A perpetually angry man is informed he has 90 minutes to live and promptly sets out to reconcile with his family and friends in the short time he has left.A perpetually angry man is informed he has 90 minutes to live and promptly sets out to reconcile with his family and friends in the short time he has left.A perpetually angry man is informed he has 90 minutes to live and promptly sets out to reconcile with his family and friends in the short time he has left.
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In the wake of Williams' suicide, the film takes on a life and meaning that no one involved could have imagined. There is a pre attached melancholy to proceedings as we watch Williams, playing Henry Altmann, indulge in the type of profanity laden, over the top, angry insults that we will remember him for, all with the certain knowledge that Henry's actions, like William's performance, are amongst the last things this man will do.
This is more than likely the last time we will see Williams playing Williams in a film, and it is a fitting last hurrah. A performance laced with the humanity we are used to from Wiliams, but tempered by an evident weariness and more than a hint of regret, and ending on a note of melancholy.
The support cast are all capable, and the third person narrative works well. the script is not quite as clever as it thinks it is, but does combine minor plot strands reasonably coherently. The film could have been helped from more time being given to Kunis' back story. Instead, the audience is given enough information about her to follow what's happening, and that's it.
At the end of the film, Henry's loved ones are left, as we are, in a state of mourning, when all we can do is pay tribute, share memories, and remember with laughter a life that ended far sooner and more abruptly than we had time to process. A life that touched us in a way not evident until it was over. Angriest Man in Brooklyn, unwittingly captures what all of us were feeling on August 11 2014. And for that reason, if no other, needs to be watched.
'The Angriest Man in Brooklyn' Synopsis: A curmudgeonly man is mistakenly told that he has 90 minutes to live by his doctor and promptly sets out to reconcile with his wife, brother and friends in the short time he believes he has left.
'The Angriest Man in Brooklyn' begins well & maintains a certain pace till the end. Its never spectacular, but its never too bad, either. Quite simply put -- Some of it works, some of it doesn't.
Daniel Taplitz's Screenplay balances between comedy & drama, ably. Phil Alden Robinson's Direction is passable. Cinematography is good. Editing is also crisp.
Performance-Wise: Robin Williams enacts 'The Angriest Man in Brooklyn', with effortless ease. The Oscar-Winning Actor doesn't miss a single beat. Mila Kunis is impressive. Peter Dinklage is superb, while Melissa Leo is her usual self. The Great James Earl Jones is hilarious in a cameo.
On the whole, 'The Angriest Man in Brooklyn' is a safe bet for a one-time viewing.
One trait of a movie that I would rate a 3.5 out of ten like this one averaged is poor acting and no suspension of disbelief. Other traits might be: Unbelievable unsympathetic characters, poor plot, shoddy filming, lousy music score.
This film had none of these characteristics. Robin's acting was superb, as was that of his attractive co-star. Both characters were perfectly believable and affable (if flawed). Their eccentric behavior is based on understandable life events in their past. Despite the dark topic of the movie, it still manages to raise a variety of emotions including laughter, insight, relief, joy, thoughtfulness, love, reflection and many more.
I guess for a film to have any appeal to the Hollywood crowd or insightful "critics" these days it has to be written for teenagers or by (yawn) Woody Allen. The rest, no matter how endearing or how many redeeming qualities they have, wind up in the straight to video dumpster. Anyway, if it isn't apparent, this is a worthwhile movie I recommend, even though the car crashes and special effects are limited in number. Robin Williams could be proud of his performance despite the horrible reception and reviews the movie received.
Is it almost unbelievable and unreal? Yes indeed it is. And even on a worst day (doctor or patient), you couldn't imagine something like that happening. Even if, the ensuing madness would never occur. But that is why this is a movie. It heightens things that are probable in real life and takes them to a whole new level.
Did you know
- TriviaJames Earl Jones, who plays the stuttering shop clerk, actually did have a stutter like his character.
- GoofsWhen Henry tries to buy a camcorder, in the video shop, Ruben stutters that the only 'ready to go' cameras are "ffffujitsu" or "fffuji". When Henry is filming in the nearby homeless area, the camera he has bought is a Panasonic.
- Quotes
Henry Altmann: [narration] When Henry Altmann fell from the bridge time had slowed. And it occurred to Henry that life didn't have to be a burden, that life is short and fragile and unique. And each hour, each minute, each second could have something to offer. Something beautiful and astounding. The fact that this only occurred to him seconds before he would hit the water and die, made him very very angry.
- Crazy creditsIn the opening credits, certain letters are in red instead of white, spelling out such appropriate words as "anger," "cranky," "grr" and "ire."
- ConnectionsRemake of Mar Baum (1997)
- SoundtracksStop it
Written and Produced by Chris Clarke
Performed by Chris Clarke
Courtesy of Mine Map Music
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- Also known as
- El hombre más enfadado de Brooklyn
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Box office
- Gross worldwide
- $615,198
- Runtime1 hour 23 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1