IMDb RATING
8.0/10
3.6K
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The Soviet Story offers an alternative history of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale.The Soviet Story offers an alternative history of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale.The Soviet Story offers an alternative history of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale.
- Awards
- 1 nomination total
Vladimir Lenin
- Self
- (archive footage)
- (as V.I. Lenin)
Alfred Rosenberg
- Self
- (archive footage)
Adolf Hitler
- Self
- (archive footage)
Joseph Goebbels
- Self
- (archive footage)
Hermann Göring
- Self
- (archive footage)
George Bernard Shaw
- Self
- (archive footage)
Adolf Eichmann
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This documentary focuses on the atrocities committed against innocent people, mainly by Stalin and other high ranking Soviet leaders in the name of Marxism and Communism prior, during, and after the Second World War.
The documentary consists of much original footage, newspaper clips, interviews with witnesses and even some present day footage, all very well edited and cut.
The story told in this documentary is the best one I've yet to see regarding horrible crimes committed against humanity, because it is very well substantiated in terms of source-material and historical argumentation. The delight of seeing this educational footage is strengthened even more due to its addressing of one of the most inconceivable facts in the post-WWII world: How Adolf Hitler was forever after unconditionally condemned by close to everyone across the globe for his crimes, and how Joseph Stalin was commemorated for aiding the Allies in liberating Europe of fascism, regardless of the fact that in total more than 20 million (some even claim up to 50 or 60 million) people was murdered by the hands of the Soviet Gulag State. A fact which nobody in the western world seems to care about.
What this documentary furthermore achieves which is what eventually made me give it the 10th star, was the fact that the story was told very honestly and very unbiased, unlike much historical media, and the scriptwriters have done an extremely well job in mastering the whole aspect of the stories, and not just focused on narrow one-sided details.
Regardless of the fact that most people see Hitler as the "far-right", and Stalin as the "far-left", this documentary raises the ultimate question: were they indeed that different, after all?
The documentary consists of much original footage, newspaper clips, interviews with witnesses and even some present day footage, all very well edited and cut.
The story told in this documentary is the best one I've yet to see regarding horrible crimes committed against humanity, because it is very well substantiated in terms of source-material and historical argumentation. The delight of seeing this educational footage is strengthened even more due to its addressing of one of the most inconceivable facts in the post-WWII world: How Adolf Hitler was forever after unconditionally condemned by close to everyone across the globe for his crimes, and how Joseph Stalin was commemorated for aiding the Allies in liberating Europe of fascism, regardless of the fact that in total more than 20 million (some even claim up to 50 or 60 million) people was murdered by the hands of the Soviet Gulag State. A fact which nobody in the western world seems to care about.
What this documentary furthermore achieves which is what eventually made me give it the 10th star, was the fact that the story was told very honestly and very unbiased, unlike much historical media, and the scriptwriters have done an extremely well job in mastering the whole aspect of the stories, and not just focused on narrow one-sided details.
Regardless of the fact that most people see Hitler as the "far-right", and Stalin as the "far-left", this documentary raises the ultimate question: were they indeed that different, after all?
The movie is excellent. It is well known that winners are writing the history- so the truth of soviet mass murders and genocide is still not truly known for the world. The movie is well-structured and compares two parallel regimes, so opposite but at the same time so similar. People from the countries that were occupied by red plague, know these stories from they parents and grandparents. it is rough to realize for a western world- but the soviet Russia was in no case better than Nazi Germany. For Baltic States people for example, actually it was in number of times worse, the real "holocaust" was created by red army. I have spoken with a lot of people who were in WW2 (for example my grandpa and grandma and et.) and all of them are describing Germans as "at least culture nation" but red soldiers as "dirty brutal people with no honor and compassion". Number of killed persons was several times bigger by Stalin than by Hitler. So who was the worst dictator? That is the question that this movie adduces and it is good, there are so much to bring to daylight and rewrite the history.
For his in-depth survey of Soviet crimes against humanity, including Soviet cooperation with the Third Reich, Latvian director Edvins Snore was burned in effigy by Neo-Soviet Russians. It is an ominous badge of honor.
