Love at First Hiccup

The best thing about Love at First Hiccup (also titled as The First Time) is that anyone who appreciates good movies will know within the first five minutes that it's a terrible movie. Unlike an indie film which might take you a half an hour before to realize it's not worth watching, Hiccup/First Time lays its cards on the table right away with shallow characters, lousy dialog, and horrible jokes.

Hiccup/First Time has the acting quality and production values of a movie made for Nickelodeon or the Disney Channel. It might seem that this was the film's target market except Hiccup/First Time has a sprinkling of crass lines and R rated language which seem particularly stupid in a movie that's less entertaining than an episode of iCarly.

The one bright spot in Hiccup/First Time is Ray Wise whose performance as the father of the main character's object of desire is excellent. Wise provides the only moments worth smiling at. But Wise's very small role can't help a film which is mostly obvious, boring, or makes you embarrassed to be part of the same species that would make a movie like Hiccup/First Time.

Alright, another Hollywoodnized version of something that was famous abroad. But honestly, this time Hollywood actually managed to pull it off well enough. Usually I am not keen on the Hollywood attempts to cash in on famous movies from outside the US; like they did on "Ringu" (The Ring), "Rec" (Quarantine), "Infernal Affairs" (The Departed), and the list goes on and on.

I grew up with the actual book by Dennis Jürgensen (titled: "Kærlighed Ved Første Hik"), yeah I am from Denmark. And the book also spawned a Danish version, and five sequels as well, which I now wonder if Hollywood will covert into American version as well. Regardless, this Hollywood version of the book/Danish film was actually good, and it had all the essentials from the former.

The story is a sweet love story with teens, and there is a good amount of embarrassing moments in it and at times you will be laughing out loud. I especially love the doorbell scene, it is awesome. And Scout Taylor-Compton, playing Anya (though her name is Anja in the Danish versions), actually looked a lot like the woman playing her part in the Danish version, so that was kind of cool. And Devon Werkheiser, playing Victor, actually looks a lot like a friend of mine back from my teen years, so that was hilarious.

The cast in "The First Time" (or "Love at First Hicup", if you will) was actually good and put on good performances. However, I found the guy who played Anya's dad to come off a bit like he wasn't in it with his heart. I forgot his name, sorry about that.

Having seen this American version actually made me want to pick up the Danish book and read it again. Always cool when you get to relive your early years, and this movie made me want to go back in time. So, I think this movie is worth checking out, because it has a sweet, romantic story to tell, and you will be thoroughly amused and entertained throughout the entire movie.

Love At First Hiccup seemed like a very good movie when I saw the trailers for it. It seemed like it would be like a classic, wholesome family movie, specifically generated for kids. Unfortunately I was wrong. This movie has all the right things in all the wrong places. The pacing is horribly sporadic, the acting is harshly unforgiving, the filming looks like it was done by the two kids in the movie who -are- filming a movie, and it seeed that they could never figure out who their intended target was, and ended up alienating all except those who enjoy awkward and perverse humor, The trailers made it seem like a kids movie, it was overly vulgar, with way too much reference to sexual activity, and acceptance of it as a culturally acceptable past time...This is officially not a kids movie. I don't remember laughing even once during this entire movie. If the main character had acted the same way he did in his Nickelodeon TV show, I think it actually could have been kind of cute. Unfortunately, he did not, instead making every scene he was in awkward, which, occasionally is OK as it was an intentional thing, but every scene, even when he is with his friends is just ridiculous and doesn't make him seem cute so much as simply annoying. None of the characters had any appeal to them AT ALL, and some of the 'humor' relied too much on people's stupidity for even a kid to think 'Ooh that's realistic and funny because they didn't notice what was right in front of their faces or look to the side for a moment since no character in this movie has any peripheral vision..' All in all, this movie was a chore to watch,and I would have graded it lower, but I figured I'd give it a little bit of credit for being like any gruesome train wreck and not letting me take my eyes away until the end, and I will admit that it did have a few cute moments.

i think to myself that the most important thing is an answer on question 'Will I get sucked in this movie, by this movie?' And the answer is, hell yeah! In my case, time flew by, that's how dynamic this film is, especially in comparison to what we've seen lately. And to depict at least a little bit of context for the readers - I'm 20 y old.

