Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.Five teenagers with different personalities are introduced to one another in a chatroom called "Chelsea Teens!" But one shows its darker side, threatening the others' lives.
- Awards
- 1 win & 2 nominations total
- Ushi
- (as Elarica Gallacher)
- William
- (as Aaron Johnson)
Featured reviews
Whilst you will not find any reference to Facebook directly, there is clear comparison to the Social Networks look into the effect of the internet on younger generations and their communicative dependence on it. The insight however comes from a different angle as we see consequence- Ostracism, broken parental relationships and obsession. Thematically we are in a darker world of Paedophilia, Suicide, Self harm and so on, our Subjects are teen caricatures Aaron Johnson (Kick Ass) plays the lead as William a seemingly causeless rebel and leader of the group which includes posh girl Eva (Imogen Poots), loner Jim (Matthew Beard), geek Emily (Hannah Murray) and self doubting Mo (Daniel Kaluuya).
When it comes to the execution Chatroom suffers from an overdose of its own ideas, all of which never materialise into anything remotely as interesting as the abundant pretences. For example there are two occasions where the film breaks out stop motion animation sequences in a naive attempt to deliver some parts of the narrative. Naïve is also an apt way to describe the cast whose performance is little more than comprehensive school drama club standard, coupled with a script which paints it's characters as vaguely existential. Nakata must take some of the blame also, the film is horrifically paced and even the 90 minute run time feels like a slog, lack of discipline is his ultimate flaw here multiple ideas without substance are no match for substantial development of a single idea.
The storyline of "Chatroom" is intriguing since the author uses a physical room to depict the conversations of the teens as if they were happening in the real world.
Unfortunately this promising and interesting concept is the only good thing in this boring and shallow film. The execution with several subplots keeps going back and forth from Internet to the real world but they are unattractive and maybe indicated for teens. In the end, I was no longer paying attention to this annoying flick. My vote is three.
Title (Brazil): "Chat - A Sala Negra" ("Chat - The Black Room")
Note: On 04 July 2023, I saw this film again, aware of the plot and of the dangers of social media (I do not have any social media, only a blog). This time, I found "Chatroom" better and better. My conclusion is that this film deserves to be seen at least twice. My vote is seven.
Top marks for effort in trying to translate internet chat rooms onto the screen. It did take me quite a while to adjust to the visual interpretations of online cyberworld chatting but having said that, it was very cleverly done if a bit stagy. This is not a horror film. Despite the surrealistic online interpretation, this was first and foremost a dark teenage drama that quite effectively highlights the dangerous mental traps that socially withdrawn youngsters can face online in real life. Maybe parents of teenagers who spends all their time on the internet, may well find this to be a horror film and start taking away their kids computers, then push a football into their hands.
Of course this being cinema, liberties need to be taken with plausibility to turn this intriguing drama into a dark thriller. But it works. Its just that it took a heck of a long time to really get going with the main plot. The dialogue also felt very sluggish. The young actors however, were very good and did well to emote their feelings convincingly.
I was very bewildered at the inclusion of a couple of stop motion animated cartoons which I get the impression were supposed to be darkly funny but I did not find it in the least bit amusing. Maybe that was the idea but it served no purpose in the flow of the movie for me. Also, this being a British Film Four production, it feels so, and you wont find any money spent on special effects apart from a change of wallpaper in the chat rooms.
Overall though, this is a very good thought provoking film with decent performances from the young cast. It is an effective thriller but very sluggish until it really picks up momentum in the 3rd act.
The movie goes back and forth between "real life" (the outside world) and internet life (the conversations and chats of the protagonists, here represented into a physical reality, so as not to spend an hour and 46 minutes filming youth typing on a keyboard).
It is not a horror movie, but rather a good psychological thriller, with the story of a disturbed teen who tries to alleviate his own misery by making others miserable. It is also a good look into the seedier, sleazier parts of the internet, where anything can happen, and where violence (although entirely psychological) can be very, very real.
Past the original idea of portraying internet chat rooms as a physical space this movie has nothing new to offer. Every character is so one dimensional it's a joke. You have sulky emo kid angry at the world. The conservative political girl, the shy geek and the posh totty who hates being posh. This plays out more like a poorly written teen novel than a movie. I thought the manipulation of the other teens by the angry Emo was far too simple. Within one conversation he has the conservative character smearing feces all over her parents car.
I found it hard to relate to any of the characters because they had no depth. None of them felt real to me. I just hated them all. The only reason I kept watching was in the hope I'd see them all get their comeuppance.
The film is very nice to look at with some quite clever visual ideas for some of the chat rooms. Also the stop motion sections were quite a nice break from the whiny teens.
In the end all this movie really ended up being was a very heavy handed message of 'be careful who you talk to on the internet'. I just wanted to be entertained and not spoken to like a child.
Did you know
- TriviaWhile the film advertises "from the director of The Ring" director Hideo Nakata was, in fact, the director of the original Japanese film Ringu (1998) to which would inspire the American remake The Ring (2002) by American director Gore Verbinski. Nakata however would return to direct the American sequel The Ring Two (2005)
- Quotes
Eva: Come on! Come on, get personal. Who is it? Who does Jim hate?
Jim: Me.
Mo: Really, Jim?
Eva: You hate yourself... So what?
Emily: D'you have an OK family life?
Jim: [Nods] Yeah. Yeah. I don't have a father. But my mum is really nice.
Eva: So you hate yourself, because?
Jim: I've been on anti-depressants for two years.
Emily: And... Do they help? Do you know if they're helping?
Jim: I don't know... Maybe...
William: Come off the medication. If you want to feel like a person again... Come off them.
- Alternate versionsThe film was altered based on advice given by the BBFC at the script stage to avoid a potential 18 certificate. Several lines of sexual dialogue were altered, and the filmmakers were also advised to avoid "novel detail" when it came to shoot the suicide scenes.
- ConnectionsReferences Du rififi chez les mômes (1976)
- SoundtracksDisconnect
Performed by Richie Hawtin (as Plastikman)
Written by Richie Hawtin
Published by Mute Song Limited
Licensed courtesy of Mute Records Ltd
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ch@troom
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $683,912
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.85 : 1