The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.
- Won 1 Oscar
- 14 wins & 24 nominations total
Wil Johnson
- Najeeb
- (as Will Johnson)
Eddy Kimani
- Patient
- (as Eddie Kimani)
Mary Ndoku Mbai
- Patient
- (as Mary Nduku Mbai)
William Jøhnk Nielsen
- Christian
- (as William Jøhnk Juel Nielsen)
Satu Mikkelinen
- Hanna
- (as Satu Helena Mikkelinen)
Featured reviews
A good movie is a good movie. But I seldom have seen such a fantastic movie from Scandinavia. The photo, the locations, the casting, the music, the acting, a strong story and Susanne Biers touch of directing.
I was really glad to see Mikael Persbrandt in this kind of roll, hoping to see more of this... The two young boys, playing the main characters, wow! We have not seen the last of this young men!
A strong story on many levels, a beautiful sadness from the Nordic country's, with a high recognize level for most people...
You really need to see this film, one of the best ones I have seen in years.
I wouldn't be surprised if this movie wins a ton of awards.
Susanne Bier, you have made a lot of good films before this one, but for this one I really salute you.
Thank You!!
I was really glad to see Mikael Persbrandt in this kind of roll, hoping to see more of this... The two young boys, playing the main characters, wow! We have not seen the last of this young men!
A strong story on many levels, a beautiful sadness from the Nordic country's, with a high recognize level for most people...
You really need to see this film, one of the best ones I have seen in years.
I wouldn't be surprised if this movie wins a ton of awards.
Susanne Bier, you have made a lot of good films before this one, but for this one I really salute you.
Thank You!!
Like anything, people will offer their own view of things. This is my own.
There are many films out there that focus on bullying and its effect on the children that experience it. A few will go further to picture the consequences to those children as they become adults, some of whom will never overcome that.
But it was the first time, from my perspective, that a film ventures to show bullying by an adult. As the stories (in Africa and in Denmark) run in parallel, it makes one wonder what the child bully would become if he were not stopped.
Brilliantly told, it left me with a sense that in our days we are still not taking bullying as seriously as we should. So how can the bullies ?
There are many films out there that focus on bullying and its effect on the children that experience it. A few will go further to picture the consequences to those children as they become adults, some of whom will never overcome that.
But it was the first time, from my perspective, that a film ventures to show bullying by an adult. As the stories (in Africa and in Denmark) run in parallel, it makes one wonder what the child bully would become if he were not stopped.
Brilliantly told, it left me with a sense that in our days we are still not taking bullying as seriously as we should. So how can the bullies ?
I went to see this movie with no expectations what so ever. When we arrived to the theater i saw people leaving (who just saw the movie) with tears streaming down their face. Inside the theater people was talking and laughing but after a few minutes their was a deadly silence all around us. The story is so well-written and the actors play just marvelous. Even the child actors, who often ruin most movies, were casted and performed perfectly. The camera setting is some of the best i've seen in a long time. There are so many beautiful scenes from Denmark aswel in some African country.
I highly recommend every one to go see this movie. The story is well written, and not full of the usual clichés film these days are full off. Susanne Bier has truly pulled of a masterpiece.
I heard a rumor after wards that this movie might be nominated for an Oscar, which i really hope for. Everyone should watch this emotional movie.
And for you who are wondering if i left the theater crying no i didn't, but my eyes got wet 3 or 4 times during the movie. That happens extremely rarely for me.
I highly recommend every one to go see this movie. The story is well written, and not full of the usual clichés film these days are full off. Susanne Bier has truly pulled of a masterpiece.
I heard a rumor after wards that this movie might be nominated for an Oscar, which i really hope for. Everyone should watch this emotional movie.
And for you who are wondering if i left the theater crying no i didn't, but my eyes got wet 3 or 4 times during the movie. That happens extremely rarely for me.
This film is recommended.
"For every action, there is an equal and opposite reaction."
Two Danish families, worlds apart in their ideologies and circumstances, come together in Suzanne Bier's Oscar winning foreign film, In A Better World. Screenwriter Anders Thomas Jensen takes two parallel stories about parallel lives that converge. Although the screenplay doesn't consistently mesh the duality of its concept, with scenes of African turmoil in sharp contrast with idyllic Danish villages, it does provide thought provoking mediation about the subject of revenge and its impact on violence, death, and day-to-day hardships faced by some minorities in our global realm.
Family No. 1: Anton (Mikael Persbrandt), a Swedish doctor who works in Sudan treating victim of war crimes, tries to be a principled and ethical pacifist, an idealist lost in an ungodly world. He confronts conflict at work and in his private life as his marriage to Marianne (Trine Dyrholm) is floundering. His son, Elias (Markus Rygaard), is dealing with bullying at school and his parents' possible divorce at home.
Family No. 2: Claus (Ulrich Thomsen), a recently widowed and grieving father and his son, Christian (William Johnk Nielsen), who blames his father for his mother's death and cannot adapt to the loss of his mother. Both troubled souls move from London to start a better life.
When Christian defends Elias from the school bully, both boys become instant friends and begin a dysfunctional bonding to survive a world that they perceive as riddled with injustice. Later, an disturbing incident occurs between Anton and another parent which triggers the two boys into righting a wrong in a most extreme way. No longer wanted to be victims, they instead become the oppressors.
Complex issues abound in this film. At some point, each character's action causes an act of retribution, a penalty for their misconduct, but not always the most deserving of punishments. In this unfair world of ours, the turning of a cheek may result in injury rather than reward. Karma is at work and actions decide our fate. We witness the ill treatment of people victimized with global acts of mistreatment and persecution in each country and are unprepared for the film's stark reality. It is the universal atrocities that prevails in our lives that rankles the core of this film and give the film its undeniable power.
