À plein temps

Two years after this film was released, it is more relevant than ever. Increased prices for food, heating, petrol and public services have taken off in Europe over the past year. Many feel enormous pressure. Especially those in low-wage jobs, like the main character in this poignant social drama that unfolds in Paris. Rarely have I seen a film that gets the message across to such an extent. Social drama yes, but the pace of the lead actor almost takes your breath away. Time is of the essence here. And to make both the money last, in a world where being poor makes them incredibly vulnerable and with very little to go on before the disaster is a fact. If so, this film is a wake-up call. Because it gives an insight into how many people live now. Gripping and topical film that I highly recommend. Thank you and praise that films of this format are still being made. Eye-opening film.

Laura Calamy runs for her life, in a sense, and for the live of her children. There is no monster or serial killer out to get her: the challenge of this divorced mother of two, who has dropped long ago out of her career to raise her offspring, and now has to eke out a living by working as a chambermaid, is to make ends meet. We are in Ken Loach territory here, but À plein temps couldn't be more different, and frankly it's heads and shoulder above most of Loach's works. For a start, it's shot like a thriller: it's fast paced, and dry. It doesn't hector or guilt-trip the spectator; it doesn't depict its protagonist like a saint either: Julie Roy is as flawed as most people are. She is smart, can even be crafty, but has no time for moral refinement: for her, it's sink or swim, and she is determined to not sink (her only moment of genuine doubt arrives in the last third of the movie, in the scene at the station. The camera lingers on her back in one of the rare long shots in the film, and yet somehow we can read her thoughts -- this is the work of an author who truly masters their craft).

What put Julie in this situation is ultimately left to the spectator to decide. Has she at least partially brought it onto her by buying into a 50s-style suburban life myth? Is it society who has lost all empathy? Is there hope for her? I won't spoil the ending, but suffice to say, it's as powerful and dry and hard-hitting as the rest of the movie.

À plein temps is giving me hope for French cinema. It's a great movie. Don't miss it.

What a movie. Well directed; well acted; it never stops; and keeps you on the edge of your seat.

Any working parent will get this film and any single working parent will relate to the decisions and life choices this incredibly hard working mum has to make each day and each minute.

If anyone says Hollywood does thrillers and dramas, come and watch a story without car chases, without explosions, just the drama and emotion of real life.

Pretty much this and a pursuit of happiness are the most relatable movie I've seen to a period in my life that though hard played a big roll in making me the man I am today. Living in any major city in American can be tough high rents, low wages, marital issues... It's really tough to be a single parent especially if you don't have grandparents or family support. Watching this women sprint to a train, hustle at work, rely on the blessings of dumb luck to get home and back to work is exactly the agst and anxiety that was my life for over a decade. This film is honest and tough to watch at moments. The director did a great job of making every moment feel tense and rushed..... Because that's what it feels like in that situation always. Here are two all the hardworking good parents building trampolines in the dark when they have to get up early..... Great movie.

Éric Gravel's "Full Time" is a well-crafted film that follows a single mother, Julie (Laure Calamy), as she tries to make ends meet in a society that seems stacked against her. The movie has a fast-paced feel reminiscent of "Run Lola Run," while also offering a story that viewers can relate to on a personal level. Julie's job as the head chambermaid of a hotel is not ideal, and she's determined to land a better job at a marketing firm. However, with a citywide transit strike and her dependence on public transportation, she faces challenges in reaching her interview on time.

The film's technical aspects, such as Mathilde Van de Moortel's editing and Irene Dresel's score, add to the tension and keep viewers on edge. Julie's determination to better herself is admirable, but the film does not shy away from showing her flaws. Although the movie lacks a strong statement about the strike and organized labor, it is an intelligent and engaging story about a familiar struggle. Gravel's film blends tension and humanism to create an impactful experience.