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Colour from the Dark

  • 2008
  • Not Rated
  • 1h 32m
IMDb RATING
4.8/10
925
YOUR RATING
Colour from the Dark (2008)
A poor family farm is haunted in this Vanguard trailer.
Play trailer1:47
1 Video
4 Photos
Horror

Pietro and Lucia live on an isolated farm with Alice, Lucia's younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three brother... Read allPietro and Lucia live on an isolated farm with Alice, Lucia's younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three brothers, is not at war because of a deformed knee. Lucia is a beautiful and reserved woman dedic... Read allPietro and Lucia live on an isolated farm with Alice, Lucia's younger sister. Poor farmers, they live tilling the soil. Pietro is a good worker and a strong man who, unlike his three brothers, is not at war because of a deformed knee. Lucia is a beautiful and reserved woman dedicated to her family. Their life is peaceful and good, in spite of the hard work. One day, w... Read all

  • Director
    • Ivan Zuccon
  • Writers
    • Ivo Gazzarrini
    • H.P. Lovecraft
  • Stars
    • Debbie Rochon
    • Michael Segál
    • Marysia Kay
  • See production info at IMDbPro
  • IMDb RATING
    4.8/10
    925
    YOUR RATING
    • Director
      • Ivan Zuccon
    • Writers
      • Ivo Gazzarrini
      • H.P. Lovecraft
    • Stars
      • Debbie Rochon
      • Michael Segál
      • Marysia Kay
    • 29User reviews
    • 27Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos1

    Colour from the Dark
    Trailer 1:47
    Colour from the Dark

    Photos3

    View Poster
    View Poster
    View Poster

    Top cast8

    Edit
    Debbie Rochon
    Debbie Rochon
    • Lucia
    Michael Segál
    • Pietro
    • (as Michael Segal)
    Marysia Kay
    Marysia Kay
    • Alice
    Gerry Shanahan
    • Giovanni
    Eleanor James
    Eleanor James
    • Anna
    Matteo Tosi
    Matteo Tosi
    • Father Mario
    Alessandra Guerzoni
    • Teresa
    Emmett J Scanlan
    Emmett J Scanlan
    • Luigi
    • (as Emmett Scanlan)
    • Director
      • Ivan Zuccon
    • Writers
      • Ivo Gazzarrini
      • H.P. Lovecraft
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews29

    4.8925
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    Featured reviews

    7kastrino

    Worthy Lovecraft adaptation

    I had previously seen The Shunned House from this director and didn't particularly enjoy it. This movie is based on H.P. Lovecraft's classic tale of cosmic horror "The Colour Out of Space" is a huge improvement for Ivan Zuccon and a worthy addition in the many movie adaptations of this story. The main difference from the story is that the cosmic element is replaced by a vague demonic/ satanic element and it fits well in this context. We have some great atmosphere throughout, fine gore and effects and a slow build up to a crescendo, just like it should be. Debbie Rochon steals the show with her performance and while there are a few slow, clumsy and unneeded bits, overall this was well worth the viewing time. For me this is one of the best adaptations of the Lovecraft story, up there with Richard Stanley's Color Out of Space and Ovidio Assonitis's The Curse
    6paul_m_haakonsen

    Actually not that bad...

    If you enjoy the works of H.P. Lovecraft, then "The Color from the Dark", which is heavily influenced by "The Color Out of Space", should suit you well enough. I am a big fan of Lovecraft's writing and all things Lovecraftian.

    I happened to come across this 2008 movie by sheer random luck and had to watch it of course. And the movie surprised me quite nicely, in a most positive manner, luckily.

    This is not a movie with a budget amount that will cause you to faint. But director Ivan Zuccon managed to make due with an estimated budget of $100.000. And it was quite well put to use where it really mattered and counted. The effects were actually quite good.

    It is a movie with a small ensemble of cast members, so there was a lot of pressure on those actors and actresses. And for most parts they did perform quite well.

    This is an atmospheric horror movie that uses dread and impeding doom, much akin to what Lovecraft did himself. So thumbs up to the director for that accomplishment.

    "Color from the Dark" is well worth watching if you enjoy a solid story-driven horror movie, and of course if you are a fan of Lovecraft.
    5Reviews_of_the_Dead

    Interesting, but Flawed Lovecraftian Horror

    This was a film that I learned about from the horror film encyclopedia that I'm working through. I didn't know much about it aside from the name and year. Something interesting is that I thought the title was similar to a film that is rumored to be made and it wasn't until after that I realized both are based on the same H.P. Lovecraft story. The synopsis is a married couple and her mentally handicapped sister unleashes something from their well that makes life better, but then also destroys them.

    We kick this off with Alice (Marysia Kay) as she wakes up in the night. She is the mentally handicapped sister. We learn from dialogue later that she doesn't talk and she has a toy that she carries everywhere. She gets out of bed and goes down to the well. She thinks that she drops her doll when she is trying to put a bucket down there. She's then back in her room and is bleeding. She is panicking when her sister, Lucia (Debbie Rochon) and her husband, Pietro (Michael Segal) come into the room. They think she is sleeping and having a night terror. Lucia says to not wake her and let it play out.

