Simon

I lived in Venezuela when the saying was "It's Cheap, Give Me Two!" (as the title says in Spanish). This saying originated in the 80's. Venezuela was democratic and rich. The exchange rate was 4.35 Bolos=$1. Many middle class would travel to the US and buy a lot of stuff because "It's Cheap, Give Me Two!" So sad how Venezuela changed in just a few years after Chavez/Maduro's election in '99.

The movie deserves the current 7.8 rating. The acting is very good and Spanish was spoken with the proper accent (kinda of important for authenticity). Simón is psychologically scared while trying to get asylum in Miami. The ending closes all questions.

In "Simon," director Diego Vicentini embarks on a bold journey to unravel the intricate layers of Venezuela's current turmoil, crafting a narrative that resonates deeply with those familiar with the country's harrowing reality. At its core, the film aims to shed light on the dire circumstances faced by students and the ruthless suppression by the government against those who dare to oppose its reign. It's a commendable endeavor that seeks to bring the forgotten paradise of Venezuela to the forefront of global consciousness, now a shadow of its former self, mired in devastation.

The movie does an admirable job of encapsulating the tragedy of the Venezuelan people, many of whom have been forced to flee their homeland. Through the lens of "Simón," viewers are offered a glimpse into the collective struggle of a nation, as well as the personal stories of resilience and despair. The choice to base the narrative on true events lends an authenticity to the film, making it a potent reminder of the ongoing fight for freedom and justice within Venezuela.

However, for an international audience, "Simón" might not hit the mark as intended. While the film's ambitions are clear, its execution often feels amateur, particularly in terms of acting and production values. This aspect might detract from the overall impact for viewers unfamiliar with the Venezuelan context, potentially overshadowing the poignant message at its heart.

For those close to the Venezuelan crisis, "Simón" will undoubtedly strike a chord, serving as a moving tribute to the resilience of the human spirit in the face of adversity. To the international audience, it offers a valuable, if somewhat flawed, insight into the realities of a nation fighting to reclaim its identity and dignity.

"Simon" may not be perfect, but it is a necessary film that highlights the urgent need for awareness and support for Venezuela. It's a reminder that behind the headlines are real people enduring unimaginable hardships, deserving of the world's attention and empathy.

The first thing I must mention is the script. The narrative and dialogue are a masterpiece. It's evident that Diego, the director and writer of the film, tirelessly refined and perfected it.

The storytelling and the way it communicates what happens and has happened is incredible. This film speaks to both those familiar and unfamiliar with the history of Venezuela.

Each character embodies an aspect of Venezuelan identity, making it easy to relate to on many levels. The lead actor takes you on an emotional rollercoaster from start to finish.

The performances are impeccable; they made me laugh and cry. It was a beautiful and extremely emotive film, but it also had moments of tension that elevated the production to another level.

This film is and will likely remain one of the best in history that narrates Venezuela's story from a very unique perspective, through the life of a student and the impact of their reality reflecting what many have experienced.

Diego, thank you for creating this film, and thanks to the entire team for this cinematographic beauty.

This is the movie on everybody's mouth right now in Venezuela.

It deals with one of the most, if not the most trying, horrifying and heart wrenching moment in Venezuelan history, which were the 2014 and 2017 protests when hundreds of young people (most of them students) were mercilessly killed by the national army.

Well, the movie doesnt depict those moments, it just shows you glimpses of it, as the movie is about a young man who participated in those protests and then moved to Miami, and now he is dealing with PTSD, basically.

Even though I am Venezuelan and I lived through those times, the film didnt really impacted me emotionally for the most part.

I think maybe it was the lack of Venezuela in general, as the majority of the movie takes place in Miami. There's only one shot of Caracas, and then the scenes that take place in Venezuela happen in a run down abandoned horrible place where our protagonist was held captive.

The monologue by Franklin Virguez was definitely the highlight of the film. The lighting in that scene, everything was terrifying. The protagonist's acting was pretty good too.

But in general, I think it lacked contrast, it would have been more effective if they showed some happy times in our protagonist's life in his home country and they should have definitely added his parents to the story since dozens of parents lost a child during those protests, and many of them were constantly on the news.

I also was not sold on the action of the film being the whole situation with the medicine.

I dont know, I think this movie is by Venezuelans for Venezuelans, it really doesnt have that universal thing about it, it feels way too specific, if that makes sense.

And that universal aspect is precisely the amazing thing about movies. You can watch a movie that has absolutely nothing to do with you or your country, that was made in a time when you weren't even born, and that movie can resonate with you in ways you Never imagined.

But as I mentioned in the title, this film will probably only resonate with venezuelans for the most part.

And it is the type of movie people will love simply because of the subject matter, not because the movie itself is actually great.

The film "Simon" is a powerful allegory that transcends the borders of Venezuela to depict a reality unfortunately repeated in many nations. With a captivating narrative and outstanding performances, this film immerses the viewer in the subtle yet relentless transformation of an ostensibly democratic and inclusive political movement into a repressive and corrupt regime.

Through its intertwined characters and their stories, the movie allows us to witness how promises of equality and social justice gradually fade away, giving way to the persecution of dissidents, censorship, and systematic human rights violations. This harsh reality forces many to embark on the painful path of exile, in search of the freedoms and opportunities that have been stripped away in their own country.

Director Diego Vicentini's solid and emotional script manages to connect with the viewer on a profound emotional level. The impeccable performances by the entire cast breathe life into complex, multidimensional characters, allowing us to understand the motivations and dilemmas they face in an increasingly oppressive environment.

"Simon" is not only a wake-up call about the dangers of authoritarianism disguised as progressivism but also a reminder of the importance of remaining vigilant and defending democratic values at all costs. It is an invaluable document for those nations that have gone through or are currently experiencing similar political challenges, and an invitation to reflect on the price paid when freedom is sacrificed for false promises.

In summary, "Simon" by director Diego Vicentini is a highly recommended film that combines a powerful narrative with a profound social message, making it an essential cinematic work to understand the risks and consequences of allowing authoritarianism to take root in a society.