Personne ne sort d'ici vivant

I'm quite drunk but that was actually enjoyable. I thought going into it, it would be a boring none scary Netflix horror. However I was completely wrong. It was very ere all the time and was actually scary, you can't knock it. The story might've been a bit hard to follow hence why it gets a 6 and nothing higher. But a 6 is a lot higher then I thought I'd be giving this at the start. This has nothing to do with the film but the main character was so sexy it's ridiculous. All in all though genuinely not a bad horror and decent horrors are really hard to come by nowadays. Might I add also, Netflix films have improved so much. You get so much better Netflix films now then when you did at the start, I'm really enjoying them.

A lot of new stuff on Netflix is pretty pathetic. I love horror so figured I'd have a look. The main character has a good back story and stuff that happens along the way makes this more than a slasher film. It creates some real compassion for her. The last scenes are impressive. I tend not to listen to reviewers who have 'read the book' because they don't get that the language of film is different to that of literature (pretty much what Peter Jackson said of LOTR and look at the success of that). Horror is like comedy; it's subjective. Have a look, you might enjoy it.

If you haven't read the book, then this is a pretty good stand alone bog standard horror. It's creepy and original in parts but sadly, it captures none of the desolation and gothic pagan horror of the book.

Worst of all, the great twist at the end of the novel has been completely left out here, which is a massive let down.

If you've read the book, then you'll most likely be disappointed with this effort. Apart from the fact that it's not set in England in seedy bedsit land, with the whole seedy prostitution thing and unremitting hopelessness, but is taken to America (yawn) and pumped so full of Hollywood botox all the character and desolate horror is wiped clean out of it.

Shame. But then predictable. I'm hoping they remake it with a British production that captures all the mood and atmosphere of the novel.

If you didn't like the movie, go read the book. It's one of the best horror novels I've read.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.

This was an unexpected gem. I went into it not having seen the trailer. It's a modern day gothic horror, except it takes place in a women's only boarding house in Cleveland instead of a mansion. The boarding house has a secret that is gradually revealed. The boarding house has gatekeepers that protect and hide those secrets. It has ghosts and supernatural elements, even some brief gore. Cool things happen in the shadowy areas of the frame to get the attention of the protagonist. She gradually uncovers the secrets piece by piece.

I thought the practical effects were very well made for a film with this kind of budget. I particularly like the eyes. Very nicely done. The CGI could have been better but I was happy that the film had an eerie mystery to be uncovered and it wasn't just another dumb jumpscare film. It has some jumpscares, but it isn't a main feature of the film. It has atmosphere, pace and tension. The symbolism of the butterflies had me wondering until the very end. Then I realized what their significance were. The director landed the ending very well.

I also felt the actresses all played their roles very well, especially Cristina Rodlo. This is definitely worth a watch for gothic horror lovers. I am not saying it will be one of the best horrors of 2021 or blow your socks off, but its not too shabby. I enjoyed it. I've seen lesser horror films with significantly larger budgets and A-listers and not nearly as creepy as this one.

For a small budget film, this one did very well. Dolby Vision HDR & Dolby Atmos is a plus! I've seen some other reviewers give this film a 1 out of 10 and calling it the worse of 2021. As a horror fanatic that watches 3 to 5 horror films a week, this film is far from scrapping the bottom like they are implying. I think they need to watch more horror films to be better judges.