5150 rue des Ormes

This is one of the best horror or psycho thrillers that I have seen in a while and also one of the best Canadian/Quebecker movies in the last years. The movie is based on the novel by Patrick Senécal, his novels "Evil words" (in french: "Sur le seuil") and "7 days" (in french: "Les 7 jours du talion") have also been adapted for the cinema.

The story seems to be quite classic and simple: A young student has an accident with his bicycle in the new town where he wants to study as he is crossing a black cat. He wants to get help and rings at 5150 on Elm Street - the biggest mistake of his life! When he comes in, he hears somebody screaming in a room upstairs and he discovers that this guy is bleeding and suffering. But before the student can quit the scenery, he is discovered and imprisoned at the same place while the other poor guy doesn't survive. The young student is caught for months and his escape plans don't seem to work. He is filming his life in the small room and becomes somehow a member of the strange family: Jacques Beaulieu, the brutal, but very intelligent and charismatic father and taxi driver who is fighting the "evil one's": He tortures and kills old guys abusing children or young drug dealers. He is also a chess master and creates his "own" chess game in the basement: with dead bodies: his victims representing the black army and the good people (he is taking the bodies of dead social workers etc. from the cemetery) representing the white army. The young student has to prove that he belongs to the good or bad one's and finally Jacques Beaulieu offers a deal to the young guy: If he will beat him in a chess game and win with the black army, Jacques Beaulieu will accept and recognize that he was wrong and that the evil forces are stronger and liberate the student and so the games begin...

Maude Beaulieu, the shy and silent mother who is afraid of her husband but who doesn't have the courage or abilities to stop him. He is suffering every day and her husband has even beaten her when she was pregnant. The young student tries to become somehow her friend and to use her to escape, but Maude takes the right decision way too late.

Michelle Beaulieu, the eldest daughter is a sadistic, emotional and brutal girl and sometimes even more radical as her father, as she is making the young student suffer against the father's will. But when she has to prove that she is able to take the heritage of her father and to continue the battle against the evil persons, she isn't tough enough and becomes more and more disturbed.

Anne Beaulieu, the youngest daughter, is somehow retarded and doesn't speak a single word. She has been beaten by her father in her mother's womb and apart of her mother, no one shows or gives her any love and she doesn't have any friends. She hates her father who is making her mother and herself suffering and even tries to kill him while the father wants to get her out of the house and in an isolated and therapeutic kindergarten.

All those characters have their one personality and are brilliantly played. The movie is very close to reality and the brutal or horrifying scenes are rare, but when they come, they are really heavy and disgusting because they are so real. The movie has a dark atmosphere and every actor gives his best and his soul to this movie. A part of the family members, the main actor also begins to change and becomes more and more a strange freak who doesn't want to escape anymore - but who has found the sense of his life in wanting to beat the father and murderer in the final chess game as the armies of dead will finally be completed in a terrible way.

The end of the movie is really disgusting and disturbing, so expect the worst: Patrick Senécal wants to show the evil, dark sides of the people, the things that lie underneath the surface and he does it in a brutal consequence and nobody gets out of his created nightmare in a good way! That's what makes this movie intense and disturbing - and different from so many other movie of the genre. This one here is really innovating and hardcore and maybe not as easy to watch for everyone because of its strong relation to reality.

As you can read, this movie really surprised me and I think it's a genre highlight. The atmospheric horror grows with every minute of the movie and the grande finale is worth the wait! I just gave nine points because the basic story idea is quite simple and because the novel seems to be even more intense. Even if I told you now a lot about characters and story - the movie will still surprise and touch you! This movie should be more popular outside of Quebec too. So spread the words and have some fun with this movie: Welcome to Senécal's world of nightmares!

Don't read any longer: watch it!

It reminded me of the films of Alfred Hitchcock for some reason-maybe Psycho more than his other films. Maybe a bit strong in places but it is a well done movie that makes the statement that people are often not as ready to deal with a serious situation as they might think they are, which defines the predicament a character in this film faces. Disturbingly possible is maybe another point the film tries to make, and in that sense I think maybe, but not in most places in Quebec. The sub titles didn't always convey the right meaning of the french dialogue but maybe that was just me, but I thought they worked well enough to follow the story and see the characters. True 'nouveau cinema noir', for people who like horror movies, even though it is billed as a drama.

Rising like Phoenix from the ashes, the Chess concept began to take over the plot as a plot twist from a claustrophobic drift in such a modest production; that was when the story created its greatest suspense which will never end. I consider the whole as a great and awe-inspiring achievement.

After fell off his bike a film student Yannick needs to stop by a two-story town house to ask for first aid. The father of the family from that house suggests him to make a call. After he goes inside and leaves the door unlocked behind him, Yannick starts his fatal discovery with his first step inside. Very suitable movie poster for this exact moment, when the happenings start to take effect.