Soviet Story acts as an effective corrective to the popular notion that the Communist experiment only turned horrific when Stalin ascended to power. The film documents orders mandating mass executions, estimated in the tens of millions, originating with the father of the revolution, Lenin. Still, it is devilishly difficult to outdo Stalin's sheer capacity for terror. For instance, the deliberate use of famine to pacify Ukraine is explained here in chilling detail. In a crime against humanity largely ignored by the West, seven million Ukrainians were intentionally starved in the cordoned Republic, as foodstuffs were confiscated at gunpoint by the Red Army.
The heart of Soviet Story explores the close ideological similarities and barbaric collusion between the Soviet Socialists of Stalin and the National Socialists of Hitler. There is an eerie sequence juxtaposing thematically similar propaganda posters from both regimes, side-by-side on-screen. Even more damning are the documents Snore uncovers establishing close links between the SS and the Soviet NKVD (the precursor to the KGB), discussing among other issues, the "Jewish Question." They did not just talk—they carved up Poland between themselves, and at Stalin's prompting, staked their claims to the rest of Europe.
Soviet Story is most devastating when discussing the ways in which the more advanced Soviet killing machine served as the inspiration and model for the Holocaust. According former Soviet intelligence officer Viktor Suvorov: "A delegation of German Gestapo and SS came to the Soviet Union to learn how to build concentration camps." Snore has produced a chilling indictment of the Soviet experience with socialism. He calls some very convincing witnesses, including Bukovsky, and the eloquent Cambridge historians Norman Davies and George Watson. As evidence, he produces some shocking archival film and documents. However, as the film makes clear, none of those who did (and still do) the Soviet dirty work has ever faced justice for their crimes. All told, Snore has produced a passionate but thoroughly reasoned case against the Soviet regime.
Soviet Story acts as an effective corrective to the popular notion that the Communist experiment only turned horrific when Stalin ascended to power. The film documents orders mandating mass executions, estimated in the tens of millions, originating with the father of the revolution, Lenin. Still, it is devilishly difficult to outdo Stalin's sheer capacity for terror. For instance, the deliberate use of famine to pacify Ukraine is explained here in chilling detail. In a crime against humanity largely ignored by the West, seven million Ukrainians were intentionally starved in the cordoned Republic, as foodstuffs were confiscated at gunpoint by the Red Army.
The heart of Soviet Story explores the close ideological similarities and barbaric collusion between the Soviet Socialists of Stalin and the National Socialists of Hitler. There is an eerie sequence juxtaposing thematically similar propaganda posters from both regimes, side-by-side on-screen. Even more damning are the documents Snore uncovers establishing close links between the SS and the Soviet NKVD (the precursor to the KGB), discussing among other issues, the "Jewish Question." They did not just talk—they carved up Poland between themselves, and at Stalin's prompting, staked their claims to the rest of Europe.
Soviet Story is most devastating when discussing the ways in which the more advanced Soviet killing machine served as the inspiration and model for the Holocaust. According former Soviet intelligence officer Viktor Suvorov: "A delegation of German Gestapo and SS came to the Soviet Union to learn how to build concentration camps." Snore has produced a chilling indictment of the Soviet experience with socialism. He calls some very convincing witnesses, including Bukovsky, and the eloquent Cambridge historians Norman Davies and George Watson. As evidence, he produces some shocking archival film and documents. However, as the film makes clear, none of those who did (and still do) the Soviet dirty work has ever faced justice for their crimes. All told, Snore has produced a passionate but thoroughly reasoned case against the Soviet regime.
10gints250
I believe The Soviet Story is an excellent film. Some reviewers here seem to oppose this view. It is understandable. However, what I do not understand is why they use lies to denounce the film? For example, Mr Frank Roberts review here. Dear Mr Frank Roberts, if in your review you are telling the truth, answer the following:
A) Frank Roberts states: "there was a scene where corpses were being thrown from a wagon onto the snow, and in the film it's claimed that these were the victims of the Ukrainian famine. But these were in fact dead Russian soldiers from the First World War." >>> If so, why did these "Russian soldiers" had civilian clothes on them, Mr. Roberts? Moreover, I saw the film twice, the footage you mentioned was NOT used to show Ukrainian famine victims, as you claim. It was used to show victims of the Communist terror.
