Anchorage

I feel obligated to leave a review. This is likely one of the worst movies I've watched in my nearly 50 years on planet earth. It was trying so hard to be edgy, use creative cinematic filming, and tell a unique story. What it ended up was a messy, frustrating, and boring film.

I feel like the other reviews have to be people on payroll. The movie's attempt at edginess felt forced, and the creative cinematography, while interesting in parts, couldn't salvage the overall plot. Characters lacked depth, making it hard to invest emotionally. The pacing left much to be desired, dragging on without purpose.

It's a shame because the concept had potential, but execution fell flat. The disjointed storytelling left me confused rather than engaged, and I found myself checking the time throughout. I wouldn't recommend this film to anyone, and I'm baffled by the positive reviews it's received.

Two brothers in pain. Beautifully written, shot, and edited. Haunting locations. Great acting. Perfect soundtrack. Story of a road trip unlike any other family road trip you've ever seen. You hurt for these characters, as damaged as they are.

Anchorage is a captivating indie gem that immerses viewers in a gritty, drug-fueled odyssey through an abandoned and decrepit western America. The film's style is reminiscent of "Spun" on a road trip. Its micro-budget brilliance is evident in the seamless integration of mostly abandoned locations, showcasing a prime example of resourceful filmmaking. The dynamic duo of Dakota Loesch and Scott Monahan deliver standout performances, breathing life into their characters' manic journey. Directorial attention to detail elevates this film to the pinnacle of independent cinema, earning it acclaim as one of the most relatable and poignant portrayals of addiction. Offering powerful commentary on the opioid crisis and the American dream, "Anchorage" is a must-see for fans of true art cinema, destined to inspire future filmmakers.

Sometimes, the most memorable cinematic experiences are the ones that leave us feeling uneasy, yet utterly captivated. "Wow, that was uncomfortable, in the best way possible," is the sentiment that perfectly encapsulates my reaction to this extraordinary indie film. From the very first scene to the closing credits, the performances were nothing short of stellar, weaving a narrative that had me completely engrossed. The power of this film lies in its ability to make you feel like an active participant rather than a passive observer. To put it simply, this film was absolutely phenomenal.

A true indie gem.

"Anchorage" is a micro-budgeted masterpiece, a gritty and haunting exploration of the decaying American dream. The movie follows brothers Jacob and John on a drug-fueled journey from Florida to Alaska, the film's thematic nods to classic road movies are evident and expertly infused.

Despite the brother's questionable scheme to sell opioid-stuffed teddy bears, the brothers' dynamic and the desolate landscapes they traverse keep viewers riveted. Director Scott Monahan's tight five-day shoot and Erin Naifeh's cinematography create a surreal atmosphere, emphasizing the bleakness of abandoned locations. Accompanied by a haunting score from Savannah Wheeler, the film delves into the opioid epidemic with chilling realism.

In Monahan's directorial approach, the repetitiveness evident throughout "Anchorage" mirrors the cyclic nature of addiction, reminiscent of Samuel Beckett's "Waiting for Godot." This thematic repetition serves as a poignant reflection of the characters' perpetual struggle, trapped in a relentless cycle with no clear resolution in sight.

"Anchorage" is a compelling existential road trip, challenging viewers to confront the harsh realities of contemporary society.