Raaz: The Mystery Continues

the director presents a thriller that will make you watch every scene cautiously. forgetting the first 15 minutes. then the movie gets the treatment it has to. it covers in all aspects. a good suspense till the end that will make the watchers crazy. rock solid songs and good background score that thrills and makes you sweat for fear. a good suspense and crisp storyline. i like a movie when it covers all the elements like story , action , romance , comedy , revenge , tragedy , emotion. the movie covers story well. it holds romance in the first half. revenge is the crux and suspense . tragedy and emotion is not applicable for this movie. comedy is way too far for a thriller. since it covered most of the elements in the right way. this movie is a good flick .

Movie does not appear to be a horror or thriller because of its predictability. At least not for horror movie afficiandoes. Half way through I already was able to get a hint of what the end would be like.

Without spoiling too much for those who are still waiting to watch this movie. What? Am I kidding? Its been 6 months since it came out but anyways I think nothing makes it worth watching than Kagna alone. My only complain is that she looks too cute to look scary even in a ghostly appearance. That apart she does a good job at genuinely putting life into a character that builds on you. I like a horror movie which ends with a lot of tension and shock leaving behind the viewer with a climax that sticks in their mind for a long long time. But unfortunately the whole thing dissolves in the end particularly because the concern for Kangna's character gets removed by the end.

In fact other than watching her and commenting on her dresses in some not so "demanding" scenes all we were doing was laughing away at some of the "scary" scenes. The graphics have been done well for a bollywood movie... but its too late for them.

OK so my final say is watch it for Kangna otherwise skip it.

The cinematography was the best part of this film...The lighting and photography was brilliant! Also, some of the angles had a very frightening and mysterious feel to it. The direction and story was also unique.Yes, this was overall a well made film but it could have been so much more! A few unnecessary scenes slowed the pace down a bit. The director attempted some cliché gags to frighten the audience. Sometimes it gave me the "been there done that" feel. The acting in the film was OK. Emraan in my opinion, was the best. Adhyayan Suman and Kangana Ranaut were OK. One thing I don't understand is, what was the need of the random English dialogues? That made things a bit less believable. The film was also a bit melodramatic...But it was a good movie overall.

The movie has an enticing beginning on a dark night with a gruesome surprise that cuts rapidly to join the bustling present of the heroine's unsuspecting and usual complicated life in Mumbai. 'Nandita' (Kangna Ranaut) is an established model in love with a reality news show anchor 'Yash' (Adhyayan Suman). The movie opens with the two uniting where they left off and both characters on a professional upswing. Suddenly, a brooding and determined painter, 'Pritvi' (Emraan Hashmi), emerges from the shadows to follow Nandita around. In their first meeting in an elevator he gives her a succinct summary of why he has been drawn into her life against his wishes. Prithvi counsels her that he thought that he had painted his masterpiece - the face of a woman who he thought didn't exist when suddenly he realizes that she exists and has a life of her own. To further complicate matters he can see her dangerous future unfold. The movie now erupts into a sharp ride of Prithvi trying to save the hapless Nandita from near certain death as well as disbelief from her doting boyfriend - Yash, a firm non-believer of the paranormal. Emraan is actually quite balanced in his performance and seems completely sincere and free of any melodrama. Kangna is well cast in the character though her dialog delivery lacks punch and is often limp. Wardrobe and styling are mostly good. Nandita (Kangna) must journey to the source of her troubles with the help of the mysterious painter - Pritvi, who seems to rescue her each time from certain death. Adhyayan could be better in his debut, with his dance steps seeming ill choreographed, his protestations of love seeming a little too maudlin and only his performance in the climax showing any real spark. The movie certainly had the audience riveted and on the edge of their seats, however, could have done without at least one song and a stronger portrayal of the boyfriend in Adhyayan. Worth special mention are the scenes where Nandita has her first tryst with the strange force that nearly kills her in her bath and a dream flash that has Prithvi incorrectly imagining her being mowed down by a truck, realizing the error and then actually seeing her at the exact same place. Towards the climax is an interesting special appearance and a lamentable explanation of Prithvi and Nandita's connection to each other. All in all, this will certainly spook you if you watch this at night and go home alone to your apartment! The scenes of self torture and the attempts to depict Indian occult practices are scary though brief.

The first half of this movie was acceptable. Credit goes to Emraan Hashmi. The second half was abysmal to say the least. The theatre was packed. If it wasn't for Emraan Hashmi's brilliant performance & entry, I would certainly have left the theatre during the interval. The beginning of the film was somewhat bizarre. I kept on watching expecting explanations for what I just witnessed. As the plot unfolds, you realise that this movie is balderdash. The script was absolutely weak. This is a horror film and I was laughing. That isn't a good sign. Kangana Ranaut's acting skills were good. Adhyayan Suman is abominable as Kangana Ranaut's boyfriend/lover. He should quit acting altogether or at least improve his acting knowledge by joining 'ACTOR PREPARES'. His dancing was beyond ridiculous. The climax of this film was hilarious, especially Jackie Shroff's entry. This film is one to avoid at all costs. Only go to watch this film to witness Emraan Hashmi's revitalising performance. He's the anchor that saves this film from drowning.

Bonne chance.