This is definitely a Message Movie with a capital M, although sometimes the message is a mixed blessing, becoming a sermon at the pulpit in Bier's skillful hands. The scenes from Africa seem a bit heavy-handed and just don't correlate with the majority of the more interesting story set in Denmark. It also becomes a tad melodramatic in the end. Yet, one has to admire the noble effort and deeper personal vision of this film as it tackles major issues that are so scarce in today's cinema. The acting, especially the young actors, is exceptional.
In A Better World could have been a better film if the story would have concentrated more with the family dynamics and the psychological effects that compound a child's indefensible adult world. But Bier's film is still one of the better example of filmmaking that will more that satisfy the intellectual and more serious-minded moviegoer today. GRADE: B
NOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com
"For every action, there is an equal and opposite reaction."
- Isaac Newton
Two Danish families, worlds apart in their ideologies and circumstances, come together in Suzanne Bier's Oscar winning foreign film, In A Better World. Screenwriter Anders Thomas Jensen takes two parallel stories about parallel lives that converge. Although the screenplay doesn't consistently mesh the duality of its concept, with scenes of African turmoil in sharp contrast with idyllic Danish villages, it does provide thought provoking mediation about the subject of revenge and its impact on violence, death, and day-to-day hardships faced by some minorities in our global realm.
Family No. 1: Anton (Mikael Persbrandt), a Swedish doctor who works in Sudan treating victim of war crimes, tries to be a principled and ethical pacifist, an idealist lost in an ungodly world. He confronts conflict at work and in his private life as his marriage to Marianne (Trine Dyrholm) is floundering. His son, Elias (Markus Rygaard), is dealing with bullying at school and his parents' possible divorce at home.
Family No. 2: Claus (Ulrich Thomsen), a recently widowed and grieving father and his son, Christian (William Johnk Nielsen), who blames his father for his mother's death and cannot adapt to the loss of his mother. Both troubled souls move from London to start a better life.
When Christian defends Elias from the school bully, both boys become instant friends and begin a dysfunctional bonding to survive a world that they perceive as riddled with injustice. Later, an disturbing incident occurs between Anton and another parent which triggers the two boys into righting a wrong in a most extreme way. No longer wanted to be victims, they instead become the oppressors.
Complex issues abound in this film. At some point, each character's action causes an act of retribution, a penalty for their misconduct, but not always the most deserving of punishments. In this unfair world of ours, the turning of a cheek may result in injury rather than reward. Karma is at work and actions decide our fate. We witness the ill treatment of people victimized with global acts of mistreatment and persecution in each country and are unprepared for the film's stark reality. It is the universal atrocities that prevails in our lives that rankles the core of this film and give the film its undeniable power.
This is definitely a Message Movie with a capital M, although sometimes the message is a mixed blessing, becoming a sermon at the pulpit in Bier's skillful hands. The scenes from Africa seem a bit heavy-handed and just don't correlate with the majority of the more interesting story set in Denmark. It also becomes a tad melodramatic in the end. Yet, one has to admire the noble effort and deeper personal vision of this film as it tackles major issues that are so scarce in today's cinema. The acting, especially the young actors, is exceptional.
In A Better World could have been a better film if the story would have concentrated more with the family dynamics and the psychological effects that compound a child's indefensible adult world. But Bier's film is still one of the better example of filmmaking that will more that satisfy the intellectual and more serious-minded moviegoer today. GRADE: B
NOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com
This movie is a far more direct and disturbing probe into some of our more troubling inclinations than anything I've seen since becoming a fan of Lars von Trier's movies. The topic here is vengeance and its consequences, more or less. I was a little surprised to find it had been directed by a woman, Susanne Bier. I've always thought women would be good at this kind of near melodrama but have never actually seen one tackle such a project, to my knowledge. The story centers around two boys and their developing reaction to first school house bullying, but then a much more serious instance of it in their home life. The acting is beautifully done and none of the leads seem to have held back in the slightest. One dad is a doctor who, it appears, donates his services to a part of Africa wrought with violence. Despite his obvious good nature, he and his wife, also a doctor, are having problems.
It's unusual in my experience to have a woman show just how much more selfless a man might be than his wife, but that is exactly what is done here. And it's quite refreshing. But the sweep and breadth of this movie is quite satisfying on its own, spanning from Africa to modern day Denmark. This is a trip I wouldn't hesitate recommending to anyone.
It's unusual in my experience to have a woman show just how much more selfless a man might be than his wife, but that is exactly what is done here. And it's quite refreshing. But the sweep and breadth of this movie is quite satisfying on its own, spanning from Africa to modern day Denmark. This is a trip I wouldn't hesitate recommending to anyone.
Did you know
- TriviaThe Danish title 'Hævnen' translates into English as 'Revenge'. Susanne Bier mentioned that she prefers the English title 'In a Better World' which emphasizes the hopefulness of the film while the Danish title emphasizes the severeness of the film (at 1:52:49 in the Blu-ray director's commentary).
- GoofsWhen Anton (Michael Persbrant) performs his first surgery he scratches his head/corrects the position of his mask after having put on sterile gloves (at around 42 mins) thereby contaminating them and risking that the patient gets infected. A real surgeon would never do this, and if she or he did, she or he would change gloves.
- ConnectionsFeatured in DR2 Premiere: Episode #4.1 (2010)
- How long is In a Better World?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- In a Better World
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,500,000 (estimated)
- Gross US & Canada
- $1,008,098
- Opening weekend US & Canada
- $33,058
- Apr 3, 2011
- Gross worldwide
- $13,004,504
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content