Les beaux gosses

The French title of this coming-of-age comedy is Les beaux gosses, "The Good-Looking Boys," and that's the first joke: these boys aren't all that good-looking. But first-time director (and comic book artist) Sattouf and his co-writer Marc Syrigas take the warm-hearted stand that adolescence is a goofy time for pretty much everybody. Hervé (Vincent Lacoste) is tall and scrawny and his Arab sidekick Camel (Anthony Sonigo) is short and has ridiculous long-in-back Seventies hair that signals his rock-star aspirations. The hair styles are iffy, the physiques are far from ideal, the clothes are mismatched, and they have acne. And the pimples aren't just painted on. But it doesn't matter. Hervé and Camel do okay, and the actors who play them are quite appealing.

Hervé goes up to Aurore (Alice Trémolière), one of the prettiest girls in his school, and asks her for a date, and she laughs. Aurore usually has a little entourage of blond, well-groomed boys around her. Before long however she sneaks off with Hervé and they kiss. Hervé may not be a relationship Aurore wants to acknowledge, but he's fine to practice on. And they go further.

American viewers may take Les beaux gosses for a knock-off of a Hollywood youth pic, and it has nothing radically new to offer in its plot line of a kid who scores and then gets his heart broken. The American market is saturated with this kind of stuff. But for francophone viewers, there are nuances in the story-line and the dialogue that get lost in translation. Imagine Heathers done into French. Like Heathers, French Kissers adopts and teases teenage slang. Hervé absorbs French rap lingo, which pops out with hilarious inappropriateness. He thinks rap is good seduction music, and at one point, trying to be casual, he addresses his school's black program supervisor as "nigga." In fact the humor is not so much in what the boys are doing as in the way they talk about it.

Overall Les beaux gosses is more a mockery than a knockoff of Hollywood testosterone, and feels somewhat remote from the excesses of Judd Apatow-sponsored features, though it has something in common with "Freaks and Geeks" -- but with more, much more x-rated stuff. The antics of Hervé, Camel, and their pals are blithely vulgar. There is so much gross-out and crude stuff here it ceases to gross out or seem crude. The specifics of masturbation (and the overuse of socks) and other aspects of teeanage sex are never avoided, and the American Pie/Superbad-style dirty talking and acting is as vivid as it is fresh.

Les beaux gosses also goes into lots of detail about who people are and what they do; the movie's great virtue is its specificity, despite its focus on generic (and amorphous) "ado" problems. A gay lit teacher isn't just suspected of being gay; he's in a magazine as a gay role model and a student asks him to autograph a copy. Emmanuelle Devos has an unusual turn as a haughty school administrator. Hervé's very French single mom (played by director Noemie Lvovsky) takes a humorous interest in his jack-off activities, and also follows him to his girlfriend's party. She's a millstone, but always a benign one.

There is, of course, at least one threateningly perfect boy, Loïc (Baptiste Huet), but he turns out to be far from perfect when a weird accident happens at a gym class whose tumbling sessions also give Hervé a bloody nose. Hervé, Aurore, Camel, and friends Benjamin (Robin Nizan-Duverger) and various others are messy, confused, hormone-crazed, and even sexually vague. Hervé's relationship with his mother is borderline incestuous and with Camel, as they act out and try out, has its homoerotic phases.

It's this cornucopia of absurd over-the-top-ness and richness of detail that explains Les beaux gosses' successful inclusion in Director's Fortnight at Cannes and its rave views after its summer 2009 French release. It was shown as part of the FSLC/uniFrance-sponsored Rendez-Vous with French Cinema at the Walter Reade Theater and the IFC Center in New York in March 2010.

