IMDb RATING
4.7/10
4.7K
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A journalism student tracks a killer with the help of her detective father and a therapist.A journalism student tracks a killer with the help of her detective father and a therapist.A journalism student tracks a killer with the help of her detective father and a therapist.
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Henry Baker
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"Do what I say and you live. I'm going to kill your mother or your father. You have 60 seconds to decide, choose, or I kill them both." Journalism student Fiona (Winnick) becomes obsessed with the case of a serial killer. Her father (Pollak) tries to keep her away from the case he is working on, but the further she delves the more she thinks that her mother's death is somehow connected to this case. This is a movie that was pretty good, but had potential to be better. This movie seemed like it tried to copy "Silence Of The Lambs" and "Untraceble" with "Saw" mixed in. It didn't really get close to the standards of these movies, but it is still a good attempt. The acting was pretty good though and that helped. I think the main problem with this movie is that it didn't grab you with tension like a thriller should. It was OK, but had enough chances to be great and just never quite got there. Overall, "Saw" meets "Untraceable" with out the tension of either. An OK movie, nothing that hasn't been tried before though. That said, I did like it enough to say...I give it a B-.
Would I watch again? - I don't think I would.
*Also try - Scar & Untraceable
Would I watch again? - I don't think I would.
*Also try - Scar & Untraceable
Caught this at Leeds Hyde Park Picture House's Night of the Dead and wish I hadn't. Dull, by-the-numbers serial killer slasher that has one gimmick - the killer makes his victims choose between two nasty punishments - that proves to be a lot less interesting than the you'd think.
Cue a plucky young journalist who uses the power of Google searching to solve a series of local crimes that her father, a high-ranking police officer, inexplicably doesn't seem to give a toss about.
The script has unintentional laugh-out-loud moments, and that's about the best I can say about this gently steaming pile of tepid naffness.
Cue a plucky young journalist who uses the power of Google searching to solve a series of local crimes that her father, a high-ranking police officer, inexplicably doesn't seem to give a toss about.
The script has unintentional laugh-out-loud moments, and that's about the best I can say about this gently steaming pile of tepid naffness.
After a series of brutal murders, a college journalism student finds the link between the killers' game of making his victims choose their fates and her mother's suicide several years ago and tries to stop his rampage from continuing.
This here was quite the disappointment and rarely had anything really worthwhile about it. One of the main issues here with this one is the fact that so much of the film rests on the investigation angle that isn't even properly played out at all here since the actual detective work to do this is so haphazard, slowly developed and not in the slightest bit interesting. By going through the motions of her being questioned more for not partying with her friends at college rather than actively being a part of the investigation, stumbling upon the nature of the killer rather haphazardly and then not even being targeted until the very end as the actual police don't seem that invested in what's going on make this quite played out and rather bland about this supposed part of the story that's one of the biggest selling points about it. As well, there's also the fact that the actual kills here are just beyond lame that it really torpedoes the film quite readily by facilitating such an utterly lamentable feature that's not even that well developed at all. By forcing them into making choices that come off with a ridiculous air that's not in the slightest bit intimidating, when a small measure of muscle against him would've rendered a successful counterattack that stops the spree rather easily, this one doesn't really exploit this all that well by even still only featuring such a small handful of kills that it really undermines what could've been a lot of fun. These are all placed up front to start this going, but instead there's so little of interest in how this goes about the murder scenes that there's not much to really gleam from them other than the sadistic actions that take place, and that's not all that special an accomplishment here with the way this goes about deploying it's stalking scenes. These are fun only in the sense of the cruelty played out throughout the dismembering of the bodies, as the deaths are pretty bloody and gruesome here which manages to be quite a nice feat with the way this brings about these quite brutal kills, especially in the opening as the way it plays out is for once quite chilling with the family held hostage and then bringing along the second piano-player's fate even though there's no death there. That one works more for its strong stalking in the auditorium for anything else, but it's the closest the film comes to getting any kind of tension or suspense here and works nicely along with the outcome of the brutal kills here. Otherwise there isn't much else to this one.
Rated R: Graphic Violence and Graphic Language.
