Les petits meurtres d'Agatha Christie

Season 2. Wonderful, so funny... The characters are very characteristic, with fun, the inspector is somewhat dog but in a funny way. The journalist a modern woman and the secretary is so suite. Congratulations.

For production values (cinematography, directing, acting, casting, etc. - especially the period settings and wardrobes) this is a top notch series. Absolutely top notch. As for the plots, well... they are based on Christie mysteries - which you either like or not. But so loosely that it doesn't really matter. The characters are over-the-top and the whole thing is done with humor in mind. Took me, however, about 4 or 5 episodes to really appreciate this series. Initially, Laurence's coldness, his male model handsomeness, his creaseless suit is a caricature of a male chauvinist cop. Again, part of the humor. But, with Season 2 he really showed a very different side of himself. The acting by all the characters is just superb. But, it does take awhile for this series to grow on you (or did for me). And the mysteries themselves are usually actually pretty good.

And the very last (wrapup) episode of the last season is one of the best shows I've ever seen: they made it a musical - and I hate musicals - but this was so clever and enjoyable and funny that I've watched it multiple times.

First, for the answer to expectations. Because it is a real smart serie. Preserving the spirit of Agatha Christie, giving a seductive chain of stories and beautiful performances.And proposing an interesting humor and few clever used taboos. Commisaires and women. Cases and wise manner to solve them. Especially, the French flavor gives seduction to each episode. The result - almost fascinating, surrely charming.

Amazing casting and production. Attention to detail is very impressive...and what about the era cars? Wow The interpretation of Agatha Christie's stories is unique with french flair. What a treat to watch .

This show sets the perfect mood for intrigue, mystery and entertainment.

Agatha Christie's works have inspired many iterations on film, although "the usual suspects" are most often repeated (Death on the Nile, etc.). So, it's not just "new" stories that are presented here, but the crimes are solved by a new set of characters who bring lots of playful dynamic to the mix.

Of the 1950's episodes - while the first two seasons very well establish the era and tone, the series really hits its stride in seasons 3 & 4. With increased confidence, everyone brings more layered nuance to the storytelling.

Overall, the production values are extremely well delivered. A special shout out to set dressers, costume and make-up. And the soundtrack engages with suspense and mischief, and perfectly balances the actors' and editors' comedic timing.

Of the performers, my personal favorite is Elodie Frenck as the divine Marlene. She's sexy, funny, the perfect blend of subtlety and charm, and occasional well-placed gaucherie, making this character irresistibly adorable.

Well cast, the other actors bring dynamic energy to their roles in unique ways.

J'adore!