inn is more than just a survival thriller-it's a chilling glimpse at a future shaped by technology's rapid advance. It may not have all the answers, but it leaves you with plenty to think about-and maybe even a little scared of what's to come.

I wasn't going to post a review for this abysmally awful "movie" but then I noticed all the ridiculous glowing reviews posted by either cast or crew or the family/friends of the cast or crew. One thing I can't stand is people like that trying to artificially boost the rating of a movie to trick people into watching their garbage.

This "movie" is awful in every aspect and I wouldn't be surprised if the writer was extremely young and immature.

Whoever green-lit this movie and paid for it to be made should be ashamed of themselves. I don't really need to go into details of why it's so bad because many others here have already done it.

Trapped Inn is a film that doesn't just rely on its plot and performances to create tension-it's the little things, like the music, camera work, and visual effects, that really enhance its atmosphere. While not all of these elements are groundbreaking, they certainly contribute to the film's unsettling mood.

The music in Trapped Inn is a quiet yet effective presence. The score isn't overly dramatic but works well with the tension, creating a sense of dread that builds without becoming overbearing. There are moments where the soundtrack feels almost haunting, underscoring the isolation and fear the characters experience, though there are times when the music feels a bit underused during crucial scenes, leaving some moments feeling more still than they should be.

The camera angles in the film are another subtle strength. There's an effective use of close-ups that intensify the emotional stakes, especially in the quieter, more introspective moments. The camera lingers long enough to capture the isolation of the characters but doesn't overdo it. However, there are times when the camera movements could have been a bit steadier-some of the more chaotic sequences come across as disorienting in a way that detracts from the tension.

When it comes to color grading, Trapped Inn does a solid job of using a muted, almost washed-out palette to evoke the bleakness of the characters' situation. At times, the film could have benefited from more contrast to visually highlight key moments, but the overall mood is well-suited to the narrative.

The visual effects, though not the star of the show, are decent. The supernatural elements, including the ghostly apparitions, are executed with just enough subtlety to be unsettling without overshadowing the human drama at the core of the story. A few scenes involving technology and AI could have used more polish, but they still serve their purpose without drawing too much attention.

Altogether, while Trapped Inn doesn't reinvent the wheel when it comes to technical aspects, it uses these elements effectively to amplify the film's sense of dread and uncertainty.