A beautiful woman in trouble and an incriminating roll of film sends a photo-lab worker on an investigation into a dark world of sex, secrets and murder.A beautiful woman in trouble and an incriminating roll of film sends a photo-lab worker on an investigation into a dark world of sex, secrets and murder.A beautiful woman in trouble and an incriminating roll of film sends a photo-lab worker on an investigation into a dark world of sex, secrets and murder.
- Director
- Writers
- Stars
- Awards
- 5 wins & 14 nominations total
Gustavo J Ramirez
- Freddy Mayorga
- (as Gustavo Ramirez)
- Director
- Writers
- All cast & crew
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Featured reviews
This suspenseful movie expertly pays homage to 70's paranoid classics such as The Parallax View, The Conversation, and Chinatown, while still managing to carve out its own identity. The influence of these films is clear, with a gripping atmosphere of tension and mistrust that permeates every scene. It's the kind of film that keeps you on the edge of your seat, unraveling layer after layer of intrigue as it moves toward a climactic conclusion.
The performances are particularly strong across the board, with the cast delivering memorable, nuanced portrayals. Maria Conchita Alonso, in her brief but hilarious cameo, adds a refreshing moment of levity amidst the tension. Her scene is so delightful and unexpected that it nearly justifies the price of admission on its own, showcasing Alonso's ability to steal the spotlight even in smaller roles.
The film excels at building suspense, with a tightly woven plot full of twists and turns. Its pacing is deliberate but never drags, as it keeps you invested in the mystery unfolding on screen. The cinematography and sound design also work in harmony to heighten the sense of paranoia and unease, drawing the audience deeper into the story's labyrinth of deception.
But what really sets this film apart is its jaw-dropping finale. It's the kind of ending that sticks with you long after the credits roll, providing a shocking and satisfying conclusion to an already tense narrative. Fans of thrillers and mystery dramas will find this movie worth their time, as it balances homage with originality, resulting in a gripping cinematic experience. Definitely worth checking out for anyone who enjoys a good, suspenseful story with a killer ending.
The performances are particularly strong across the board, with the cast delivering memorable, nuanced portrayals. Maria Conchita Alonso, in her brief but hilarious cameo, adds a refreshing moment of levity amidst the tension. Her scene is so delightful and unexpected that it nearly justifies the price of admission on its own, showcasing Alonso's ability to steal the spotlight even in smaller roles.
The film excels at building suspense, with a tightly woven plot full of twists and turns. Its pacing is deliberate but never drags, as it keeps you invested in the mystery unfolding on screen. The cinematography and sound design also work in harmony to heighten the sense of paranoia and unease, drawing the audience deeper into the story's labyrinth of deception.
But what really sets this film apart is its jaw-dropping finale. It's the kind of ending that sticks with you long after the credits roll, providing a shocking and satisfying conclusion to an already tense narrative. Fans of thrillers and mystery dramas will find this movie worth their time, as it balances homage with originality, resulting in a gripping cinematic experience. Definitely worth checking out for anyone who enjoys a good, suspenseful story with a killer ending.
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This movie is very good. It brought back the nostalgia for Film Noir. Yet, it is better because the director recognized the twists and turns of the genre, taking you on a rollercoaster ride. The actors are very convincing in their character roles. The audience is hooked within the first three minutes of the film, leaving you wanting for more. The talent of Richard Kilroy (director) becomes very obvious with his attention to detail in every frame placing him - in my opinion - among the great directors. This move must be seen by all who appreciate this genre. I have no doubt that when it is released, Proof Sheet will rise to the top possible bagging the Best Director and Best Picture awards. A truly excellent movie which no serious fan of good movies should miss.
PROOF SHEET
Review by Karen A. Kerbis, aka "La Gringa Novelera"
22 January 2023
A millennium ago, Rod Stewart famously sang "Every Picture Tells a Story.
" He was right. But in the new thriller Proof Sheet, the question at the heart of its mystery is every picture might tell a story, but what is the story being told? And as the movie's hero Angel (Leo Llenas) learns, that's not such an easy question to answer. In his case, the closer he comes to the answers, the more questions he has, and the more danger he finds himself in.