Plot isn't that original(I'm referring to genre/theme, not to Denmark version), rather one of many variations, but it's fresh and 'feel good', dialogue could be better but it doesn't seem forced at anytime. Characters are good, some even excellent, like Anya's(Scout Taylor's) dad Roger(Ray Wise)(type of dad we'd all like to have, wouldn't we?), even though he doesn't have big role, and hilarious little Zack(Daniel Polo) too.

As for the 'protagonist and his lovely lady', they exceeded expectations. Victor(Devon Werkheiser) did a good job picturing his role, and Anya as the story progresses(even though in the beginning I thought she's not attractive at all) makes you at least a little bit infatuated with her because, even though she's not stereotype beauty that we see in movies like this, she's really charming.

I'm glad that now this film has at least 1 review, it deserves it.

Growing up and maturing into an adult can bring on a multitude of feelings. Hormones are raging and everything is changing at a faster rate than normal as this process happens. Of course most adolescence experience this as they go through the education system; learning from their parents, friends and their own senses. One particular actor that many could relate to during this period of time was Devon Werkheiser from Nickelodeon's Ned's Declassified School Survival Guide. Young adults were proud to be a part of and go through the motions with Werkheiser's star making show. After the show ended, Werkheiser still had that image of playing a school kid. Here this film plays more into some adult themes which is good, except for how its executed. That's probably the biggest issue with this production.

Directed by Barbara Rothenborg in their first theatrical film and co-writing with Foren Frellesen, this is actually the remake of a Danish movie of the same name from a decade before. Based on a novel from Dennis Jürgensen, the Danish version actually has several sequels. The story is about a geeky freshman Victor (Devon Werkheiser) having an unrealistic crush on a taken senior in his high school Anya (Scout Taylor-Compton). Anya is with a pompous jock named Peter (Ken Luckey) and is friends with Marisa (Tania Verafield). Victor's only got his unhelpful buddies Ernie (Nicholas Braun) and Nick (Sean Marquette). Meanwhile, Victor and Anya's little brothers Zack (Daniel Polo) and Brian (Adam J. Bernstein) play pranks on both their siblings because family stereotypes. Victor's problem is that he doesn't have the confidence to talk to Anya, and when he does, he gets hiccups.

At the same time, Anya hopes to lose her virginity to someone she finds truly special. At the moment she's not sure if Peter's the one. The biggest red flag in this story is Anya's character arc. Not sure what the legal age of consent is for the people of Denmark but in the US, a senior in high school, who should be 18, looking to fornicate with anyone younger than them is a no. Why couldn't Victor and his friends also be geeky seniors in high school? That would be one less counter against this film. The story itself is also fairly cliché. What teen drama hasn't depicted a down on their luck rejected protagonist that somehow pulls all kinds of stops to get the attention of their ever so out of reach love of their life? There isn't really much to go into how things occur because a familiar viewer of this genre could guess how most scenes that are set up will go.

It's unfortunate because there are some interesting actors attached to this project. And because this is a comedy, there is going to be dialog that's supposed to be funny but not much of it is. Most of it just strange in how it's executed or just completely nonsensical when thinking about how it makes any logical sense. The characters of Zack and Brian are the worst little brothers and are actually quite crass. Also their moms and dads are even worse as parents. Perhaps the conversations between Victor and Anya's friends respectively are more in line with what viewers would expect from those particular characters. But the others just seem a little too out there. Despite all this though the cast of actors perform the best they can given the material. Being that Devon Werkheiser came from Ned's he naturally fit the bill.

Scout Taylor-Compton at the time just got off playing in Rob Zombie's remake of Halloween (2007) and Halloween II (2009). There's also appearances from James Eckhouse, Ann Cusack, Octavia Spencer and even Ray Wise, who by far is the most entertaining even if he shows up only once and a while. The cinematography was adequately shot for the production. Handled by Steven Bernstein who also worked on The Waterboy (1998), Monster (2003) and White Chicks (2004), the shots filmed fit the right scene even though it won't blow anyone's mind. Lastly the music by Raney Shockne worked for the film too. By no means should any viewer think that a score would be available because it wouldn't seeing that it's no blockbuster production. Overall though the cues work with the scenes even if they aren't memorable.

The actors all do what they can, the music is appropriate for the style of the film as well as the camerawork. Unfortunately, the writing is not strong enough though. The premise is an awkward setup dealing with differing legal ages, the dialog feels a bit out of place and the story itself has been done many times before.