Arthur Poppington, a regular man who adopts a superhero persona, known as "Defendor", combs the city streets at night, in search of his archenemy, Captain Industry.Arthur Poppington, a regular man who adopts a superhero persona, known as "Defendor", combs the city streets at night, in search of his archenemy, Captain Industry.Arthur Poppington, a regular man who adopts a superhero persona, known as "Defendor", combs the city streets at night, in search of his archenemy, Captain Industry.
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- 1 win & 7 nominations total
Kristin Booth
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A superhero movie is best when it subverts the genre itself, like in Chronicle or Birdman. Defendor does just that. What happens when someone with a vulnerable mental state claims to be a superhero, fighting Captain Industry? They are looked down upon. They are seen as harmless and pitiful. Until they start to take action. Then they need to be contained and get psychological help. This movie tries to shine a light - through the psychologist - on that vulnerability and shows us there's something noble, even something pure in people who (try to) fight injustice. Woody Harrelson is in top form playing the protagonist Arthur aka. Defendor. His quest to defeat Captain Industry is a sobering and fruitless one, but the public begins to care for him. Maybe just because of Athur's general naivety. A graffiti artist paints a wall with his portrait, calling out to "fight back". That's what this movie was about for me. Fight back. Fight the self-righteous world who divide 'normal' people from those whore aren't according to some arbitrary measurement. Defendor is a warm eulogy for those defying normality and a subtle criticism on what is perceived as sane.
Defendor is the story of a simple, deluded, child-like man, who thinks he's a super-hero. In all likelihood, he should have died a swift and brutal death no later than ten minutes in, but it seems that God watches out for the simple-minded, even in movies. Somehow, Defendor even ends up bumbling his way into doing some good.
Woody Harrelson portrayed Arthur in a way that completely avoided mocking him. Imagine Tom Hanks in Forrest Gump. Arthur has definite reasons for his quest and his actions, and as those reasons are revealed during the movie, you become more and more attached to his character. Kat Dennings plays a young prostitute who befriends Arthur and is instrumental in helping him to his final destiny, and Sandra Oh stars as a psychiatrist who learns about Arthur along with the audience. No one is responsible for the acting burden that Harrelson has, but their performances are still solid.
I liked this movie a good bit. It was funny in some parts, and sad in others. We really don't get to spend enough time with Arthur/Defendor and his world, but what's here is pretty satisfying.
Woody Harrelson portrayed Arthur in a way that completely avoided mocking him. Imagine Tom Hanks in Forrest Gump. Arthur has definite reasons for his quest and his actions, and as those reasons are revealed during the movie, you become more and more attached to his character. Kat Dennings plays a young prostitute who befriends Arthur and is instrumental in helping him to his final destiny, and Sandra Oh stars as a psychiatrist who learns about Arthur along with the audience. No one is responsible for the acting burden that Harrelson has, but their performances are still solid.
I liked this movie a good bit. It was funny in some parts, and sad in others. We really don't get to spend enough time with Arthur/Defendor and his world, but what's here is pretty satisfying.
The story really works and the actors are doing it justice. Low budget canadian film that goes a long way. Amusing drama like in real life. Murderous criminals like in real life. Some minor flaws due to budget.
While at first I thought it was a comedy, I was soon proved wrong. I like Woody Harrelson for his comedic value, this pushed his acting skills in a newer direction. While still maintaining a comedic overtone it settled into a serious note that is very seldom seen in most newer movies. It's not big on special effects or huge explosions, but the movie its self makes up for all that for being big on heart and able to touch feelings that haven't been touched in a while.All in all I'd say Woody Harrleson doesn't deserve an Oscar for his performance(while it was quite memorable), the movie does deserve an honorable mention at as many award shows as possible!
This was a rather enjoyable and strangely touching action caper, with moments of genuine depth and truth.
Woody Harrelson proves once again that he's an incredibly versatile and emotionally astute actor, with an arresting performance that carries the story along with remarkable zeal and fun. And while the plot and direction skirt close to sentimentalism towards the end, Harrelson executes the last few scenes in a manner so as not to spoil the quirky edge of the film.
Another angle that I found particularly enjoyable were the deferred references to Don Quixote - if you've read Cervantes's hilarious Rennaissance series you'll no doubt notice uncanny similarities that suggest homage: In lieu of the outlandish chivalric tales that madden Don Quixote and compel him to forge his own suit of armour and 'sally forth' into the wilds of quiet old La Mancha, we have 'Defendor', who similarly loses what few wits he has to begin with by obsessively reading comic books and deciding to become a superhero in an anonymous post-industrial slum. Sancho Panza is replaced by a saner but similarly pliant crack-addict, Kat, and Rosindante is supplanted by his 'defendog' mobile.
There are other similarities the movie has with D. Quixote, but to mention those would give the game away. It will suffice to say, however, that the film is quite highly recommended by this viewer, if not just for the joy of seeing Don Quixote once again take to the streets in all his glory.
Woody Harrelson proves once again that he's an incredibly versatile and emotionally astute actor, with an arresting performance that carries the story along with remarkable zeal and fun. And while the plot and direction skirt close to sentimentalism towards the end, Harrelson executes the last few scenes in a manner so as not to spoil the quirky edge of the film.
Another angle that I found particularly enjoyable were the deferred references to Don Quixote - if you've read Cervantes's hilarious Rennaissance series you'll no doubt notice uncanny similarities that suggest homage: In lieu of the outlandish chivalric tales that madden Don Quixote and compel him to forge his own suit of armour and 'sally forth' into the wilds of quiet old La Mancha, we have 'Defendor', who similarly loses what few wits he has to begin with by obsessively reading comic books and deciding to become a superhero in an anonymous post-industrial slum. Sancho Panza is replaced by a saner but similarly pliant crack-addict, Kat, and Rosindante is supplanted by his 'defendog' mobile.
There are other similarities the movie has with D. Quixote, but to mention those would give the game away. It will suffice to say, however, that the film is quite highly recommended by this viewer, if not just for the joy of seeing Don Quixote once again take to the streets in all his glory.
Did you know
- TriviaPeter Stebbings' screenwriting and directorial debut.
- GoofsArthur makes a big deal about being called "DefenDOR", yet when he's talking with Kat, he calls himself "Defender".
- ConnectionsFeatured in Starfilm (2017)
- SoundtracksOne Track Mind
Written by Classified (as Luke Boyd) and Joel Plaskett
Performed by Classified ft. Joel Plaskett
Courtesy of Sony Music Entertainment Canada Inc.
Published by Classified (as Luke Boyd) (SOCAN), Songs For The Gang Inc. (SOCAN)
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Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $44,462
- Opening weekend US & Canada
- $13,265
- Feb 21, 2010
- Gross worldwide
- $44,462
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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