Christina

Screenwriters spend years learning their craft and the first thing they are taught is to bring the action OUTSIDE of four walls, plus scenes shouldn't last longer than a page or two. This film throws out all screenwriting convention and keeps the actors talking in one, claustrophobic apartment for the entirety of the film. Not only is the lack of action and scenery boring, but it just made me, the viewer antsy wanting a new scene, a new locale, an introduction of a NEW CHARACTER (another actor), ANYTHING to free the viewer of this ultimate boredom. The actress is quite good and engaging, but she doesn't have much to work with here. The male lead is just not good, or maybe all he's been given are reactions to the plot. I've always liked Stephen Lang, but as a German inspector, his performance seems stiff and uncomfortable. Consequently, this film goes absolutely nowhere other than to anger the viewer!! 👎🏼👎🏼

This drama takes place in a single room, a place at first of playfulness and mounting sexual tension, and then very skillfully the film's dialog shifts to confront the viewer with a complex and tense emotional situation that lays bare the awful choices that a young mother has had to face in the holocaust of Nazi Berlin's final days. Steven Lang's performance as a tenacious police detective is totally unexpected for those who saw him as the wonderfully tyrannical Colonel in Avatar. Niki Aycock endowed her character with such a sweep of emotional scope that it could well have required therapy after the shoot. Jordan Belfi's role is that of a reactor to the duel taking place between Lang an Aycock and he handles it seamlessly.It is reassuring that true art can still be produced on a budget when an intelligent script and sensitive direction give fine actors a platform. Superb, instinctive acting is accomplished by the three person cast. A thought provoking and engaging film.

This story's theme may have been dark but it enlightens us to the grim reality of war. Don't miss the opening minutes of the film when actual post-war footage of Germany and its "survivors" set the tone for Christina's psychological dilemma. Sometimes, none of life's choices are pleasant and Christina's were especially difficult. Perhaps we all need the relentless pursuit of a "Reinhardt" in our lives to admit and accept our painful choices. And we need the love and acceptance of a Billy Calvert to catch us when we break. The actors were topnotch with convincing accents as they led you through the twists of the film. You should be prepared to cowl in your seat and bite your fingernails as this plot is compelling -- A must see!

I'm not sure why my view is so different from other reviews but it is. I watched this movie from beginning to end in the hope that I can prevent as many people as possible from wasting their time doing the same. Originally Christina may have been a beautiful story. Unfortunately, the translation to film is in almost every regard poorly done. Perhaps with enough budget, a rewritten script and different actors it could be a good watch but the makers had none of these.

Set in Berlin after the end of WWII, it is a dark secret tale in the family of "Who's Afraid of Virginia Woolf" or "Sophie's Choice". This movie has none of their subtlety and though filmed on a single set like Woolf the claustrophobia doesn't enhance the story the way Mike Nichols' directing did. It just makes "Christina" claustrophobic.

The title character is unconvincing as someone who lived through the horror of Berlin at the end of the war. In Nicki Aycox's defense it is her lines more than anything that make her seem not tragic but ridiculous. We know there were "bombs everywhere" and that "they just kept falling" because she tells us six separate times. (And of course because most students of history knew that before they watched)

After the first half hour I wanted the GI boyfriend to either walk out or kick the German police officer out of the apartment. But instead he spends most of his time being dumbstruck. The police officer's motivation is never clear. He's investigating a crime but why, everything that happened in Berlin at the end of WWII this particular case is so important is never revealed.

But when Billy talks about his visit to the death camps I just wanted to smack everyone involved. In one statement the horror that was The Holocaust was belittled and used as a metaphor for an infinitely smaller and morally complicated event. The audacity of that one aspect of the film alone is enough to make this a Must (not) See film.

This has got to be one among the best jobs of acting I've seen, especially when the play consisted of just three actors. I say a play because I felt like I was at a play and not watching a movie. It was awesome. Nicki Aycox did such a great job in the lead role, and Jordan Belfi and Stephen Lang were great in their respective roles. The whole movie occurs in one room, and starts like you know know what's going to happen, but as it goes on, it builds up into a mystery and you don't know what's really going. The actors really make you feel like you are there, right at the end of World War 2 in Germany. You get pulled into the characters lives and it makes you think and feel about what their lives were like, and makes you think hard about the story. Great job, well done. Thank you!