Personne ne sort d'ici vivant

Very slow start, but the pay off in the end is worth it.

Good acting, good writing, good direction and sets overall. The soundtrack was good too.

Overall worth the watch.

If you haven't read the book, then this is a pretty good stand alone bog standard horror. It's creepy and original in parts but sadly, it captures none of the desolation and gothic pagan horror of the book.

Worst of all, the great twist at the end of the novel has been completely left out here, which is a massive let down.

If you've read the book, then you'll most likely be disappointed with this effort. Apart from the fact that it's not set in England in seedy bedsit land, with the whole seedy prostitution thing and unremitting hopelessness, but is taken to America (yawn) and pumped so full of Hollywood botox all the character and desolate horror is wiped clean out of it.

Shame. But then predictable. I'm hoping they remake it with a British production that captures all the mood and atmosphere of the novel.

If you didn't like the movie, go read the book. It's one of the best horror novels I've read.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.

I'm quite drunk but that was actually enjoyable. I thought going into it, it would be a boring none scary Netflix horror. However I was completely wrong. It was very ere all the time and was actually scary, you can't knock it. The story might've been a bit hard to follow hence why it gets a 6 and nothing higher. But a 6 is a lot higher then I thought I'd be giving this at the start. This has nothing to do with the film but the main character was so sexy it's ridiculous. All in all though genuinely not a bad horror and decent horrors are really hard to come by nowadays. Might I add also, Netflix films have improved so much. You get so much better Netflix films now then when you did at the start, I'm really enjoying them.

Ambar is a young Mexican woman living in Cleveland; because she has no documentation she can't get a decent job or find anywhere to live for very long. After being forced to move she finds an advert for cheap accommodation; it is a rather rundown building and Red, the manager, is a bit creepy but with little else to choose from she moves in. She is almost immediately disturbed by strange sounds and nightmares. It isn't long before she is in real danger.

I didn't know anything about this film, or the book it is based on, before going onto Netflix looking for a sub-ninety minute film to kill some time. The premise sounding interesting so I decided to give it a go. The film might not be a classic but it is solid enough. The building, along with the creepy sounds, are nicely disturbing. The film has something to say about the difficulties faced by undocumented migrants that doesn't get in the way of the story or the scares. I admit to being a little disappointed when we learn just what is in the basement; the human villains were far more disturbing than what is down there. The cast is solid; most obviously Cristina Rodlo who impresses as Ambar. Overall a decent little horror film; perhaps not a must see but still fun for fans of the genre.