Kaiji: Jinsei gyakuten gêmu

The colourful cast of Death Note (2006) reunite for this inspired manga/anime adaptation. It is a riveting sizzler of a movie made with nerve-jangling Japanese brutality. Kaiji is a down and out thirty-year-old blue-collar loser who has no luck in life. He is bored of his dead-end job at the hypermarket, irritated that pompous and prosperous people drive around in Mercedes and depressed that he never has enough dough to rise above his comatose lifestyle. One day, a debt collector arrives at his flat to offer him the chance to change his empty existence: go on a cruise with other down and outs, gamble, and repay his debts in the ultimate game of deception. If you win, you start your life afresh, if you lose, well, you will never want to fool around with rock-paper-scissors again because Brave Men Road is the only way to escape 15-years of forced underground slave labour.

Kaiji: The Ultimate Gambler (2009) examines the languor of Japanese consumer culture: work, devour, and squander your verve in an everlasting cycle of mass suppression that upholds the lower-class/upper-class divide. This regimented Metropolis style nightmare comes to fruition in the symbolic utopian underground kingdom that blue-collar slave workers must construct for aristocratic city-dwellers. The languid masses march in union, take showers together and buy beer and munchies with their meagre pay to nullify and distract themselves from their authoritarianism. The moral at the heart of Kaiji is simple: if you want to achieve your dreams in this hum/drum existence, you have to wake up, fight, and live recklessly. Would you be willing to walk across an electrified beam between two skyscrapers to pay off your debts while superficial business executives watch you on television screens? If you want to rise above your own worthless comatose lifestyle, why not take up the challenge, you could win lots of money because that is what Brave Men Road is all about, or is it… Verdict: This riveting Battle Royale intoned masterpiece is made with nail-biting suspense, brain-teasing intelligence and mind-blowing wit:-

After watching the first and second season of the anime i have watched this wonderful movie, the movie is not epic as the manga, but it was pretty good, it's very difficult to make a 2 hours movie from one season, but the actors were very impressive, i was very excited from the beginning of the movie until the end, if you didn't watch the anime , trust me you're missing a lot!

This was one of the films that I had to give up on during last year's trip to the Tokyo International Film Festival, not that I thought it was no good – the casting reunion of those from the Death Note films is reason enough to flock to this – but because I had got some faith that it'll make it to Singapore because it should have some appeal given the success of Death Note here, and manga to film adaptations have usually done fairly well. So it made it to our shores, and while I was expecting some serious gambling utilizing the rule book from casino card games, Kaiji: The Ultimate Gambler just lives up to its title, where the stakes are deadly, usually that of life or lifestyle.

However, the strength of the film is how it metaphorically paints the picture of society with that rich-poor divide, between the elite class and those who are perpetual losers, being dealt the shortest end of the stick in life. It's easy to be on one side of the fence and accuse the other of being stupid, lazy and not worthy of their lot, but put it this way, who doesn't want to be able to live a financially free life with nary a material care since it's all taken care of. One thing in life that's constant, besides change, is that life is never fair, and usually being somebody, or knowing somebody else, may open some doors for you, making it a tad easier to get to one's objectives. The playing field is rarely even, and only made worse if one group decides to exploit the other.

Tatsuya Fujiwara plays the titular role Kaiji, a down and out young adult who's living his life without much aim, being painted an illusion by Endo (Yuki Amami) who had conned him into boarding a ship, on the hopes that by playing a game onboard would change his debt- ridden life as it is. It's a life-changing experience alright, one that Kaiji soon finds himself stuck in, being held against his wishes but on a principle that he made, and then sucked into an underground social system which is aimed squarely at how we, the workers, get bordered into a routine of work-rest-eat-drink, and a financial system that's basically out to regain every penny of reward given for honest work, and that's in the form of induced consumerism.

