Dolly Parton, ma mère et moi

It's 1976. Elizabeth Alison Gray (Julia Sarah Stone) is an 11 year old from the Canadian prairies. She discovers that she was adopted by her parents. She starts to believe that Dolly Parton is her mom and sets off on her bicycle to Minneapolis to find her. Her adoptive mother Marion goes off to find the runaway girl.

This is Canadian indie filmed in Winnipeg. Julia Stone is a cute new actress with plenty of screen presence. The title is whimsical. There are some quirky characters. There are good songs especially if you like Dolly Parton. It has some stuff on the plus side. On the other hand, the story can be slow. There are too many silent moments intended to add atmosphere. It isn't as dramatic as it could have been. There isn't much of a plot. It's kinda cute and touching.

Misleading title and casting list....only had a voice over cameo from Dolly. Even if that wasn't bothersome, the movie was confusing and poorly written, shot, and acted. Just kind of a mess with a jumble of plot lines that don't connect. The color grading was over the top and there was too much shaky cam.. It gets points for creativity I guess, but the film strongly seems to be "trying too. hard." It was a waste of my evening to watch it, wish I could get that time back. I mean, the only reason I watched it was because it said it had Dolly Parton in it, but I never even got to see her, other than in stock footage! This movie didn't seem to know what it wanted to be about.....coming of age? Social justice? Identity? Adopted child rights? Bad parenting? Bullying? Overall the movie needed to cut out the Dolly Parton stuff, and have a script overhaul.

A touching movie with a lot of drama and emotions. A lot of unnecessary parts, but very moving altogether. The editor really deserved to win an award for the editing done in this. The furniture and clothing of the actors definitely reflect the sixties. Which is surprising, because not many movies do such a good job of doing so. You can really feel the pain and emotions of this, not just by the actions and lines of the actors, but also by the lighting and certain scenes shown in the movie. It altogether has a good message about knowing that it doesn't matter where you've come from, but that you will always have a family. It was even more inspirational when Dolly Parton herself responded to the little girl's letter, giving her a little ray of hope.

The Year Dolly Parton was My Mom opened in Toronto at the Cumberland Theatre last night (March 18). Canadian film maker, Tara Johns, responded to feedback from a grateful, mesmerized audience in a rare Q&A session following the feature. Her script, production details and cast are flawless. Depicting the natural stages of rebirth in the lives of women, she invites male viewers to transition in this sacred world too. In contributing her familiar, soulful lyrics and music to the film's score and her voiced 'tell it like it is' truth, icon Dolly Parton must have intuitively realized she was backing a winner! Get your ruffles ready for the 2012 Oscars, Tara Johns!

I recently saw this fantastic Canadian production, and I was so happy to bring my 13 year old son. Although it's a coming of age story through the experiences of a young girl, it resonates so eloquently with all of us, boys & girls, men & women, about what it means to answer the question: "who am I"?

The subtle power of the young lead Julia Stone helps the viewer believe in her quest: innocent and determined.

And my hat is off to director Tara Johns in creating the mood and literally the colour of the period in every way.

I'd see it again:)