While on the run from goons, a man and his nephew fall for a kidnapper's seductive widow.While on the run from goons, a man and his nephew fall for a kidnapper's seductive widow.While on the run from goons, a man and his nephew fall for a kidnapper's seductive widow.
- Awards
- 20 wins & 28 nominations total
Alok Kumar
- Nandu
- (as Aalok Kumar)
Shivansu Sachan
- Assistant director
- (as Shivansu)
Featured reviews
Movie Review: Ishqiya (Hindi) 107
If the promos were to be believed, this could have been one of the best made movies of the year. Who could predict that a movie that starred the immensely talented Naseeruddin Shah, Vidya Balan and Arshad Warsi along with the 'Vishal Bharadwaj' tag could only turn into a movie which you would call nothing more than 'Okay, decent'. Nevertheless, as music adds much needed spice, it's still worth your money!
The film opens with Krishna (Balan) in bed with husband Vidyadhar Verma in playful pillow-talk. As Krishna addresses Verma as 'Jahaanpanah' on screen, the audience was quick to append it with 'tussi great ho'; remember "3 Idiots" anyone? Cut to next scene, a blast. Cut again to Khalujaan (Shah) and Babban (Warsi) fleeing with stolen money seeking refuge at the now widow Krishna's village home near Gorakhpur.
The story builds on as Krishna unleashes her femme fatale charms to tame the duo to toe her line. Vidya Balan playing her part to perfection uses her 'desi' sensuality to the fullest while also displaying shades of bravado firing the shotgun when needed. As with Vishal Bhadwaj's movies, Ishqiya too has a rustic setting, foul mouthed characters and a hinterland heart. This flick deals with Kidnapping near the Nepalese border.
By interval time, the narrative just warms up enough to suggest that the trio now plan to kidnap a rich businessman for ransom. Khalu and Babban jump into agreement, given that their booty stands stolen and has to be repaid while on the other, they're taken over by lust and love for Krishna who manipulates their passions, so much so that Khalu junks his old lover's photo & Babban ditches his pal to make love to her.
The film-makers may have planned their hard-sell on the plank that Krishna's role is in shades of grey. Femme fatales have done well for themselves all through history, be it Cleopatra, or in Bollywood, "Karz" or "Aitraaz". But expectations fall flat towards the end as Krishna turns into nothing more than the clichéd vengeful Indian wife. Well, being apologetic was the last thing that one could expect out of a Vishal Bhardwaj film.
Making things worse is the hurried rush of scenes towards the end; as if a student just realized that he only ten minutes left with half the paper still to go. Climax is contrived and destroys the original 'femme fatale in grey' thread. But, its brilliant songs such as Rahat Fateh Ali khan rendition 'Dil to Bachcha Hai' and Singhs Sukhwinder & Mika's 'Ibn- E-Batuta' work like a balm. Try it out and you won't regret watching it.
If the promos were to be believed, this could have been one of the best made movies of the year. Who could predict that a movie that starred the immensely talented Naseeruddin Shah, Vidya Balan and Arshad Warsi along with the 'Vishal Bharadwaj' tag could only turn into a movie which you would call nothing more than 'Okay, decent'. Nevertheless, as music adds much needed spice, it's still worth your money!
The film opens with Krishna (Balan) in bed with husband Vidyadhar Verma in playful pillow-talk. As Krishna addresses Verma as 'Jahaanpanah' on screen, the audience was quick to append it with 'tussi great ho'; remember "3 Idiots" anyone? Cut to next scene, a blast. Cut again to Khalujaan (Shah) and Babban (Warsi) fleeing with stolen money seeking refuge at the now widow Krishna's village home near Gorakhpur.
The story builds on as Krishna unleashes her femme fatale charms to tame the duo to toe her line. Vidya Balan playing her part to perfection uses her 'desi' sensuality to the fullest while also displaying shades of bravado firing the shotgun when needed. As with Vishal Bhadwaj's movies, Ishqiya too has a rustic setting, foul mouthed characters and a hinterland heart. This flick deals with Kidnapping near the Nepalese border.
By interval time, the narrative just warms up enough to suggest that the trio now plan to kidnap a rich businessman for ransom. Khalu and Babban jump into agreement, given that their booty stands stolen and has to be repaid while on the other, they're taken over by lust and love for Krishna who manipulates their passions, so much so that Khalu junks his old lover's photo & Babban ditches his pal to make love to her.