And that's how I suppose the rich and powerful can keep a stranglehold on the common folk, keeping them in despair until they resign to their "fate" that there's no way out of the vicious circle, and to conform and continue in their routine so as to fuel the economy. With each revelation comes Kaiji's resolve to get out of the system, only to find more obstacles in his way, becoming mere pawns of entertainment to the idle rich folks, one of whom is the chairman of a powerful conglomerate known as "Teiai" (or Love Emperor, played by Kei Sato).

The key entertaining moments in the film are of course the death-defying situations the gamblers are put through, and it turns out more to be like problem-solving coupled with going up against stacked odds. Fans of Kenichi Matsuyama will also be pleased that their idol had gotten a supporting role here looking quite rugged with his unshaven look, and instead of being at loggerheads with Fujiwara's Kaiji, it's a welcome change to see the two actors in roles that require support from each other. Teruyuki Kagawa (of Tokyo Sonata) also shines as the main over-confident villain in the film, whose bright idea it was to capture idling youths and to put them to work as slaves for Teiai, only to find himself setting up an adversary in Kaiji, adding to his reputation of not being well-liked.

Since it's adapted from the manga, the three key gambling moments were drawn from the books, although they come with minor tweaks to allow for a cinematic interpretation. Amongst the three games of Restricted Rock Paper Scissors, Human Derby and E-Card, which is an interesting game of chance involving Citizen, Emperor and Slave cards, director Toya Sato (who also helmed Gokusen the Movie) should be given credit for crafting the games and heightening tensions in an order of a crescendo befitting of a grand hurrah, striking a balance between the need to entertain, and to tickle that mind of yours in a battle of wits. There's a certain formula employed as well, with everything explained toward the end in a series of flashbacks, so yeah, the answers will be given after you exercised that noodle a little.

In some ways, the games were played in a fashion similar to how Jigsaw designed his. With the latter, the games serve as a lesson to those who had lived the good life, to teach them to be contented with their lot and not take life for granted. With this, it's in a way to break the barrier of zero confidence amongst those who are deemed losers in life, giving them monetary incentives to participate in death-defying games, in order to make them realize that through hard work and surpassing what is deemed impossible, will the survivors know that reward only comes from performance. Sounds a little like our workfare scheme, minus the death elements.

Like any manga inspired or movie adapted from graphic novels, the film barely scratched the surface of its rich origin material. As such, do keep your eyes peeled for a sequel currently scheduled for a 2011 debut. Expect more death-defying games, battle of wits, and a caution to those who are too smart for their own good, and if those elements in a film are your cup of tea then you shouldn't miss this!

Generally adaptations from medium to medium in the world of film (i.e video game crossovers, remakes of older movies, cartoon remakes) are poor quality. As the original material adapts to its new format it becomes diluted. The work of the original creator is generally mangled to the point of no return.

This film is a prime example.

As far as some of the reviewers above who have made presumptions of Japanese culture portrayed in the film, stating that Japanese people don't 'act' like the characters portrayed in the film, are making ignorant remarks. The original piece of work (either the anime series or the manga) is a psychological thriller, with great attempts made at in-depth analysis of the thought processes of the characters. The commentary made on the greed of society as a whole is invoking.

Bottom Line: Watch the anime if psychological thrillers are up your alley, its not drawn in typical cheesy anime style, nor is it cliché! Don't watch this film unless you have seen the anime, it will probably be a horrid experience! I recommend both Kaiji and the creator's earlier manga/anime Akagi. Both are extraordinary pieces of work in the otherwise cliché and worn out world of Japanese Animated television series.

Kaiji is an awesome movie. It shown how to play Jan-Ken-Pon (Rock- Paper-Scissors) in Japan which very popular games. Which under the debt pressure, he join the other play in Espoir ship (means Hope in French). This is where he lost, work underground as slave, pay with underground money called Peria, and challenge to join Brave Road (to survive and return above ground).

When he made an final, he should play card with Tonegawa. Play E-Card (Emperor-Slave-Citizen) to win his freedom and clearing his debt. He lost because of Tonegawa using cheap trick. Using Chip that control and know the users heartbeat, but he lost cause Kaiji too excited winning the last round and make Tonegawa fallen on his own trick.