Sarajin sigan

'Sarajin shigan' (boringly retitled in English as 'Me and Me') has one of the most innovative and original plot threads I have encountered this year. To know anything about the film's plot beforehand, apart from what's written in the logline, will seriously diminish the joy of discovering the story's bold, unpredictable turns. The genre treatment is very refreshing too, since this is one of those movies that do not fall in any particular category. The basic premise is a rather supernatural fantasy, but the course of events tend to run like a satirical social drama, and there's always an air of mystery hanging in the atmosphere. And intriguingly, the film manages to knit all these together into a compelling narrative - a very praiseworthy job. But truth be told, maybe in the hands of a more experienced writer/director these ideas would have flourished to their full potential. There are a few instances where the scope of the narrative and plot threads run beyond the grasp of the director, resulting in some relatively weaker, confusing scenes, especially towards the end. Also, all the actors did great to turn this rather outlandish story extremely convincing.

A current trend among Korean films is to pick up plot elements from established genre structures (like horror, thriller, sci-fi) and remodel them into a completely different genre of filmmaking, thus conveying sociopolitical standpoints by subverting their origins. This film should rightfully be placed along with the best examples of that trend, for its ingenuity, if only its narrative craft were as good.

Big waste of time ,,you watch and watch nd nothing at end ,,,

I think this movie isn't all that bad, it's worth the watch, but I must say. Its not exactly what you will be expecting. The movie will keep you guessing, confused, and trying to figure out what's happening, and wondering if it can be fixed. The ending, was definitely a "wtf" moment, and perhaps a bit underwhelming, but the movie was meant to go for that emptiness. Considering the Korean name of the movie is disappeared time, and that's exactly what the ending makes you feel. Which isnt necessarily a bad thing, but what I will say, leaves you questioning what happened even after the movie ended. It was interestingly put, and a different type of ending than I was expecting, and I don't necessarily hate it for that. I just want to say if you're considering watching this, lower your expectations, and don't expect anything, don't assume, just watch, and let the movie be itself, for everything it is and everything it isn't.

Saw this at the Imagine filmfestival 2021, usually in Amsterdam but now 100% online. As one fellow reviewer wrote: watching this is indeed "lost time" (one of the alternative film titles). I cannot explain how everyone can be so positive about this movie, with the exception of two fellow reviewers and me.

It is not a real detective, no whodunit in the traditional sense. Nothing is revealed in the end and we are left as confused as we were before the finale. I sat it out while waiting for a rational explanation, how the former cop maintains his looks and his own memories, though everyone sees the teacher in him, and he is treated accordingly. Intriguing, as it is exactly that same teacher whose death he was investigating. When the credits appeared, I was puzzled, but not in the positive and healthy sense after the usual detective story.

If only things had come together properly. It didn't and that's what is wrong with this movie. Things aren't explained and it feels incomplete. The first part draws you in with the mystery about the wife dissociating. Bae Soo Bin gets your sympathy from the beginning. Then there is a shift to the other actor. You want to keep watching to see how things are explained but it only partially satisfies.