Set in 411 AD, Pendragon tells the story of young Artos who is raised to believe that God has a purpose for each day. When his family is killed and he is taken into slavery by the Saxons, Ar... Read allSet in 411 AD, Pendragon tells the story of young Artos who is raised to believe that God has a purpose for each day. When his family is killed and he is taken into slavery by the Saxons, Artos questions his God. Advancing through the military ranks, Artos begins to understand th... Read allSet in 411 AD, Pendragon tells the story of young Artos who is raised to believe that God has a purpose for each day. When his family is killed and he is taken into slavery by the Saxons, Artos questions his God. Advancing through the military ranks, Artos begins to understand that his father's vision was not based on the strength of man, but on the plan of God. Furth... Read all
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I was surprised to see that there were actually a handful of people involved in this movie not named Burns. It is not entirely unlikely to me that many of the people not named Burns are men married to women with the maiden name of Burns. Certainly none of the Burns family, extended family, and cluster of outsiders are any good at their respective jobs. About the only member of the production got anything right was the one who made sure that this Christian movie did not contain sex or profanity. It was obvious to me very quickly that whichever Burns was supposed to go to the library and do some research on fifth century weapons, tools, and so forth decided to look at some of the pictures in the Encyclopaedia Britannica and leave it at that.
Inconsistencies and functional impossibilities abound. Anachronistic weapons, siege machines, materials, and construction techniques litter the first hour. There is no way the invaders brought back many siege machines from across the sea, and no way they mass-produced the nearly identical plethora of ballistas in the field, and no way they did all that construction work without word having spread far and wide for leagues in every direction; the invaders' attacks wouldn't of been a surprise, because the locals would have been sitting around waiting for them (bad strategy) for weeks or months. It is improbable that an invading army could have produced so many "fire projectiles" that could be hurled effectively, and most unlikely that they would even bother. Looking at the construction of the village walls and such, they'd if not the place down just by launching large rocks at the place. Which would've been wiser based on the firefighting training and experience I had, that place would've burned to the ground first night, turning everything worth capturing into smoking debris and ash. Apparently the invading horde were fifth century Burns family sackers as well.
One last thing. There are two roles not listed in the credits. One is the local tailor, who apparently buys modern fabrics from Kmart, and Owens a singer sewing machine. The other is the village hairdresser, who apparently owns a 411 A.D. model curling iron.
My roommate checked this movie out from the library, misled by the title. The hope was to find an Arthurian legend film that's better than "Merlin." That BBC series was, by comparison, the documentary staged brilliantly by the Royal Shakespearean Company. I'm surprised the DVD actually got to the library. This has the quality of something that bypassed the "straight to DVD bargain bin" quality assortment, and instead achieved "straight to rubbish bin" status before release.
Oh, and by the way, I didn't particularly like this film.
The movie lacks continuity, it doesn't make you want to keep watching it, is sad, could be just a great film.
I saw in the end, that was a family project, (that explain the non-convincing extras and other actors) but any way, a good director/ editor consulting would just be great. The idea is good, but is impossible to do a great film without a good protagonist (that was maybe the biggest mistake) and a good director.
The soundtrack could be done with a really low budget, it would make the film flow better...
Main actors were good, but acting suffered most because 1. script doctor needed to tailor script to actors' personalities--not actors towards script 2. people acting because they had to 3. Acting with family members is difficult, especially when you're pretending to be in love with someone you're related to, which is a little awkward. 4. confusing storyline changes midway so the complex bad guy becomes simple near the end and some of the storyline nuances were lost.
But as for the historical inaccuracies, this film was remarkably accurate on several points: Firstly the realism (not hyper-realism with gritty and dirty people in undershirts) , Secondly the religious idealism of the Dark Ages (that many modern people do not understand), Thirdly the Roman-Briton civilization confronting the Saxon barbarians, (and putting the Saxon in their native tongue).
As for the religious element, it may make movie-junkies squirm--but the religious sentiment was quite different in the Dark Ages than it is in Hollywood now, and certainly shows a healthy form of idealism rather than the typical elitism found in critics' circles. My only complaint is that there could have been more Liturgical focus as is found in Catholic/Anglican churches, but still the historical effort was appreciated.
Overall, good film for the family but slightly violent for the sensitive at heart.
Did you know
- TriviaShot in four states: Michigan; Illinois; Indiana; and Missouri. A scene shot in a fifth state, Ohio, was cut during editing.
- GoofsThe barn and horse stalls at Pentragon Hall are obviously built of modern dimensional lumber.
- ConnectionsReferenced in Reviewing Terror on the Prairie and the Daily Wire Media Empire (2022)
- How long is Pendragon: Sword of His Father?Powered by Alexa
Details
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- Also known as
- Kingdom of Swords
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $88,000 (estimated)