Chatroom

One of the best aspects of this movie (which is NOT, as it has been marketed, a horror movie) is the depiction of the internet into a physical space. It is really, really well done, and anyone (even slightly) familiar with the world of chatrooms will be blown away by the realism.

The movie goes back and forth between "real life" (the outside world) and internet life (the conversations and chats of the protagonists, here represented into a physical reality, so as not to spend an hour and 46 minutes filming youth typing on a keyboard).

It is not a horror movie, but rather a good psychological thriller, with the story of a disturbed teen who tries to alleviate his own misery by making others miserable. It is also a good look into the seedier, sleazier parts of the internet, where anything can happen, and where violence (although entirely psychological) can be very, very real.

Saw this at a London hotel preview screening today.

Top marks for effort in trying to translate internet chat rooms onto the screen. It did take me quite a while to adjust to the visual interpretations of online cyberworld chatting but having said that, it was very cleverly done if a bit stagy. This is not a horror film. Despite the surrealistic online interpretation, this was first and foremost a dark teenage drama that quite effectively highlights the dangerous mental traps that socially withdrawn youngsters can face online in real life. Maybe parents of teenagers who spends all their time on the internet, may well find this to be a horror film and start taking away their kids computers, then push a football into their hands.

Of course this being cinema, liberties need to be taken with plausibility to turn this intriguing drama into a dark thriller. But it works. Its just that it took a heck of a long time to really get going with the main plot. The dialogue also felt very sluggish. The young actors however, were very good and did well to emote their feelings convincingly.

I was very bewildered at the inclusion of a couple of stop motion animated cartoons which I get the impression were supposed to be darkly funny but I did not find it in the least bit amusing. Maybe that was the idea but it served no purpose in the flow of the movie for me. Also, this being a British Film Four production, it feels so, and you wont find any money spent on special effects apart from a change of wallpaper in the chat rooms.

Overall though, this is a very good thought provoking film with decent performances from the young cast. It is an effective thriller but very sluggish until it really picks up momentum in the 3rd act.

I didn't really know what to expect with this film. There wasn't much media hype or anything of such so I thought I'd give it a go anyway.

I was a bit unsure of how the storyline was going to set out. The general pace of the film was quite set out as I didn't feel as if there were any parts that tend to have dragged on.

The character development was good, however, some characters such as Emily could have had a bit more involvement during.

Some of the acting was a bit tinny at times, especially at the start but it seemed to ease off as the story became more involved.

The ending was a slight shock and did in fact have me on the edge of my seat which I was incredibly surprised at!

The creepiness of Aaron Johnson's character William was what did it for me. I think he played it pretty well.

Overall, if you're looking for a film which incorporates some modern day technology and a bit of a nut job, this one is for you!

Before I set to record this film, that was shown on Film 4 last night, I presumed it'd be a trite U.S. comedy/horror, full of gross-out and stoned slackers.

How pleasantly surprised I was to find it to be a deep, unpredictable British psychological thriller that's high on design and imagination. Yes, the actors look like they've escaped off sets of U.K teen dramas such as Skins, but they are playing characters that that market already caters for.

It's quite neat how the protagonist, Aaron Johnson, (Will) is accessing the chat-room in question via his PC or smartphone but is also then seen within it. As we soon get to know, Will's psychological make-up and difficulties are complex and largely unexplained. Is the chat-room itself purely in his mind and is the labyrinth of other rooms that we see at the start also only in his imagination? If so, that's quite a neat way of adding extra texture and substance that's already there.

The challenging soundscapes and things like the animations add extra meat to the body of expression that director Hideo Nakata uses - and I personally liked them and thought they added to the film. Some of the discussions on serious emotional conditions and suicide may help those who are exposed to those feelings and experiences, or they may not - depending on how mentally well one is. But at least it raises them, which is quite brave.

I don't necessarily think that the "hammy" acting that many have criticised is out of place here - touching and nuanced performances would be out of place in this aggressively symbolic and stylised movie. And, when one types on Facebook, with modern, abbreviated cyber-speak and even more so with Twitter, then dialogue is even more stilted, with even less room for delicate expression.

The other characters add to the mixture of messed-up heads and some social comment on what is acceptable and what isn't gets some interesting airing. I think many viewers who've come back from the pub and expected a simple cat and mouse cyber-bullying flick may have well been unprepared for how deep and complex this thriller is and been put off by that. It's a brave and imaginative film; flawed, yes. A nice bonus for those of us who've visited the locations such as Camden Lock and London Zoo are indeed, the familiar locations.

Horrible teens somehow get sucked in to doing horrible things by a floppy haired sulky cliché of the spoilt upper crust.

Past the original idea of portraying internet chat rooms as a physical space this movie has nothing new to offer. Every character is so one dimensional it's a joke. You have sulky emo kid angry at the world. The conservative political girl, the shy geek and the posh totty who hates being posh. This plays out more like a poorly written teen novel than a movie. I thought the manipulation of the other teens by the angry Emo was far too simple. Within one conversation he has the conservative character smearing feces all over her parents car.

I found it hard to relate to any of the characters because they had no depth. None of them felt real to me. I just hated them all. The only reason I kept watching was in the hope I'd see them all get their comeuppance.

The film is very nice to look at with some quite clever visual ideas for some of the chat rooms. Also the stop motion sections were quite a nice break from the whiny teens.

In the end all this movie really ended up being was a very heavy handed message of 'be careful who you talk to on the internet'. I just wanted to be entertained and not spoken to like a child.