Being Human, la confrérie de l'étrange

When I first saw the pilot episode, I had several problems with it, all of which were fixed in episode one. It's my first foray into British television and I'll admit I'm confused by "remakes" and other such terms, but whatever; I don't care what they're doing as long as they keep this show on the air. It's smart, witty, funny, interesting, and manages to avoid being a tired rehash of the same monster mythology running around the entertainment industry. Lenora Crichlow is a greatly improved version of Annie, and something about her performance makes it far easier to find the character likable. Aidan Turner is an even better Mitchell than Guy, and thankfully Russell Tovey is still around; he's absolutely perfect as George. I haven't been so excited about a new show in years, and I love the way they blend the dramatic, the humorous, the mystical and the mundane. This show takes all the appeal of myth and legend and flawlessly applies it to modern life, allowing us to connect to the characters on a human level while still giving us a well-done version of the occult. No other show on the air today delivers so many forms of entertainment at once.

Drama, mystery, self discovery, angst and "desperation for relief" comedy is spattered through out this well written and acted show. In 2 very short runs (16 in all?)I care more for these unlikely group of supernatural misfits than all the seasons of "Friends". Annie, Mitchell, George, and Nina sit on the fence between worlds, running from what they are and leaving claw marks in their past. The third set of shows have just started and I can't wait to see my friends again. I think it is best to watch the show, if you can, as they aired on BBC. When the shows makes the crossing on the pond some of the grittiness gets watered down. On a personal note, if you have watched the SyFy version, it pales by comparison.

The premise: a vampire, werewolf and ghost live together is about as silly as you could imagine. However the acting is so spectacularly good, you are instantly sucked in. There is some humour, (such as ageless vampire cutie moon-eyeing an aged past girlfriend), but they play it with a straight face. Russell Tovey as George the reluctant werewolf is perhaps the best actor I have ever seen in a TV series. He plays with his appearance to change from a Matt Damon clone to a complete dork to Truman Capote. He plays with his voice, ranging over every possible emotion. He is always surprising you with a new angle to his character. His screams of pain as he transforms into a werewolf are unbearable. He is completely convincing. I fell madly in love with with his character. He was just so open, with such heart, complex yet easy to understand.

Annabel Scholey made me hate her so intensely the instant she came on screen. She projects such a strongly nauseating personality with just some fine control of her facial muscles. She has that knack like nobody else. She was also able to make her character gradually more sympathetic, all through body language. Other actors should study how she does this.

The other actors too are done in Kodachrome, a bit more out there, trying something unusual. This does not feel like TV or a movie for that matter, perhaps more like a play.

The episodes are quite long, and it feels like the writers could not come up with enough minor plot elements to fill them. So they pad with meandering dialogue, that feels much like real life, but left me itching for them to get on with the show. The ground rules of how reality works in this strange universe are just incidentally explained. You often see some strenuous conflict without knowing what fuels it. The major plot elements are full of big surprises, however -- very clever.

There are not many special effects. The ghost just appears without any fade-in. Most of the transformation to a wolf occurs off camera. The main thing you see are a series of bumps appear long George's back. Sometimes you watch people's reaction to what would be a special effect rather than the special effect itself. This works surprisingly well.

Excellent off-beat drama about a vampire, werewolf and ghost who share a flat in suburban Bristol. The script was intelligent, with thoughtful but compelling story lines that did not treat the audience like complete idiots, was perfectly paced and matched to the main characters. The entire cast was excellent, with quality supporting performances as to be expected from Adrian Lester, Natalie Armin & others. The audience response was so good, it has now been remade by the BBC as a full series. As a whole, this was a perfect short film that deserved a lot more recognition. Sadly only one of the original main actors makes it into the remake, but hopefully the BBC won't screw up by trying to overplay their hand. If the rest of the production crew and cast have been retained this could be another classic in the making.

A werewolf and a vampire, co-workers at a hospital, happen to also be roommates in a house that is haunted by a ghost that only they can see. It's a lot like Three's Company if it was written by Anne Rice.

The first ~dozen episodes are great. You'll sit there watching, trying to figure out where exactly this is all going while very entertained. The story dives into the immortal vampire's past, the newbie werewolf's future and the mystery behind why the ghost is dead and haunting their house. Eventually, like all character-based tv shows, the characters get stale and the plot needs to be changed in order to keep the audience. Just as the writers get back on track, The Hobbit trilogy happens and Aidan (the vampire) leaves the show... because yeah, Peter Jackson and the Hobbit!

With the trio broken up, they reboot the entire cast and you sit there, disappointed but still watching because you need to know how it all ends.

When you finish watching the series (and you will) you will probably come to the conclusion that the second story with the second trio was far better than the first and it was a shame that the writers had to spend so much time easing the audience into the drastic changes before moving ahead. What started out as a quirky little horror-drama turned into a cohesive final 10 or so episodes.

This was a great show under poor circumstances.

And now is the time to warn you against the American version of the show with the same name. Almost 100% of the time, when there is an American adaptation of a UK franchise, it's terrible. That's all I have to say about that.