Typically, film noir heroes are jagged grown-ups who have been through a lot, with a past that haunts the present. Barely 21, Angel seems too young to have a past. But, as the story unfolds, it becomes clear he is haunted by two ghosts. Angel is tormented by abandonment, which explains why when he meets a beautiful young woman Reina (Catherine Lidstone, The Chosen), sees an opportunity to become important to her, even though he has no idea what kind of trouble she's in, or how she knows his Uncle Gilbert (Alejandro Delgado, The Bold & the Beautiful).
Someone drops off a roll of film to be developed with images that suggest Reina is in danger. Angel is on the case and sets off to investigate what happened to her and why. Angel is sure that something frightful has happened to Reina. But, the more he learns, the less he understands. Leo Llenas does a tremendous job as a young man who has to learn a lot of hard truths very quickly. He rapidly outgrows the innocence of childhood, shedding that skin with convincing authenticity. We root for him.
Proof Sheet unfolds in a Latino neighborhood of Los Angeles in 1999, boasting an outstanding cast predominantly comprised of Latino actors. Personally, I find it perplexing that we don't encounter movies (and casts) of this nature more frequently. Frankly, it's invigorating to witness a mystery unravel in a community where people, who happen to be Latinos, are simply trying to live their lives. This stands in contrast to the usual scenarios, such as upper-class British characters at an English country house for a murder mystery weekend or the recurring theme of grim Norwegians investigating yet another serial killer in the bleakness of the Arctic Circle. I could go on, but you get the idea.
A sense of doom pervades the movie, thanks to director Richard Kilroy, who also co-wrote the script with Eduardo Santiago. Proof Sheet takes place in the week between Christmas and New Year, 1999 - the Eve of the Third Millennium. There was plenty of anxiety to go around back then, as people worried about the ability of banks, government, you name it, to manage the change in automated systems from 1999 to 2000 In Proof Sheet, the Millenium anxiety gnaws on the edges, but it's there, and another thing to worry about. This is a new film noir, made by people who grew up on the genre but have brought it into the present without being campy, which is not easy to do. In fact, it's done remarkably well here.
The movie is nothing if not atmospheric, with tributes to the masters in some pivotal scenes you can't miss, paying homage to classic scenes from masters like Hitchcock and Lynch.
Famed Cuban-born actress Maria Conchita Alonso (The Running Man, Predator II) has a pivotal role as Chrisanta, a psychic who is just scary enough for me to want to seek out her advice every day, either because she is always right, or because I would hope that would keep her from putting a curse on me.
Either way, it works, and it is great fun to see her again.
Midway through the movie, Angel meets his father, and shows him the proof sheet that is driving his search for Reina; His father suggests that the photos might just show a less ominous "surprised" version of Reina, and could very well mean nothing. "Don't trust what you see. It can get you killed," Angel's police-detective father warns him.
The question is, will Angel follow that advice?
A millennium ago, Rod Stewart famously sang "Every Picture Tells a Story.
" He was right. But in the new thriller Proof Sheet, the question at the heart of its mystery is every picture might tell a story, but what is the story being told? And as the movie's hero Angel (Leo Llenas) learns, that's not such an easy question to answer. In his case, the closer he comes to the answers, the more questions he has, and the more danger he finds himself in.
Typically, film noir heroes are jagged grown-ups who have been through a lot, with a past that haunts the present. Barely 21, Angel seems too young to have a past. But, as the story unfolds, it becomes clear he is haunted by two ghosts. Angel is tormented by abandonment, which explains why when he meets a beautiful young woman Reina (Catherine Lidstone, The Chosen), sees an opportunity to become important to her, even though he has no idea what kind of trouble she's in, or how she knows his Uncle Gilbert (Alejandro Delgado, The Bold & the Beautiful).