The film-makers may have planned their hard-sell on the plank that Krishna's role is in shades of grey. Femme fatales have done well for themselves all through history, be it Cleopatra, or in Bollywood, "Karz" or "Aitraaz". But expectations fall flat towards the end as Krishna turns into nothing more than the clichéd vengeful Indian wife. Well, being apologetic was the last thing that one could expect out of a Vishal Bhardwaj film.
Making things worse is the hurried rush of scenes towards the end; as if a student just realized that he only ten minutes left with half the paper still to go. Climax is contrived and destroys the original 'femme fatale in grey' thread. But, its brilliant songs such as Rahat Fateh Ali khan rendition 'Dil to Bachcha Hai' and Singhs Sukhwinder & Mika's 'Ibn- E-Batuta' work like a balm. Try it out and you won't regret watching it.
The performances by the whole cast has to be given an ovation for they were so enigmatic with their roles & portrayal; and I am so in love with Abhishek Chaubey's direction.
Speaking of noir, the film chiefly talks about betrayal, romance, lust, banditry and crime as a whole. Vidya Balan is the cynosure of the story and revolves around her quest to find what actually happened to her beloved spouse. Naseeruddin Shah & Arshad Warsi's characters follow suit as they try to equal their uncle in terms of money. Things go worse when the characters meet. First comes betrayal, then comes mastermind plan, subterfuge, love, love songs, dreams and all.
The screenplay is tad non-linear and it accentuates the experience. What I loved most is the blank screens that go in line with scenes of anticipation & suspense. The editor did a very good job by dimming the screen and coming back with another frame. The music is mind-blowing; the score of beats, tunes and reverberating rhythm still rings in my head. All aspects are finely matched together to bring out a crime thriller with tint of black comedy. Good cinematography!
BOTTOM LINE: A very well-executed cinema by a newcomer. 2010's one of the best movies. Highly Recommended!
Profanity/Vulgarity: Mediocre | Sex/Foreplay: No | Mouth-Kiss: Strong | Violence/Gore: Very Strong | Alcohol/Smoking: Strong | Drugs: No | Porn: Very Mild
Speaking of noir, the film chiefly talks about betrayal, romance, lust, banditry and crime as a whole. Vidya Balan is the cynosure of the story and revolves around her quest to find what actually happened to her beloved spouse. Naseeruddin Shah & Arshad Warsi's characters follow suit as they try to equal their uncle in terms of money. Things go worse when the characters meet. First comes betrayal, then comes mastermind plan, subterfuge, love, love songs, dreams and all.
The screenplay is tad non-linear and it accentuates the experience. What I loved most is the blank screens that go in line with scenes of anticipation & suspense. The editor did a very good job by dimming the screen and coming back with another frame. The music is mind-blowing; the score of beats, tunes and reverberating rhythm still rings in my head. All aspects are finely matched together to bring out a crime thriller with tint of black comedy. Good cinematography!
BOTTOM LINE: A very well-executed cinema by a newcomer. 2010's one of the best movies. Highly Recommended!
Profanity/Vulgarity: Mediocre | Sex/Foreplay: No | Mouth-Kiss: Strong | Violence/Gore: Very Strong | Alcohol/Smoking: Strong | Drugs: No | Porn: Very Mild
Ishqiya tells the story of two petty thieves and one young and strong-minded widow. It is a crime thriller cum love triangle and it's rather satirical throughout. It is written by two talents, Vishal Bhardwaj and Abhishek Chaubey, who had previously scripted together such great movies as Omkara and Kaminey, only that this time the one who directs this feature is not Bhardwaj, but Chaubey, who was his assistant. The movie is set in a rustic village in Uttar Pardesh, and Chaubey skillfully captures the atmosphere of this wild rural region. The strength of this film lies in the twisted and multi-layered script and the rather serene narrative style which is flavoured by soulful musical numbers and a touch of dark humour. The witty and well-honed dialogues, the sophisticated camera work, the colourful characters, and the breathtaking cinematography, give the film an engagingly suspenseful yet authentic feel. Ishqiya is highly unpredictable thanks to the many underlying secrets it contains, and they are revealed in very surprising turns, which are more of puzzle pieces. In the meanwhile it gives the audience a chance to watch a true triangular love story, which is brought out on in an ironic sort of way.