    We then learn that this is taking place in Italy back in 1942. Pietro has an issue with his knee and it is hard work on their small farm. Lucia takes care of Alice as well as the house. Pietro's brother Luigi is off in World War II and he misses him severely. With his knee how it is, he needs his help. Living nearby is Giovanni (Gerry Shanahan) and his granddaughter Anna (Eleanor James). I believe that Anna is either married to or just in love with Luigi. That night we see Anna is helping a local Jewish woman escape, Teresa (Alessandra Guerzoni). She is murdered by someone in the woods though.

    Alice is told to fetch water from the well, but she drops the bucket without securing it first. It sinks into the water. She tries to get it out with a long hook they have, but its catching. She finds Pietro and signals she needs his help. He tries to free it, but it seems like something else is freed from beneath it. Smoke is released, but he does get he bucket back. He tries the water and it seems fine.

    Things start to change though in their lives after what is released. Pietro's knee is healed, Alice can talk and Lucia seems to be abandoning her Catholic faith to pursue more carnal desires. There is an odd light coming from the well and it is almost like electricity jumping from things. Their crops have more yields and everything seems to be getting better. That's until we see that this force is actually sinister and tears them apart.

    As I started this off, I stated I didn't know anything about the story. I will admit that as the film really kind of starts to play out, I thought it felt very Lovecraftian and I found it interesting this is based off his story 'The Colour Out of Space'. I love his concepts of there being things much older than humans and that they can tempt us with their power. We definitely get that here, my problem though is I would have liked a little bit of that explored.

    This film does do a great job of establishing the character's lives and what is normal for them. All of these events take place over a week and we see how drastically things changes in that time. I did catch a title of another review how this is a metaphor for fascism in Italy during the war. I actually can see that. Early on it is showing how great things are. It also shows how quickly things fall apart as well and how those in charge take what they want.

    To get back to what I disliked, I just felt like it moves too fast through things. We never really get a resolution. A local priest, Father Mario (Matteo Tosi), comes to help and there's nothing he can do. I did like this aspect, as I love this entity being older than Christianity and it is powerless. Luigi (Emmett J Scanlan) also comes home and I can see how this is showing that WWII was a pointless war from the view of Italians. My problem is that I wish they could have explored what came from the well and learn something about it, because we get none of that.

    I do have to give the film credit on its editing. The film runs 92 minutes and it really does move through things. I actually think it might move a bit too fast for my liking to be honest. The changes that happen are done at perfect intervals though, so I did enjoy that. This film is actually pretty bleak, which is something I do tend to enjoy in my films. I also like the implications that it expanding out and there's nothing that can stop it. This can also harkens back to the allegory of fascism as well.

    Acting for this film I thought was also fine. Rochon was interesting as Lucia. She doesn't have any ailments, but we see that she's been motherly to take care of his sister who can't for herself. I did like that when things change, she becomes sexualized. It is great because of her religion and I'm a sucker for films that use the perversion of things that are supposed to be absolutely good. Segal I thought was solid as well. He is a rock that continues to be broken down. Kay was solid as well. I like how child-like she pretends and as things change, she sees the dangers of what is happening. The rest of the cast rounded out the film for what it needed as well.

    Something I had a lot of issues with was the effects. There are some practical effects in the film and they are actually really good. There was one scene that even made me cringe, which is what I like to see. Blood for the film was a solid color and consistency. The problem though was in the CGI. There was very little that was good from it. The rest was just cheap looking. They also did a lot with a green screen that just was bad. That really took me out of it, because I could tell.

    Now with that said, this film has some really solid aspects and some that aren't so much. I'm a sucker for films that adapt the works of Lovecraft. I do just wish this would have explored more of what it is and kind of establish a bit there. I do like the concept of this being a possible metaphor for fascism as well as the perversion of religion. I thought the pacing was good. The acting was solid. The practical effects were good, but most of the CGI was just bad. Score for the film really didn't stand out to me, but it also didn't hurt the film. I did think that this film does do some good things and it also did some not so good things. I think I have to give this one an average score for that reason.
    7jerryvandelgoth

    A metaphor for 1943 Fascist Italy

    A modest but in ways a clever production which seems to miss the mark for viewers not familiar with events in 1943 fascist Italy .The melding of the Lovecraft story and the reality of the war years does not develop any of it's themes clearly .Pregnant with very good ideas the scope of the film is too narrow . It is perhaps best thought of as a nightmare . It would be interesting to know what might have been done with a much larger budget . I thought the actors were very good . The production in general was very well photographed . This was one of 8 titles in a DVD set called "8 Movies - Midnight Horror" which I got at my local Ralphs Market for $5.00
    7dogma-53668

    DESPITE OTHER REVIEWS DECENT LOVECRAFT ADAPTATION

    Despite what others are saying give this movie a chance it's actually really good and watch it at night it'll help. Worth a look or two. I enjoyed it. WARNING: Possible jump scares. Heehee

    Storyline

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    Did you know

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    • Trivia
      Official selection of The Oldenburg Film Festival in Germany 2009.
    • Connections
      Version of Le messager du diable (1965)

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    Details

    Edit
    • Release date
      • March 9, 2012 (Italy)
    • Country of origin
      • Italy
    • Official site
      • MySpace page
    • Language
      • English
    • Also known as
      • Цвет из тьмы
    • Filming locations
      • Ferrara, Ferrara, Emilia-Romagna, Italy
    • Production company
      • Studio Interzona
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $100,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 32m(92 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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