IMDb RATING
5.6/10
3.6K
YOUR RATING
A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.A woman gets entangled in a series of bizarre lies in order to take care of herself and her 12-year-old son.
- Awards
- 1 win & 2 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
My wife and I very much enjoyed this unpretentious film at the San Jose Cinequest Film Festival. It certainly blends comedy and drama very well, and the story line flows very smoothly. Well-delivered humor kept the audience laughing evenly throughout the story, which complimented the more somber and poignant moments. The actors, many of whom are recognizable from television and the big screen all added to the believability of the story. While I sat there and thought "I am glad this is not my family's story," I, nevertheless, could relate and was drawn to the characters and their trials. There was a certain sweetness about this story that made Laura's (Jenna Fischer) life ultimately redeeming, and ultimately a pleasant surprise to this reviewer.
This indie dramedy casts cutie-pie Jenna Fischer (of TV's "The Office") as Laura, a woman suffering from a variety of problems—dead-end marriage, unappreciative son, bitchy sister, condescending mom—that no amount of beer and cigarettes can make go away. Then things take a turn for the worse. The movie is about how lies infect the soul—how they grow, like a cancer, and end up spoiling life. There are impressive turns by Ron Liebman and Lesley Ann Warren as Laura's parents, and Kim Coates as a calculating attorney—the embodiment of Satanic dishonesty, he might as well have been carrying a trident. "A Little Help" may not wind up in a lot of the year's Top 10 lists, but I found myself caring about the characters, warts and all. (For once, Fischer is photographed in a way that is not particularly attractive). A winning effort by first-time feature writer/director Michael J. Weithorn.
I don't know exactly how to put this into words but what appeared to be a nice drama movie in the beginning turned out to be an average boring movie till the end. Overall the movie presented a psychic storyline with a disturbed girl finding her way out of her husbands death. Coming to the acting, one can say that most of the characters did justice to what they were put through. I am a kind of person who usually don't miss a single scene of movies, even I also had to skip a few parts at the end. Direction was not very good because the movie actually fail to leave some mark in your mind and it is a kind of movie that you won't even remember its name after a week or so.
I personally would give this movie 6.5/10 if possible; it isn't particularly good, but as other reviewers have commented, I appreciated the rawly exposed main character Laura (Jenna Fischer). I don't think the characters make believable individual families, but together the chemistry of the actors remind me of 'The Royal Tenenbaums', which I felt was as overrated as this movie is underrated.
The plot of the movie is contrived, but if one looks at the writer/director (Michael J Weithorn), it makes perfect sense that the characters are very unique, but there is simply not enough time to develop them fully. The setting (Long Island, 2002) lends this movie some interesting flavor and some of the scenes where I laughed out loud were because they were ironic/sarcastic and generally dry, which I feel accurately depicts the vanilla suburbia that surrounds the concrete jungle of NYC. There is a theme of class warfare that I found interesting even if it did not develop into a great ending.
For people who haven't seen it but might try it on Netflix, etc., it can best be explained like this: the first 25 minutes introduce many characters and would make an interesting TV pilot, and the rest of the movie tries to awkwardly make the people pieces fit together into a situation that would be better delivered as several half-hour episodes/seasons on basic cable. The ending is not particularly gratifying, but the reflections on life and the character development make it a sentimentally rewarding movie. Go into it with low expectations, and you will be pleasantly surprised. Watch it a second time, and you will be rewarded with its subtlety.
The plot of the movie is contrived, but if one looks at the writer/director (Michael J Weithorn), it makes perfect sense that the characters are very unique, but there is simply not enough time to develop them fully. The setting (Long Island, 2002) lends this movie some interesting flavor and some of the scenes where I laughed out loud were because they were ironic/sarcastic and generally dry, which I feel accurately depicts the vanilla suburbia that surrounds the concrete jungle of NYC. There is a theme of class warfare that I found interesting even if it did not develop into a great ending.
For people who haven't seen it but might try it on Netflix, etc., it can best be explained like this: the first 25 minutes introduce many characters and would make an interesting TV pilot, and the rest of the movie tries to awkwardly make the people pieces fit together into a situation that would be better delivered as several half-hour episodes/seasons on basic cable. The ending is not particularly gratifying, but the reflections on life and the character development make it a sentimentally rewarding movie. Go into it with low expectations, and you will be pleasantly surprised. Watch it a second time, and you will be rewarded with its subtlety.
I watched this movie after first coming across it on IMDb and reading stellar reviews describing it as a "dramedy". Unfortunately, I found the beginning slow and drawn out to the point of boredom. I had a difficult time caring about any of the characters or what would happen to them. I actually fell asleep and had to rewind in my quest to find the point where it would improve. I did not find this movie interesting or funny and some scenes were actually distasteful. I thought the characters annoying and unlikeable. Some reviewers commented that this movie was great because it was true to life; not every situation ends up tied up in pretty bows and perfect endings, etc. Sure, that's true. BUT, that does not mean I should be satisfied watching characters without redeeming qualities who do not develop in a movie with a flat ending. If I'm going to invest 108 minutes in a movie my lowest expectation is to care about what happens to the characters. It's interesting to read such different reviews about the same movie. In this case, since some people loved it I would suggest watching it yourself if the storyline interests you and then post a review here.
Did you know
- TriviaThe last film role of Ron Leibman.
- Quotes
Laura Pehlke: How was camp?
Dennis Pehlke: I saw a girl's tit.
Laura Pehlke: Ouu, how was it?
Dennis Pehlke: How *was* it?
Laura Pehlke: I don't know, I just...
Dennis Pehlke: She jumped into the pool and her bathing suit came down for a second. Besides, she's only eleven, it wasn't much of a tit.
Laura Pehlke: Still, it's something.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.176 (2011)
- SoundtracksGirl From Ipanama
Written by Antonio Carlos Jobim, Vinicius de Moraes, Norman Gimbel
- How long is A Little Help?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Маленькая помощь
- Filming locations
- Long Island Expressway, New York, USA(Laura and son in car.)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $96,868
- Opening weekend US & Canada
- $44,870
- Jul 24, 2011
- Gross worldwide
- $96,868
- Runtime1 hour 45 minutes
- Color
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