A family holiday turns into a fight for survival in the inhospitable wilderness of remote Scotland.A family holiday turns into a fight for survival in the inhospitable wilderness of remote Scotland.A family holiday turns into a fight for survival in the inhospitable wilderness of remote Scotland.
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- 2 wins & 2 nominations total
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Featured reviews
Saw Dark Nature in a busy Glasgow cinema too and enjoyed it. It has a good balance of Hitchcockian suspense and psychotronic-style death scenes i.e. close-ups of axes in heads; humorous expressions of shock on actors' faces. Some nods to Herschell Gordon Lewis in there too maybe. Yes, you can tell it was made on a small budget and the acting at times was a little bit suspect but the location is stunning and adds a lot to the atmosphere of the movie, which is the point I guess considering its title. Some nice music included in it too. As mentioned in one of the other posts, the use of the bear trap could possibly be the finest in cinema history.
Hi there, saw this at cine world on Friday, it was packed, which is something special for 'local produce' above the blockbusters!! Loved the genre nods and homages to argento and co. Creepy and funny and looked stunning. Story was a bit thin but that comes with the territory and a few bits of 'hammy' acting were well overshadowed by the brilliant Mackenzie guy and Imogen Toner who the daughter, pair of them well scary! Great scenery too and locations but don't know if the film's content will help the tourist industry at all! Punches well above it's meagre budget in my book in all departments! Definitely worth checking out for genre fans and those further afield! Good effort!
Dark Nature is an admirable albeit flawed attempt to replicate the genre film making of the U.S that dominates our multiplexes. The film is a considerable achievement when you consider the budget involved and respect has to be shown for getting a Cineworld release, something most Scottish films can only dream of. As for the film itself, while I don't agree with delusional users who dare to make comparisons with Dario Argento's work, it's certainly more palatable than most art house fare churned out by Scottish cinema at present. The casting of the film is by in large good, with Imogen Toner, Niall Fulton and Vanya Eadie putting in solid performances. Direction while somewhat choppy at points is indicative of a first feature director and low budget, while the DOP work is solid. Whether intentional or not 'Dark Nature' does entertain the audience, something the Scottish film industry forgot how to do a long time ago. Most problems in the film occur due to the script, lending weight to the old adage that you can't make a good film from a bad script.
Films such as 'Dark Nature','The Dead Outside' along with the superior 'Outpost' represent an interesting new development in the Scottish film industry, namely production houses attempting to make effective genre films which are commercially viable. It's worth considering that studio's such as New Line cinema were built by genre fodder such as the Nightmare on Elm Street series, lets hope the three production companies involved in the aforementioned films evolve in a similar manner.
On a side note I'd also like to thank the punter with the bout of Tourette's syndrome who shouted at the screen for reminding me why Glasgow people are amongst the most ignorant cinema goers in the UK.
Films such as 'Dark Nature','The Dead Outside' along with the superior 'Outpost' represent an interesting new development in the Scottish film industry, namely production houses attempting to make effective genre films which are commercially viable. It's worth considering that studio's such as New Line cinema were built by genre fodder such as the Nightmare on Elm Street series, lets hope the three production companies involved in the aforementioned films evolve in a similar manner.
On a side note I'd also like to thank the punter with the bout of Tourette's syndrome who shouted at the screen for reminding me why Glasgow people are amongst the most ignorant cinema goers in the UK.
I love horror movies and I don't mind a good thriller but this is neither. I realised halfway through that I was watching a virtual remake of an equally pointless Italian flick I'd already seen. I was hoping I was wrong but I wasn't, this is every bit as witless and shares the same pathetic ending.
Rip up the first 40 minutes of this film and throw it away, it has no bearing on the rest of the movie. There's some killings rendered dull by the flat pace and boring killer. There's some victims but they are completely dull and lifeless too.
To cap it off there's a message about the world cleansing itself or something and pure crap that is too. It doesn't even make sense within the confines of the dreamlike situation it tries to create. This is a pitiful boring movie and anyone rating it over two stars is most definitely in it, directed it or just has no taste in movies. Don't waste your time, it's beyond terrible.
Rip up the first 40 minutes of this film and throw it away, it has no bearing on the rest of the movie. There's some killings rendered dull by the flat pace and boring killer. There's some victims but they are completely dull and lifeless too.
To cap it off there's a message about the world cleansing itself or something and pure crap that is too. It doesn't even make sense within the confines of the dreamlike situation it tries to create. This is a pitiful boring movie and anyone rating it over two stars is most definitely in it, directed it or just has no taste in movies. Don't waste your time, it's beyond terrible.
Perhaps when I took my seat, waited twenty minutes through darkness and up came a DVD menu on the cinema screen wasn't exactly what I expected. The film had a very limited cinema release (i.e. twice a week for a month in Cineworld, and that was it) so I was determined to catch at least one showing. When beginning to describe the film, low-budget doesn't scratch the surface, the whole movie no doubt filmed entirely on the Southwest coast of Scotland in the film-makers' back garden. It's a horror/slasher flick in all fragances but it fails badly to pin the woes of the killer on a "you're killing the earth, so we're killing you" twist. It's obvious that although the film tries its very best to be serious (it fails), the dialogue makes numerous nods to slasher films of yore (such classic lines like "He wasn't strong enough" and "The Earth fights back"). Why in God's name didn't they go all out B-movie slasher tribute style, I don't know - because the narrative strengths (if they exist) lie completely in the moments in the film where the killer is honing in on his prey. All in all, the film ends up lamehat because it indeed takes itself far too seriously when it really had no chance at all with the kind of budget it had. Gets a better rating because of the reasonably convincing gore and the slightly present "so-bad-it's-good" factor, but overall the producers should have thrown the script in the writer's face and said "bring back some GOAR!".
Details
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- Also known as
- Vaenulik loodus
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- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 2.39:1
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