St George's Day

Do you remember the good old days, when an Englishman's home was his castle? When you could leave your front door unlocked? Every other person down your street was a Pearly King? and every night was spent having a sing-song around the old Joanna at the rub-a- dub, before doing the Lambeth walk all the way home? Well the makers of this film do….Every character in this formulaic tosh is either a cheeky, chirpy, annoying Cock-ernee or is a hulking, growling Jason Statham-a-like who'll screw your head off your shoulders for looking sideways at his pint. St Georges day seems to be aimed at a typical 15- 22 year old lads mag audience and fair enough, but there isn't enough meat on the bones here for even the most easily pleased "Nuts" magazine reader. The sex isn't sexy enough, the comic bits aren't funny and you'll see better orchestrated violence in any town centre Kebab shop on a Saturday night. The plot is paper thin (The Russian Mafia …How very 80's….Missing Cocaine….How original "2 out of 10. See me at the end of class")

The acting is as wooden as a crate of light ale. And middle aged men ruminating on World war 2 and what being an Englishman is all about, still yearning for the good old days, just smacks of lazy writing & casual racism. At times this almost plays out as a recruiting film for the English Defence League. No doubt a few knuckle draggers will get something out of the casual violence, drug taking and football thuggery but everyone else please steer well clear of this load of old Pony*

* Cockney rhyming slang….Pony & Trap = CRAP

I thought this was an all good Brit Gangster flick, Frank Harper did a great job of his first time directorial debut, and some of the camera shots were great, I also like some of the analogies used such as when Craig Fairbrass says "I got 25 good summers left" I like things like that, and thought there were a few thought out well. Craig Fairbrass shinned in this, this was one of his better roles that fitted him. All in all, I would give it a 7/10, only miscast I thought was Jamie Foreman just due to him being in Eastenders and nothing personal.

I think Frank Harper could defo direct some more good things, and look forward to them! The Business was one of my favourite brit flicks, but I think that is a touch of the sun that makes it!

You probably know Frank Harper from pretty much every British gangster film (he was 'Dog' in Lock Stock). Now, he's taken to writing and directing one of his own. St George's Day tells the story of two London gangsters who lose a shipment of drugs that belong to the Russian Mafia and have to pull off a heist to get the money to pay it back.

Yes, it's hardly an inspired plot, but, when you watch it, you'll soon realise that that's the least of its problems. Frank Harper narrates pretty much the whole way through, giving his 'patriotic' thoughts and opinions on the story, plus introducing every character along the way. And there are many. Every other scene has a new gangster who gets his own intro from Frank, most of which are hardly seen again in the film.

Unfortunately, St George's Day utilises every cliché in the book. Every line sounds like someone doing a bad impression of what they think a cockney would say. After a while, you start to wonder how quite a talented bunch of actors were ever roped into this film to begin with. I say 'talented actors' as most of them are. However, this doesn't apply to former Page 3 girl turned 'actress' Keeley Hazell. She is truly wooden beyond belief.

St George's Day brings nothing new to the genre of gangster films. It's clichéd, boring, overly-long and just bad. One to avoid. Stick with Lock Stock and Snatch.

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This movie came out of nowhere and completely blew me away. It's gritty and raw, but it's also got so much heart. It pulls you in from the start and keeps you hooked until the very end. The characters feel like people you can relate to, and their struggles hit hard.

The action is intense, but the story is what really stands out. You actually care about what's happening, and that makes every scene hit harder. It's not polished or fancy, but that's part of what makes it so good. Even the slower moments work because they make you more invested. If you're looking for something with action, emotion, and real stakes, this is it.

St George's Day is directed by Frankie Harper, he also co-writes the screenplay with Urs Buehler and stars with Craig Fairbrass, Vincent Regan, Charles Dance, Dexter Fletcher, Nick Moran, Keeley Hazell, Jamie Foreman and Sean Pertwee. Music is by Tim Attack and cinematography is by Mike Southon.

Frankie Harper, one of the most liked and recognisable faces from the slew of British gangster and football hooligan films, turns his hand to try and make his own mark in what is becoming a bulging genre of Brit film. The kicker here is that he blends the two popular lad staples together by having a plot involving gangsters using a football rumble as cover for a robbery. In Berlin, Germany, no less and St George's Day as well! Cor blimey!

Plot is kind of incidental, which is just as well since it's not exactly a brains trust script. Film is filled out with the requisite amount of shouting, swearing, fighting, shooting, thieving, jingoism, sloganeering and lairy witticisms. Harper has surrounded himself with pals, clearly offering up reassuring presences to the budding director, while it's fun for fans of this splinter of Brit cinema to play spot the face. It's all very blokey and enjoyable enough for the undemanding, but the good idea on the page is not born out as the narrative often gasps for fresh air, the attempts at complexity ending up mundane.

The cinematography is a highlight, with the number of Euro locations used giving good visual tonics. Cast perform adequately as per the material, though Moran, Fletcher, Dance and Pertwee are under used and therefore wasted. There's enough in here to suggest Harper could offer something of value as a director, but maybe a little less crass for crass sake should be jettisoned in favour of some intelligence in the writing. Dexter Fletcher's debut outing as a director, Wild Bill, is a good marker, Frankie would do well to follow his mate's lead. 6/10