Teenagers saga, topic visited many time by film makers, for me this one is fresh funny and sincere. I won't draw comparison with others as I feel it stands OK on its own. I left France 40 years ago and my teenage day was quite different on the ethnicity mix and the freedom of sexual expression that exists today. Yet I could associate so well with my own teenagers' experiences. Although the movie does deal a lot with sexual issues; and why not if it's about teenagers growing up. The film also deals with other relevant issues. I'm a little taking aback by the tittle chosen for English language "French Kissers". In my view it reduces the expectation of the potential viewer to something a little more trivial than what this movie is about. I even read a comment that explained why it was so named! My learning and understanding of the expression "french kiss" is somehow fairly specific and I could not relate to it appropriately further than a play on word. I wish I had the skill to translate meaningfully what "Les Beaux Gosses" conveys. I'm not happy with "the beaut kids" or " the great kids" but it's around this idea. And the idea in "beau gosse" is someone who think he or she's ready to put one over you but smoothly with a smile, weather or not it will happen. If I had to put a title in English for it I probably would have called it LOL, yes because this film is not threatening anyone and does touch people in a way they most likely will relate with it on way or the other, but whatever you will laugh out loudly. If you don't I don't envy you!

(2009) The French Kissers/ Les beaux gosses (In French with English subtitles) DRAMA/ COMEDY

Co-written and directed by Riad Sattouf that center on teenager. Hervé (Vincent Lacoste) and his best friend, Camel (Anthony Sonigo) both of them hoping they too are able to"french kiss" with some of their female peers as well. And as soon as one of them realizes Hervé wanting to do this. That she was only doing it to lead him on. And then down the line, one of them does want a serious relationship with him, her name is Aurore (Alice Trémolières) to which they start out as friends and she invites her and her single mother to a party.

Although, the subject matter is reminiscent to "American Pie" movies somewhat because their are some humiliating situations, I did not find many of the scenes sometimes pointless and unfunny. The ending was somewhat satisfying but was not enough to save the entire movie that left me with some unanswered questions that was never addressed.

In kanopy, it's the french kissers, but en france, les beaux gosses, which loosely translates as the hot guys. Vincent lacoste is hervé, a student in paris. He tries so hard, but nothing is going right. Including his love life. So when aurore invites him to a house party, it's kind of a surprise. It's a coming of age film. She may be more experienced than he, so it gets pretty awkward. Life is all about timing. And learning. And making mistakes. It's pretty good. Nothing too new here, but we've all gone through the pains of growing up. Co-stars alice trémolières and anthony sonigo. Directed by riad sattouf. He also directed lacoste and sonigo in "jacky in the kingdom of women" in 2014.

This destined for cult status flick is essentially a French American Pie or Superbad. It has pubescent boys obsessed with sex, local girls who said lads have no chance with (or do they?) and uncomfortable situations aplenty. It doesn't do anything overly original, and the story arc is predictable, but that doesn't matter. It is bloody hilarious. Sure, it has patches of unfunny areas, but when it hits the mark you'll be cackling until tears roll down your cheeks.

The awkward moments – like the boys getting caught perving on a neighbour - draw out a chuckle here and there, though the real hearty laughs are primarily induced from the smaller, subtler parts of the film benefitting from the nuanced comic performances delivered by its young, pimply cast. Vincent Lacoste makes Herve a naturalistic and relatable adolescent whilst Anthony Sonigo is more over-the-top as his ultra-libidinous mate Camel. There is also a side-splitting turn from Noemie Lvovsky as Herve's unabashed mother who has an unseemly, yet surprisingly never disturbing, interest in her son's sex life. The bit where she witnesses Herve snogging for the first time is one of many highlights – her reaction is completely and utterly priceless.

Writers Riad Sattouf (who also directed) and Marc Syrigas deserve plenty of credit too; their script has some undoubtedly memorable dialogue and interactions. A canteen scene where an inexplicably-cool blind boy chats up a naive girl offers one of the finest pick-up lines put to celluloid. Not to mention the deadpan reactions from Herve's group when they hear the school bully has died. It are these moments where the film shines and makes you forget about its numerous faults - the cultural differences to Australia make for some oddities – elsewhere in the movie.

A guilty 90 minutes indeed.

3.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)