That's what makes it an overall enjoyable piece, and it certainly would not have been possible without the film's three leads. It is Vidya Balan who stands out and steals every single of her scenes in her restrained and understated portrayal of the mysterious, highly appealing, deeply yet quietly tormented Krishna. Her presence alone says it all, at times so much that her words are not as needed. Her wordless expressions convey so much of her essence that her true feelings and inner devastation are easily uncovered. Not to forget that she looks smashing hot in her traditional and simple looks, which is only aided by the cryptic screen persona she creates. Both Naseeruddin Shah and Arshad Warsi play their roles convincingly, and Salman Shahid provides good support in a negative comic role. Ishqiya feels very much a Vishal Bhardwaj film, and well, he is also the film's producer and music director. The soundtrack is a treat and the songs give life to the film, with such numbers as "Dil To Bachcha Hai" enhancing the narrative. The ending lets the viewers make their own conclusions, but I still wish there was some catharsis, which never came. Anyway, Ishqiya is overall an entertaining film, so I recommend.
That's what makes it an overall enjoyable piece, and it certainly would not have been possible without the film's three leads. It is Vidya Balan who stands out and steals every single of her scenes in her restrained and understated portrayal of the mysterious, highly appealing, deeply yet quietly tormented Krishna. Her presence alone says it all, at times so much that her words are not as needed. Her wordless expressions convey so much of her essence that her true feelings and inner devastation are easily uncovered. Not to forget that she looks smashing hot in her traditional and simple looks, which is only aided by the cryptic screen persona she creates. Both Naseeruddin Shah and Arshad Warsi play their roles convincingly, and Salman Shahid provides good support in a negative comic role. Ishqiya feels very much a Vishal Bhardwaj film, and well, he is also the film's producer and music director. The soundtrack is a treat and the songs give life to the film, with such numbers as "Dil To Bachcha Hai" enhancing the narrative. The ending lets the viewers make their own conclusions, but I still wish there was some catharsis, which never came. Anyway, Ishqiya is overall an entertaining film, so I recommend.
Arshad looks incredulously at the boy in front of him. "Tu Kaise Jaanta Hai Itna Saara Hathyaron Ke Bare Main?". The boy, deadpan, with no suggestion of humour, responds "Yahan Pe Chuttad Dhone Se Pehle, Tamancha Chalana Sikhate Hain". Welcome to a madcap roller coaster ride through a world that most Indian Netizens are not very familiar with, the India that we've kind of forgotten exists, the badlands of UP and its small villages, their on-going caste wars, con-men and utter lawlessness. Using the colourful, invective laced language that characterises the region, it proceeds to poke fun at the madness that passes for everyday life in most such places. And it simultaneously makes us laugh and think, to feel for characters so nicely etched that we cheer even when they're breaking the law.
Arshad & Naseer, Mama and Bhanja, both con-men, are on the run from Naseer's Jijaji, for what exactly we're not sure but it involves some money and some ice. Due to a mix of circumstances which include an unwanted pregnancy and a jail term, they land up at the home of one of their ex-cell-mates, who it turns out has expired, leaving behind his widow, Vidya Balan. Unsure and hesitantly at first, Naseer & later Arshad develop feelings for our spunky but quiet lady. However, the Jija returns. And then the game heats up
The situations and characters that we encounter are beautifully drawn. The sense of humour or wry perspective that we're offered, remains intact through the film. The dialogue is witty and makes you chuckle non-stop. And the songs, the background music is of exceptional quality. Right from the number of classics liberally laced in different situations (Dhanno Ki Aankhon Main, Pyaar Ka Surma at a brothel, Ae Meri Zohra Jabeen as a ringtone for the Jija) or the semi-classical song that Vidya sings in the beginning or the two flagship songs the zany, peppy 'Ibn Batuta' or the lyrical, romantic 'Dil to Bacha Hai', after a long time in a Hindi film, it was worth the price of a ticket just to see the songs.
Arshad Warsi and Vidya Balan light up the screen with their effervescent performances, while Naseeruddin Shah, true to his character remains the stable one. With his surma ringed eyes, ready wit, goofy grin, angry stare and lovable roguishness, Arshad delivers a performance we'd forgotten he was capable of. Vidya doesn't put a foot wrong, playing on the emotions of both the men like a taanpura, sad, melancholic at times and smiling, alluring, teasing at others. For both of them, this film will feature prominently on their CV for some time to come. And Vishal / Abhishek continue their knack of picking an ensemble cast that looks like they belong to the villages each of the characters we meet look comfortably at home in their rural setting.
more on this film, incl several dialogue references at ApurvBollywood at blogspot, here it shows up as spelling errors. You must watch this film !