First he witnesses the father of the family Jacques Beaulieu committing a murder in front of his eyes, second he's locked up in an unfurnished room, and then he starts having trouble with other family members. Right at this sequence, we see one of the finest achievements in the movie: Excellent-almost perfect- CHARACTERIZATION. What will come out of the blue is all the main characters in this film will have a terrifying destiny. When everything is running organized for Jacques Beaulieu's plans, Yannick turns the outcomes upside down. Like all the other viewers, me too became fond of the CHESSBOARD OF CORPSES. Jacques planned to array the chessmen from the characters he wanted to have, but Yannick's existence also altered the appearances on the chess board.

It's not just unpredictable what's going to happen every other scene, it's also unique in story-telling, too. Deeply detailed PSYCHOLOGICAL LAYOUT, the leading actors(Yannick vs. Jacques) reflect their inner phobias, counter-phobias and behaviour patterns against each other in a very factual way. What's very engaging is the balance of justice which forces us to understand that humankind is not entirely good or evil. The evil character Jacques is only trying to save the public from criminals and sinners, while he's fighting against the evil, he becomes an evil on his own, under a self-built heresy.

Very nicely done adaptation work offers a promising film and it succeeds in production aspects, too. Yannick's psychological trauma moments are served out with nice VISUAL EFFECTS and CINEMATOGRAPHY. It offers an unique style of tension without applying basic horror methods, spooky visuals and sharp shots which forces the viewer to wince.

A few deficiencies on character and story development with possible plot holes: 1/ JACQUES'S ACT OF JUSTICE: Jacques never locks up innocents into the Room Of Sinners. But he kills a sinner in front of Yannick's eyes just because he's there to get aid for his bruises. As a serial killer of the 24 bodies and a thief to steal another 24 corpses, he should've been more careful with Yannick. 2/ MAUDE'S SUICIDE: She never attempted to suicide before suddenly deciding on helping Yannick to escape. 3/ When Yannick started first to see delusions, he sees A FAT MAN WITH GLASSES, and continues seeing the same man every time he sees another delusion. There is no story held for this supporting character. 4/ The story doesn't build the necessary bridge between the happenings and the results for each family member's destiny. Neither the mum or dad ever worried about Michelle, after Anne is sent to the afflicted children's school. When the movie is over, everybody's life will be different. This isn't a suitable premise for a movie in this genre. 5/ Anne's school never made any investigation nor at least a questionnaire about Anne's past.

This film was examining the addiction to murder and the effects of violence in the family in one point. It came to a dead end, finished in a tragedy for everyone, which is idealistically appropriate with its examination. The second point supported the idea of the personal needs to trust the government's justice system to live in safety. Creating a justice other than the current system is only a fantasy. In this case, comparing with SCORSESE'S RAGING BULL, 5150 doesn't make the viewer to feel sad about Jacques the way we felt about Jake La Motta. Both Jacques and Jake seek their own sense of justice, but end up behind the bars. Another reference on Jake La Motta is occurred when Yannick chose to turn back to the Chess-game addiction instead of the choice of freedom, so his paranoia obsession on Chess took over his personal life; just like Jake La Motta happens to become a stage comedian but continue practising his punches and crochets in the backstage of the theater. Unfinished games may cause obsessions, but an unachieved purpose can kill. A Proudly Canadian film. Congrats.

You'd think people would know that since the "Nightmare on ..." movies ... But seriously though, I haven't looked into the origin of the title and this has no "Freddy" in it. Though it has some other interesting characters in it. And it plays in a weird way and goes places you wouldn't expect. While the main character might do things, you wouldn't expect him to do at first, it does all make sense (well as much sense as there can be).

Of course this develops into a very strange little crazy movie, that will either leave you completely confused at the end or satisfied as can be. A movie about violence, but also about (and maybe even more) craziness. It won't give you any easy answers and the end will put quite some people off (I think that the fact, that it isn't as violent as some other genre movies, might be putting people off too).

It is a very weird movie and I can't really tell you to watch it, because it might not be your taste at all.

As a big fan of horror movies I try to see everything that is released. When I read the "5150 Rue des Ormes" plot I thought it was going to be a good "different" horror movie but now I have to say I'm a bit disappointed. I can picture the whole movie as a short story rather than a movie, some stories are not movie material, this one is a big example. Just because you have a creepy thriller it doesn't mean you can dress it with actors. The whole background story is good, the acting is good, the characters are interesting but all together in this movie are messy. There are many story lines that lead no-where, there were symbolisms bad used and many clichés. I wasn't scared about the story, it's a bad nightmare. Bad script, bad direction, good intention.