This here was quite the disappointment and rarely had anything really worthwhile about it. One of the main issues here with this one is the fact that so much of the film rests on the investigation angle that isn't even properly played out at all here since the actual detective work to do this is so haphazard, slowly developed and not in the slightest bit interesting. By going through the motions of her being questioned more for not partying with her friends at college rather than actively being a part of the investigation, stumbling upon the nature of the killer rather haphazardly and then not even being targeted until the very end as the actual police don't seem that invested in what's going on make this quite played out and rather bland about this supposed part of the story that's one of the biggest selling points about it. As well, there's also the fact that the actual kills here are just beyond lame that it really torpedoes the film quite readily by facilitating such an utterly lamentable feature that's not even that well developed at all. By forcing them into making choices that come off with a ridiculous air that's not in the slightest bit intimidating, when a small measure of muscle against him would've rendered a successful counterattack that stops the spree rather easily, this one doesn't really exploit this all that well by even still only featuring such a small handful of kills that it really undermines what could've been a lot of fun. These are all placed up front to start this going, but instead there's so little of interest in how this goes about the murder scenes that there's not much to really gleam from them other than the sadistic actions that take place, and that's not all that special an accomplishment here with the way this goes about deploying it's stalking scenes. These are fun only in the sense of the cruelty played out throughout the dismembering of the bodies, as the deaths are pretty bloody and gruesome here which manages to be quite a nice feat with the way this brings about these quite brutal kills, especially in the opening as the way it plays out is for once quite chilling with the family held hostage and then bringing along the second piano-player's fate even though there's no death there. That one works more for its strong stalking in the auditorium for anything else, but it's the closest the film comes to getting any kind of tension or suspense here and works nicely along with the outcome of the brutal kills here. Otherwise there isn't much else to this one.
Rated R: Graphic Violence and Graphic Language.
Fiona Wagner (Katheryn Winnick) is studying for the master's degree in journalism and still grieves her mother Samantha that committed suicide in the Crescent Hotel three years ago. Her father, Detective Tom Wagner (Kevin Pollak), is investigating the brutal death of the lawyer Elliot Vincent, who was murdered by his teenager daughter that was forced to choose between killing him or having her mother, little brother and herself killed by the sadistic criminal that had broken in their house.
When the pianist Simon Campbell (Tom Cleary) is forced to choose between losing his fingers or his hearing, Tom realizes that a deranged serial-killer is attacking people. Meanwhile, Fiona is contacted by the criminal through the codename ISO_17 that shows pictures of the model Jenna (Kate Nauta), who had had to choose between her face or her vision, with her face destroyed. Fiona recalls that her mother had mentioned something about choice in her suicide note and she decides to investigate the sadistic man, disclosing secrets about her own family.
"Choose" is a thriller with a scary and sick beginning, when a daughter has to choose between killing her beloved father or her family. Unfortunately the story is terrible, and even fans of sadistic death might not like this flick. The resemblance of the face of the unknown Katheryn Winnick with Scarlett Johansson is impressive. In the end, seeing this movie is an awful choice. My vote is three.
Title (Brazil): "A Escolhida" ("The Chose One")
When the pianist Simon Campbell (Tom Cleary) is forced to choose between losing his fingers or his hearing, Tom realizes that a deranged serial-killer is attacking people. Meanwhile, Fiona is contacted by the criminal through the codename ISO_17 that shows pictures of the model Jenna (Kate Nauta), who had had to choose between her face or her vision, with her face destroyed. Fiona recalls that her mother had mentioned something about choice in her suicide note and she decides to investigate the sadistic man, disclosing secrets about her own family.
"Choose" is a thriller with a scary and sick beginning, when a daughter has to choose between killing her beloved father or her family. Unfortunately the story is terrible, and even fans of sadistic death might not like this flick. The resemblance of the face of the unknown Katheryn Winnick with Scarlett Johansson is impressive. In the end, seeing this movie is an awful choice. My vote is three.
Title (Brazil): "A Escolhida" ("The Chose One")
If you're a Kevin Pollak junkie, like me, you're probably willing to sit through some cheesy movies, so that you can find the gems, like The Usual Suspects. Unfortunately, this movie is nowhere near that good. Basically, it's a by-the-numbers serial killer movie, with elements of Saw grafted on. I wasn't really expecting anything better than that, so I wasn't disappointed. Most of the performances were passable, and the direction was alright. There was a little bit of gore, which was well done, and a plot twist that worked well enough for the kind of movie this is. So, should you watch this movie? If you've got nothing better to do, and you can find it on a streaming service, like Netflix. Otherwise, pass.
Too bad Kevin Pollak doesn't do standup any more.
Too bad Kevin Pollak doesn't do standup any more.
Did you know
- ConnectionsFeatures Halo 3 (2007)
- SoundtracksWhatcha Got
Written & Performed by Jessica Brooks
Produced by Marshall Law
Published by Bungalow 7 (ASCAP)
- How long is Choose?Powered by Alexa
Details
Box office
- Gross worldwide
- $90,901
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 2.35 : 1
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