Arshad & Naseer, Mama and Bhanja, both con-men, are on the run from Naseer's Jijaji, for what exactly we're not sure but it involves some money and some ice. Due to a mix of circumstances which include an unwanted pregnancy and a jail term, they land up at the home of one of their ex-cell-mates, who it turns out has expired, leaving behind his widow, Vidya Balan. Unsure and hesitantly at first, Naseer & later Arshad develop feelings for our spunky but quiet lady. However, the Jija returns. And then the game heats up
The situations and characters that we encounter are beautifully drawn. The sense of humour or wry perspective that we're offered, remains intact through the film. The dialogue is witty and makes you chuckle non-stop. And the songs, the background music is of exceptional quality. Right from the number of classics liberally laced in different situations (Dhanno Ki Aankhon Main, Pyaar Ka Surma at a brothel, Ae Meri Zohra Jabeen as a ringtone for the Jija) or the semi-classical song that Vidya sings in the beginning or the two flagship songs the zany, peppy 'Ibn Batuta' or the lyrical, romantic 'Dil to Bacha Hai', after a long time in a Hindi film, it was worth the price of a ticket just to see the songs.
Arshad Warsi and Vidya Balan light up the screen with their effervescent performances, while Naseeruddin Shah, true to his character remains the stable one. With his surma ringed eyes, ready wit, goofy grin, angry stare and lovable roguishness, Arshad delivers a performance we'd forgotten he was capable of. Vidya doesn't put a foot wrong, playing on the emotions of both the men like a taanpura, sad, melancholic at times and smiling, alluring, teasing at others. For both of them, this film will feature prominently on their CV for some time to come. And Vishal / Abhishek continue their knack of picking an ensemble cast that looks like they belong to the villages each of the characters we meet look comfortably at home in their rural setting.
more on this film, incl several dialogue references at ApurvBollywood at blogspot, here it shows up as spelling errors. You must watch this film !
When I entered the movie hall to watch ishqiya i had a feeling of deja vu !! I thought it would be very similar to omkara but NO! it ain't omkara.. The only thing similar in both movies is the village!! Debutant Abhishek Chaubey wastes no time in setting up his drama, throwing you into the story immediately, never wasting more time on unnecessary links.
Ishqiya is pure delight.. Both in terms of the narrative that moves from one tangy twist to another and in terms of the performances.. The film's USP is its lingo and witty dialogues which keep you tickling all the time! Added to that the biggest star of the movie is the script per se!
Set in the village of gorakhpur ishqiya deals with two small gangsters Arshad and Naseeruddin who with vidya balan make a plan to kidnap a small businessman to earn money and return to the head! But then the thing which will blow you away is the chemistry between the trio!(Arshad Naseer & Vidya) Arshad with his great comic timimg and abusive dialogues will win numerous accolades! Naseeruddin Shah is the legend as everyone knows but in this film he shines in a great manner in his romantic scenes with vidya!And of course Vidya Balan oh what a performance she has given in this film! She has carried away a widow woman full of vengeance in a superb way..
The climax of the movie is fast paced and is full of twists and turns but the scenes between Arshad and Vidya are hilarious! Go have a blast!
My Rating 8/10
Thanks and Regards..
Ishqiya is pure delight.. Both in terms of the narrative that moves from one tangy twist to another and in terms of the performances.. The film's USP is its lingo and witty dialogues which keep you tickling all the time! Added to that the biggest star of the movie is the script per se!
Set in the village of gorakhpur ishqiya deals with two small gangsters Arshad and Naseeruddin who with vidya balan make a plan to kidnap a small businessman to earn money and return to the head! But then the thing which will blow you away is the chemistry between the trio!(Arshad Naseer & Vidya) Arshad with his great comic timimg and abusive dialogues will win numerous accolades! Naseeruddin Shah is the legend as everyone knows but in this film he shines in a great manner in his romantic scenes with vidya!And of course Vidya Balan oh what a performance she has given in this film! She has carried away a widow woman full of vengeance in a superb way..
The climax of the movie is fast paced and is full of twists and turns but the scenes between Arshad and Vidya are hilarious! Go have a blast!
My Rating 8/10
Thanks and Regards..
Did you know
- TriviaPreity G Zinta was the initial choice for the female lead but turned it down.
- Goofs(at around 1h 50 mins) After getting blown up, Verma was shown to be badly burned from head to toe. However, the clothes that he was wearing were not even slightly singed by the blast.
- ConnectionsFeatured in 56th Idea Filmfare Awards (2011)
- SoundtracksBadi Dheere Jali
Performed by Rekha Bhardwaj
Lyrics by Gulzar
Music by Vishal Bhardwaj
Music on T-Series
- How long is Ishqiya?Powered by Alexa
Details
Box office
- Gross worldwide
- $4,122,090
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
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