Uglies

As many have pointed out, there wasn't enough run time to build the narrative and characters. The only character they slightly done justice was Shay, Brianne done really well in portraying her.

Whoever designed the set/Architecture WELL DONE, literally almost exactly how I have imagined it in my head for the last 10 years, even down to the constant fireworks.

1. "The uglies are not ugly enough" Surprisingly I disagree. I just think they haven't portrayed the pretties as radical enough, it lacked the outrageousness and complexity of the actual appearance and personality change. The uglies are meant to look NORMAL, eg. Literal models in old magazines didn't compare to pretties in the book. Although I do agree that Joey King doesn't quite suit the book perception of Squint, I can however, see their thought process (I'm looking at you people who keep calling her ugly)

2. "We never learn about the rest of the planet", yeah the readers didn't learn about that for a while either, and neither does the characters. It's actually a main plot line in one of the future books so be patient.

3. "How are they hoverboarding on water" This is where the narratives quickness and budget ruined the technology and dystopian aspect, I was looking forward to this part the most, however it all lacked clarity with too much action.

4. I've seen quite a few comments and social media posts mentioning that Tally and Shay have better chemistry than any of the others, this is the same in the books and is a really important aspect as they develop their friendship and platonic love. I really enjoyed that they adapted this aspect of the characters, however ended up lacking in others.

All in all I am not surprised it is quite cheesy, it is a dystopian movie with a plot written in the mid 2000s, I definitely think with a longer run time or series they could've smashed it, it would make the special effects appear less overwhelming and the narrative denser and consistent, not leading to confusion about the plot or meaning behind the movie. With our social media today, I think the adaption of this movie is more important now than ever, they just lacked the cinema substance.

Joey King is 25 years old and in this film she is supposed to be 15. Other than paying the actors, it seems they spent $1000 on a green screen and another $50 for the production team. I guess it might be fine if you want to throw something on for your kids to rot their brain, but I'd definitely give this one a pass. I would not recommend this to any one who values their time. These kids are literally kick flipping hoverboards and the whole show is based on "feeling pretty" with a surgery performed when they turn 16. To say unreal expectations of the world, and yourself, would be a massive understatement.

First of there isn't a single ugly person in the cast.

The concept of everyone prioritizing being pretty made no sense because how does it contribute to the development of society in the movie? Like you become pretty and that's all? How do these people even make a living do you just become pretty and party all the time?

Because that's what it looked like "Get pretty and just live your life". Overall the movie had some good CGI and the action scenes were okay.

The whole concept of the movie felt a bit like they were trying to give off some Hunger Games vibe and the idea of the rebellion being led by the smoke(David) felt kinda off because it would have made more sense if his parents were the leaders of the rebellion seeing as they were the first to actually leave the city.

I don't get what some of the reviewers here expected from this movie. Who gets on Netflix in search of a cinematic masterpiece and thinks "Ah, this Netflix-produced teen action flick by someone who calls themselves McG sure will be it". 😂

This is exactly what you'd expect- just a fun, mindless modern day TV movie with average acting, average effects and lots of plot holes, but sufficiently engaging and entertaining. Perfect for a night in when you're tired and can't be bothered to follow anything more complex.

If you're looking for something ambitious, intelligent and well crafted there are enough choices out there. This isn't it, and it doesn't ever pretend to be.

You will not run into any surprises in this dystopian teen soap opera of a film. It contains a lot of tired tropes and cliched sci-fi scenarios, and doesn't really offer a new spin on anything. The plot is ripped straight out of the 1976 classic sci-fi film (and the novel that proceeded it) Logan's Run. Meanwhile, the main conceit of the film is straight out of a Twilight Zone episode: What would you do to fit in with the "pretty" crowd?

Of course, everyone is pretty in this world already, as the cast consists entirely of fresh-faced, fit young adults -- no one is overweight, disabled, or disfigured. The only blemish in the entire CGI-filled world is a scar on the hand. (The horror!) All of this would be forgivable if the acting and writing were on par with, say, The Hunger Games -- another YA series with a similar dystopian feel. Alas, that is not the case, as dramatic lines like, "Yup, I'm David." are the best that the film has to offer.

Plus, the unsatisfying conclusion seems to exist only to set up a sequel -- ugh! Netflix has a very mixed bag lately when it comes to sci-fi, the most underserved genre on the streaming service. On the one hand, they gave us the amazing first season of Three-Body Problem and Adam Sandler's underappreciated masterpiece, Spaceman. On the other hand, they waste a lot of time and money making hot garbage like this film or Zack Snyder's poorly conceived two-part Rebel Moon.

Netflix, not all sci-fi has to be super-cerebral, but it's definitely not about CGI and "pretty" characters. At its core, sci-fi exists to hold aa mirror up to us, exploring morality by posing the question of what humans would do in extraordinary circumstances. By taking the characters out of the everyday, it allows us to more closely examine what it truly means, at its core, to be human. But this movie falls far short of that goal, offering us only a generic story that we've seen far too often already. So, please, Netflix, do not greenlight the sequel to this movie.