American Grindhouse

American Grindhouse (2010)

*** (out of 4)

This film begins with people debating on what a grindhouse film really is and after the release of the film GRINDHOUSE it seems like everyone was debating the true definition. This documentary, to me, covers pretty much everything that wasn't accepted by the mainstream. We cover a wide range of films starting with some early silents from Edison and then moving to Hollywood movies like FREAKS as well as trashier things like MANIAC, REEFER MADNESS and then going through other decades. Included are the "birth" films from the 40s, the nudist films of the 60s, the gore period starting with Herschell Gordon Lewis and then moving through the 70s with stuff like THE LAST HOUSE ON THE LEFT and the blaxploitation pictures. John Landis, William Lustig, Ted V. Mikels, Herschell Gordon Lewis, Joe Dante, Kim Morgan, Fred Olen Ray, Fred Williamson, Allison Anders, Larry Cohen, David Hess, Don Edmonds and Jack Hill are just a few of the people interviewed here and they too have a wide range of opinions on the films covered here. For the most part I think this is a terrific introduction to those unfamiliar with the genre but if you have a good idea of these films and their history then it's doubtful you're going to learn much here. I think American GRINDHOUSE would best be used as a training tool for those new movie fans wanting to see about this stuff and be able to see countless clips as well as get some nice recommendations for rentals. I think the documentary does a good job at covering various genres but at just 83-minutes there's really no way it can really dig deep into everything. Europeon films are pretty much overlooked and this is somewhat frustrating especially when certain films are made to appear as if they started a sub-genre when in fact it was usually something overseas. The film also does a nice job at showing how certain production rules in Hollywood is what helped change the exploitation filmmakers and how Hollywood eventually had to drop what they were doing and offer people what they wanted.

I love grindhouse films, especially the gore of Herschell Gordon Lewis, horror like The Last House on the Left, and exploitation films, whether they be blaxploitation, women in prison films, and even nunsploitation.

I guess that makes me weird, but grindhouse films in various forms have existed from the birth of motion pictures. Films like Maniac, Reefer Madness, and more have titillated moviegoers for almost 100 years.

This documentary does an excellent job of reviewing exploitation from the beginning, complete with uncensored clips from the movies they talk about.

If grindhouse is something you are not familiar with, then this documentary will enlighten you. It is for all those who want to know more.

It's a far ranging exploration of the exploitation cinema. It takes a history trip from the beginning of film all the way to today. It doesn't really try to limit the scope, and skims through 100 years. It features several talking heads. The most famous of the experts is director John Landis.

This serves as a general documentary of the fringe movie world. The best thing is all the clips of these old movies. The talking heads aren't digging too deep but are generally well informed. Robert Forster does a good job as the narrator. His gruff voice isn't the normal narration but somehow fits the subject matter. This is a steady march through history categorizing all the major movements hitting the big moments. The best interviews are the actual participants who are talking about their own movies. The doc does grind down as the movie has nowhere to go with the arrival of porn. I guess that's another doc. The final section of Hollywood trying to rip off the grindhouse isn't quite as compelling. As a general doc, it hits most of the big points.

I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.

Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.

This is a terrific documentary for fans of exploitation cinema and B movies. The documentary charts the history of US exploitation films from the beginnings of cinema to the modern day.

It was Tarantino and Rodriguez that revitalised the term Grindhouse when they made their double feature but it took off in the 1960s with the change of mores and loosening of censorship laws.

It allowed filmmakers to exploit and challenge an area of cinema that was designed for discerning adults that like terror, sex, violence and buckets of blood.

The documentary is narrated by Robert Forster and interviews starts, directors and fans of the genre including Joe Dante, John Landis, Fred Williamson, Larry Cohen, William Lustig, Lewis Teague and others.

However it is not just talking heads, you have clips from grindhouse films and especially a good representation of clips from films of the 1960s and 70s.