Someone drops off a roll of film to be developed with images that suggest Reina is in danger. Angel is on the case and sets off to investigate what happened to her and why. Angel is sure that something frightful has happened to Reina. But, the more he learns, the less he understands. Leo Llenas does a tremendous job as a young man who has to learn a lot of hard truths very quickly. He rapidly outgrows the innocence of childhood, shedding that skin with convincing authenticity. We root for him.
Proof Sheet unfolds in a Latino neighborhood of Los Angeles in 1999, boasting an outstanding cast predominantly comprised of Latino actors. Personally, I find it perplexing that we don't encounter movies (and casts) of this nature more frequently. Frankly, it's invigorating to witness a mystery unravel in a community where people, who happen to be Latinos, are simply trying to live their lives. This stands in contrast to the usual scenarios, such as upper-class British characters at an English country house for a murder mystery weekend or the recurring theme of grim Norwegians investigating yet another serial killer in the bleakness of the Arctic Circle. I could go on, but you get the idea.
A sense of doom pervades the movie, thanks to director Richard Kilroy, who also co-wrote the script with Eduardo Santiago. Proof Sheet takes place in the week between Christmas and New Year, 1999 - the Eve of the Third Millennium. There was plenty of anxiety to go around back then, as people worried about the ability of banks, government, you name it, to manage the change in automated systems from 1999 to 2000 In Proof Sheet, the Millenium anxiety gnaws on the edges, but it's there, and another thing to worry about. This is a new film noir, made by people who grew up on the genre but have brought it into the present without being campy, which is not easy to do. In fact, it's done remarkably well here.
The movie is nothing if not atmospheric, with tributes to the masters in some pivotal scenes you can't miss, paying homage to classic scenes from masters like Hitchcock and Lynch.
Famed Cuban-born actress Maria Conchita Alonso (The Running Man, Predator II) has a pivotal role as Chrisanta, a psychic who is just scary enough for me to want to seek out her advice every day, either because she is always right, or because I would hope that would keep her from putting a curse on me.
Either way, it works, and it is great fun to see her again.
Midway through the movie, Angel meets his father, and shows him the proof sheet that is driving his search for Reina; His father suggests that the photos might just show a less ominous "surprised" version of Reina, and could very well mean nothing. "Don't trust what you see. It can get you killed," Angel's police-detective father warns him.
The question is, will Angel follow that advice?
Proof Sheet is like a wild rollercoaster set in the gritty backdrop of LA '99, and boy, did it grab me right from the start. This noir is all about unpredictability; it's a rollercoaster of intrigue. Keeping you guessing and totally hooked. No wonder it's making waves in the festival scene! If you're into mind-bending movies that mess with your head (in a good way), this one's a must-watch. Kudos to the talented cast and crew for delivering a film that stands out and leaves a lasting impression. This is a smart film. You nailed it! - they've cooked up a flick that stands out and sticks with you. Don't skip this thrilling ride - grab some popcorn - or not, I didn't need it - :-) and enjoy the suspense!
It's a gem!
It's a gem!
Ever since I had the pleasure of meeting the writer/director, Richard Kilroy, and the producer, Alejandro Delgado, I've been captivated by the narrative. The setting in 1999 struck a chord with me, evoking a profound connection to my own past and formative years. Upon my arrival in Los Angeles, I immediately identified with Angel (Leo Llenas), a young Latino who navigates the complexities of falling for an immigrant girl, portrayed by Catherine Lidstone, hailing from Mexico.
Without divulging any spoilers, I must express that the performances in this film are truly exceptional. The storyline's depth and darkness hold the audience in rapt attention, leaving them yearning for more. The pinnacle of the movie lies in its climax, offering a delightful and unexpected surprise. I definitely recommend experiencing this cinematic journey!
Without divulging any spoilers, I must express that the performances in this film are truly exceptional. The storyline's depth and darkness hold the audience in rapt attention, leaving them yearning for more. The pinnacle of the movie lies in its climax, offering a delightful and unexpected surprise. I definitely recommend experiencing this cinematic journey!
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- Runtime2 hours 6 minutes
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- 2.39 : 1
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