Georgia O'Keeffe

I have followed Stieglitz for 40 years via catalogs, books, videos, and exhibitions. I branched out to adore O'Keefe for her work, and, increasingly for her individuality and spunk.

This portrayal of the woman fills a much needed gap in her biography and that of Alfred. The harmonies played by the character weave a phenomenal presentation of these lives.

For anyone who has read biographies, autobiographies, or other papers on these two lives will easily fill the gaps in this abbreviated portrayal. If I get the chance this program will become a part of my own collection of these artists lives - It's a keeper.

Don't get me wrong, Allen and Irons are quite good in the film. (Irons seems to be channeling Daniel Plainview) Im just a little disappointed...

I personally would have liked to see her actually painting a bit more...or at least some insight to her thought process. The plot is really about her seemingly symbiotic relationship with Alfred Stiglitz.

There also seems to be a lot of gray areas in her later life that the film just sums up in a monologue, but Its a made for T.V movie...I guess we cant have everything. Something tells me it should (was it meant to be?) have been made into a feature. Its not bad, just could have been better.

Have a high appreciation for art, despite never being particularly good at it myself. Of which Georgia O'Keeffe was one of the twentieth century's best and most important female artists. Regardless of any historical liberties, also really like to love a lot of biographical films. And then there is Joan Allen and Jeremy Irons in the lead roles of O'Keeffe and Alfred Stieglitz, regard them highly as actors (especially Irons, who is one of my favourites). So there was a good deal that made me want to see 'Georgia O'Keeffe'.

'Georgia O'Keeffe' was a decent film and does intrigue, with the two leads and their chemistry being the main reason really to see it. At the same time it was a little disappointing and somewhat superficial and under-explored. As far as biographical dramas about artists go, it's not one of the best or most illuminating, enough to recommend it but what could have been a work of art in the right hands doesn't have enough of a flourish and was a slight missed opportunity.

There are good things that are done well in 'Georgia O'Keeffe'. Allen makes a big impression as O'Keeffe, very nuanced with a lot of bold honesty. Irons gives his absolute all as Stieglitz, not as subtle as Allen (the way Stieglitz is written plays a part in this) but the charisma and intensity are there. A very good effort is made making both look like O'Keeffe and Stieglitz and it's a successful one, with some very well-crafted prosthetics/make-up, while Allen and Irons' chemistry is quite magnetic. O'Keeffe and Stieglitz's relationship features prominently here and it is actually very interesting, it's tempestuous but the film allows some more intimate moments to stop it from being over-the-top.

Alongside the depiction of their relationship, what also stands out in the story is the conclusion which is really quite moving, it is in the conclusion too where we most see the too fleeting moments of how O'Keeffe saw human nature. The scenery is stunning and complemented by some nice photography. Tyne Daly and Ed Begley Jr are particularly admirable of the competent if not always remarkable supporting cast in somewhat under-explored roles.

Do think though that despite the central relationship being done very well it could have featured less and there could have much more of how O'Keeffe saw human nature, her as an artist and how she worked. We never properly get to know her properly as a person and there is not enough illuminating about her work, art itself or her as an artist. 'Georgia O'Keeffe' too would have benefitted more from more show and less tell, would loved to have seen more of her work and creative talents shown and less of the film telling us about it.

Especially, like primarily in the voice over, when it doesn't always add much and has too much glossing over. The voice over over-explains, is rather superficial cliff-notes-like and wasn't really necessary when what is said could easily have been shown. O'Keeffe's art is beautiful and so vivid, and should have featured more.

Summing up, decent but could have been better. 6/10

Let me first state that I am a professor of Art history so my opinion should carry some weight. Having said that, the actual story of O'Keeffe and Stieglitz is told rather faithfully. My complaint stems from the sloppy production. The opening scene sets the tone: New York 1916 is actually Chicago 2009! You can see the flag of Chicago hanging on one of the buildings! Also O'Keeffe was not in New York until 1918. The cars, hats and hemlines are all from the '20s (like we wouldn't notice).

The second time we see "New York " it's the Chicago Board of Trade complete with the Rookery on the left! Lazy, sloppy production. You couldn't find any stock footage of NYC?

a correct story. who could be better. but, in strange manner, it is only a detail. because it is a classic biopic, using the right recipes, giving Joan Allen and Jeremy Irons in decent roles, suggesting the universe and the crisis and the fight of a great artist. and nothing more. and this does the viewer to be the only obvious judge. because it is his verdict. a good introduction to the art of a painter . or disappointed portrait of her. for me, the truth is between this view points. maybe, because it seems be not easy to present the essence and the roots and the shadows of an art who remains so fresh question about yourself. and the sketch of social relations or about the need to create is enough for suggest the right way to discover her world.