B) Frank Roberts states: "Another good example is the scene where several officers are shown drinking and giving a toast. The Soviet Story claims that this is proof of Nazi-Soviet collaboration. In reality there were no Russians present at that meeting." >>> Really? Who is then the officer in the Red Army uniform? A Japanese? What about the Order of the Red Banner on the officers chest?
C) Frank Roberts states: "Soviet Story tries to make the current Russian government look bad. How is this done? By showing a clip that the film claims involves Russian Neo-Nazis. Now what does this have to do with the Russian government? Nothing at all." >>> Who is the man performing Nazi salute in the film? Nikolay Kuryanovich. Was not Nikolay Kuryanovich a member of Russia's parliament?
It is quite understandable that The Soviet Story is so acrimoniously denounced by Communists and those who believe Stalin was "a successful manager". No surprise that some pro-Putin gang even burned the effigy of Edvins Snore in Moscow. The anger and hatred is clearly there. What is missing - is counter-arguments.
A) Frank Roberts states: "there was a scene where corpses were being thrown from a wagon onto the snow, and in the film it's claimed that these were the victims of the Ukrainian famine. But these were in fact dead Russian soldiers from the First World War." >>> If so, why did these "Russian soldiers" had civilian clothes on them, Mr. Roberts? Moreover, I saw the film twice, the footage you mentioned was NOT used to show Ukrainian famine victims, as you claim. It was used to show victims of the Communist terror.
B) Frank Roberts states: "Another good example is the scene where several officers are shown drinking and giving a toast. The Soviet Story claims that this is proof of Nazi-Soviet collaboration. In reality there were no Russians present at that meeting." >>> Really? Who is then the officer in the Red Army uniform? A Japanese? What about the Order of the Red Banner on the officers chest?
C) Frank Roberts states: "Soviet Story tries to make the current Russian government look bad. How is this done? By showing a clip that the film claims involves Russian Neo-Nazis. Now what does this have to do with the Russian government? Nothing at all." >>> Who is the man performing Nazi salute in the film? Nikolay Kuryanovich. Was not Nikolay Kuryanovich a member of Russia's parliament?
It is quite understandable that The Soviet Story is so acrimoniously denounced by Communists and those who believe Stalin was "a successful manager". No surprise that some pro-Putin gang even burned the effigy of Edvins Snore in Moscow. The anger and hatred is clearly there. What is missing - is counter-arguments.
10smorg99
The Soviet Story is a very important contribution for understanding a series of questions about leftism and Marxism outcomes. But other questions remain. First, _how_ is it possible at all that so many young people, as well as oldies, are still impressed by such ideologies? _How_ could it ever be possible that a historian such as Hobsbawn considers himself a communist socialist today, having declared not long ago that if it was not for being a Jew, in the 30s could very well have enthusiastically joined Nazism? With a huge lot of information and discussion nowadays freely available?
Many good comments on the documentary have already been made. But the main question that remains after it is: _how_ came that a Marxist "theory", that started copying the condolent humanitarians in the XIX century, defending egalitarianism ... terminated by practicing the most cruel and extensive genocides of the whole History of mankind?
Unfortunately, the answers to these questions are not short, and not without some work. And perhaps not bound to be contained in movie documentaries, however well performed as is this one. Only through some reading can we begin to see the answers, in analyses made clear along the last century by people such as Isaiah Berlin (as in 'Against the Current') and Karl Popper (as in 'The Open Society and It's Enemies'). Do enjoy them piecemeal.
Many good comments on the documentary have already been made. But the main question that remains after it is: _how_ came that a Marxist "theory", that started copying the condolent humanitarians in the XIX century, defending egalitarianism ... terminated by practicing the most cruel and extensive genocides of the whole History of mankind?
Unfortunately, the answers to these questions are not short, and not without some work. And perhaps not bound to be contained in movie documentaries, however well performed as is this one. Only through some reading can we begin to see the answers, in analyses made clear along the last century by people such as Isaiah Berlin (as in 'Against the Current') and Karl Popper (as in 'The Open Society and It's Enemies'). Do enjoy them piecemeal.
Did you know
- ConnectionsEdited from Les camps de concentration (1945)
- SoundtracksSanctus
Written by Gabriel Fauré
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- Also known as
- Советская история
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- Budget
- €170,000 (estimated)
- Runtime1 hour 26 minutes
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