Kompromat

"It's too long", someone wrote. Well, I disagree. First of all, French directors don't generally hew to the mad pacing American filmgoers are used to. This is quite obvious - you have to go into the theater with a different notion of what an action film should look like.

The film is extremely tight all the way through. Extraordinary attention to detail, and the cinematography is outstanding. Just beautiful. Yes, the plot is somewhat convoluted - but it's based on an incredible true story. It's also timely in that it informs the audience of the true terror people are living in, in the totalitarian state of Russia. G-d knows how many people are wrongfully imprisoned. This is the story of a man who, incredibly, was able to escape the clutches of the Russian state. It's worth watching for that reason alone.

And his will to survive - well this is not a movie about boxing, so no pun intended. I assume you knew this anyway, but just wanted to make sure, you'd understand my method and my summary (head)lines. We have something that is based in reality or something that actually happened - I did not check what things were made up or exaggerated, in case you were wondering.

The movie is heightened for sure and has quite a few near misses and a lot of tension. You may be wondering what is happening at times, but the time frame and the timeline jumps are carefully chosen, so I reckon most will be able to follow ... well no pun intended again, since some in the movie seem unable to follow ... well the movie would not happen, if they did.

It may be a bit too long for its own good ... and I thought there was an ending 20-30 minutes before the movie actually ended ... we needed another highlight I assume ... can't just let the movie ... drown like that ...

What promised to be a great movie, loosely based on real events, turned into a soap full of clichés and turns of events that lack verisimilitude. It is really sad that the screewriter/ the director felt the need to pack the film with over the top dramatic unrealistic eye-roll worthy plots and twists on top of the core storyline, wherever some understatement and restraint could have made this a great film. This story didn't deserve to be turned into melodramatic fromage.

However, the portrayal of the Russian system, specifically the prison and the people' interactions are realistic enough. The acting is great as well. It is entertaining enough for you to wait till the very expected end.

A tale of fateful mysterious encounters. A promoter of culture a work horse is very well portrayed by Gilles. Something that's frequently remarkable about European cinema is quietness that builds up anxiousness. Kompromat got that distracting silence to which the thrills gets bombarded. A beautiful love story that's ill-fated yet pure and childish. Joanna Kulig was perfect in portraying the woman lost between worlds. Rest of the cast put up sincere performances too. Cinematography is excellent adapting to the mood of each moment. Kompromat is a simple story that's told right. Worth the time spent.

This is the kind of movie that everyone living in civilised and comfortable prosperous calm world must see. Everyone just living his own life, enjoying moments with friends and family. But if you live in Russia, it is like if Alice on the other side of the mirror. As soon as in nowadays Russia, you will easily learn that the rule of law doesn't exist. That anyone with even smallest grasp of power uses it to his own benefit. That human life is worthless - own citizens, and foreigners - even less. That there are no logical explanation nor motives for prosecuting or jailing an innocent man. Everything runs on an almost medieval barbaric logic. All that is Russia nowadays.