Cadavres à la pelle

This is a black comedy about two men who makes a fortune by selling bodies to the medical profession for anatomy classes.

The story of "Burke and Hare" is dark and disturbing if you think about it, but it does not feel this way when you watch it. Instead, it appears lighthearted and likable, even though the main characters commit the most heinous crimes. The plot is engaging, and I feel a little sorry for Dr Knox and William Burke for their fate to end like that.

The film has loads of dark humour. It is funny in its own unique way, not the laugh out loud nonsense type of funny. It is worth a watch if you come across this film.

Burke and Hare is a story of two men in Scotland in the late XIX century barely making a dime when an opportunity comes along to earn hard cash by killing people and selling their bodies to the benefit of science.

This movie may seem morally rotten at its core making a comedy out of murder, but it succeeds at it while quite a lot of comedies with far less harmful plots don't, not to mention that some of the most popular TV shows of today make it fit right in. John Landis comedies much in common with ZAZ productions and sometimes are almost live action cartoons. The title characters are shown as flawed people in a desperate situation which they think justifies their actions - we don't laugh with them, only at them. And that's intentional.

John Landis came back with a surprisingly decent feature. It's as if the MTV-style cinema revolution has passed him by (the one that hit the new Sherlock Holmes square in the face). No camera gymnastics, no forced sensual assault, all the action and physical comedy happens in frame. Burke and Hare is his first 2.35:1 feature and it shows - the frame at first appears a little too wide, like if the characters were taken from a 16:9 movie and arranged accordingly. By the way, "highly entertaining", "very funny" and "packed with the cream of British talent" - those bits on the poster aren't far from the truth.

Expectations from other reviewers must have been too high. This movie is thoroughly enjoyable, despite the subject matter, which I suppose is the whole point. I found it to be comically dark as expected. Although in a lighter tone than "I sell the dead" which is another good film in the same vein. The casting was well composed and at times gave me the feel of a Terry Pratchett production. The sets and cinematography were spot on and very believable. I simply wouldn't try to compare this film to any of John Landis' previous works ,it stand on its own and demonstrates the dynamic abilities of both cast and crew. All in all worth a go if you are in the mood for a few good laughs.

(44%) A well made, yet oddly completely unfunny watch centred around the crimes of the notorious murderous duo in 19th century Edinburgh. So what exactly went wrong here? Because with the cast including the talented Simon Pegg and Andy Serkis, with support from the likes of Tim Curry, Tom Wilkinson, British TV favourite Ronny Corbett, even Christopher Lee in a small cameo, and with John Landis directing meaning this should have been a hell of a lot better than it actually is. The first problem is the fact that this starts claiming to be an Earling studio production, and not once in the entire film did it ever remotely capture the feel of that once great name. It may have the darker edge you'll find in something like The ladykillers, but what is really lacking is any sort of soul or heart. It doesn't also help that the true tale of Burke and Hare isn't actually that comedic as there's no real punchline anywhere, just a couple of guys making a bit of money grave robbing and killing people, and that's about it. This isn't a bad watch by any means, but I defy anyone truly enjoying its half baked attempts.

Burke and Hare is a fast-paced, fun filled riot and the title roles are inhabited brilliantly by Simon Pegg (as William Burke) and Andy Serkis (as William Hare). Harking back to the good old American Werewolf days, Burke and Hare joyfully plays with your expectations, creating characters you like and sympathise with and then making you squirm as they nonchalantly murder their way through Edinburgh. Andy Serkis proves that he is the most easily likable man in the world with his earnest, all or nothing approach to acting, and as he reasons that mankind's fate is sealed the moment they're born, you almost find yourself nodding along happily when he suggests "helping them along the way". Simon Pegg has the straighter role, though not by far, as he gleefully goes from love-struck puppy-eyed romantic to monstrously suffocating old ladies in the blink of an eye, his facial expressions, mostly of dim witted "innocence" perfectly contrast with Serkis (Burke's reaction to Hare's coinage of the term "burking" is hilarious). All in all the duo are a perfect pare, thick as thieves and as funny as, well, horrible murderers.