In a violent, futuristic metropolis, a law enforcement and his rookie trainee become caught up in a high-stakes drug war.In a violent, futuristic metropolis, a law enforcement and his rookie trainee become caught up in a high-stakes drug war.In a violent, futuristic metropolis, a law enforcement and his rookie trainee become caught up in a high-stakes drug war.
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This definitely isn't one of those movies with a lot of character development, but its not your typical action flick either. This is a beautiful work of art with a lot of stylized violence, desolate alleys with shady characters and ill intentions. The grungy neon lights of a dystopian future, the scarlet blood and glimmering glass, the hauntingly beautiful slow motion, what makes this movie great is definitely the visual aspects.
Dredd himself is very one dimensional, forcedly so. Stern, analytical, gruff, his toughness masking a side of him the audience never actually gets to see. His character is described perfectly in the first few minutes by his new psychic apprentice, which is the last look you get inside of his head before its slammed shut. He is a man who takes his duty seriously to the point that it consumes him, defines him.
Ma-ma is sadistically brilliant. Her mob-style domination of peach tree creates a claustrophobic apprehension for a threat far too big to take on in a box far too small to escape. The terror by which she controls the people is believable and vicious. Whats lost in character development is regained by the subtle twisted moments and reactions to the threats imposed on each of the characters.
The psychic scenes were perhaps the most well done and paints a very nice psychological battle between the judge in training and her prisoner. I would've actually enjoyed more of these as they were very surreal and artistic. Its also cool to see the way she breaks him down even after he thinks he has the upper hand.
Slow mo, the drug this movie centers around, makes for some very awesome fight scenes on par with Sherlock Holmes 2: a Game of Shadows and the Matrix. The visual effects were very well executed and i myself being a visual effects artist, have only one complaint. At some points the blood was a bit oversaturated and toonish, which was likely in attempt to match the comic but draws away from a few scenes.
Dredd himself is very one dimensional, forcedly so. Stern, analytical, gruff, his toughness masking a side of him the audience never actually gets to see. His character is described perfectly in the first few minutes by his new psychic apprentice, which is the last look you get inside of his head before its slammed shut. He is a man who takes his duty seriously to the point that it consumes him, defines him.
Ma-ma is sadistically brilliant. Her mob-style domination of peach tree creates a claustrophobic apprehension for a threat far too big to take on in a box far too small to escape. The terror by which she controls the people is believable and vicious. Whats lost in character development is regained by the subtle twisted moments and reactions to the threats imposed on each of the characters.
The psychic scenes were perhaps the most well done and paints a very nice psychological battle between the judge in training and her prisoner. I would've actually enjoyed more of these as they were very surreal and artistic. Its also cool to see the way she breaks him down even after he thinks he has the upper hand.
Slow mo, the drug this movie centers around, makes for some very awesome fight scenes on par with Sherlock Holmes 2: a Game of Shadows and the Matrix. The visual effects were very well executed and i myself being a visual effects artist, have only one complaint. At some points the blood was a bit oversaturated and toonish, which was likely in attempt to match the comic but draws away from a few scenes.
Dredd is a simple action film with a simple premise that suffers from the legacy of a horrid 1995 Hollywood film adaptation to a British cult comic (2000 AD). It's a shame a sequel never saw the light of day, since Karl Urban was superb in his portrayal of Judge Dredd.
DREDD is the second adaptation of the cult comic book series Judge Dredd, following on from a poorly-received Stallone flick in the '90s (for the record, I thought that version was passable but weak in places, as is the case with a lot of mid-'90s cinema). This one's a lot more gutsy and compelling, thanks to the lean script and emphasis throughout on bloody action and adult entertainment. No pandering to the teenage crowd here.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
'Dredd' is an efficient and entertaining action movie, with lots of memorable moments, kills and one-liners.
I really hope that everyone goes out to see the movie, because how often do we really get an extremely violent, faithful, intelligent science fiction movie in cinemas nowadays. I also want them to make more sequels. There is so much potential for sequels, as this movie has set up the character and the scenario, and we can really get into the more epic storytelling. The story in 'Dredd' is very confined, 85% of the film takes place in one of the huge tower blocks, and I kinda wanted to see more of the city and more of Dredd's world. But for what it is, 'Dredd' is a very good movie. There are also lots of nice character moments in between all the action, and some truly breathtaking slow-motion sequences, that almost makes the extra price of the 3D worthwhile.
Dredd is such a great character. He is a challenging anti-hero and an uncompromising bad-ass. And don't worry, the film does not glamorise violence, or justify Mega City One's judicial system. People often compare Dredd to 'Dirty Harry', but I would argue that Dredd is a more heroic character, because he would never break the rules, like Dirty Harry does. He isn't a hero because he executes bad guys, but because he is incorruptible, and will always fight for what he believes is right, despite the danger of doing it. If it is right or not, the movie leaves to the audience.
Its such an enjoyable movie that deserves success. Now go watch 'Dredd'. Creep!!
I really hope that everyone goes out to see the movie, because how often do we really get an extremely violent, faithful, intelligent science fiction movie in cinemas nowadays. I also want them to make more sequels. There is so much potential for sequels, as this movie has set up the character and the scenario, and we can really get into the more epic storytelling. The story in 'Dredd' is very confined, 85% of the film takes place in one of the huge tower blocks, and I kinda wanted to see more of the city and more of Dredd's world. But for what it is, 'Dredd' is a very good movie. There are also lots of nice character moments in between all the action, and some truly breathtaking slow-motion sequences, that almost makes the extra price of the 3D worthwhile.
Dredd is such a great character. He is a challenging anti-hero and an uncompromising bad-ass. And don't worry, the film does not glamorise violence, or justify Mega City One's judicial system. People often compare Dredd to 'Dirty Harry', but I would argue that Dredd is a more heroic character, because he would never break the rules, like Dirty Harry does. He isn't a hero because he executes bad guys, but because he is incorruptible, and will always fight for what he believes is right, despite the danger of doing it. If it is right or not, the movie leaves to the audience.
Its such an enjoyable movie that deserves success. Now go watch 'Dredd'. Creep!!
I've been a Dredd fan for thirty years now, but I'm not about to give this movie adaptation of my favourite comic character a ridiculously high rating purely from some misguided sense of loyalty. Instead, I'm going to give it a deservingly high score because, quite simply, it is a very good film, one that successfully captures the essence of the 2000AD strip, delivering brutal action by the bucket-load, excellent central performances, and inspired direction, all enhanced by breathtaking state-of-the-art 3D special effects.
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
Did you know
- TriviaKarl Urban insisted on riding the Lawmaster motorcycle himself.
- GoofsWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Quotes
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConnectionsEdited into 5 Second Movies: Dredd 3D (2014)
- SoundtracksJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Hội Thẩm Phán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $13,414,714
- Opening weekend US & Canada
- $6,278,491
- Sep 23, 2012
- Gross worldwide
- $41,037,742
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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