X-Men : Le Commencement

What you need to know about this movie before you go and see it. 1. Michael Fassbender and James McAvoy are superb. Each one, alone, would have made the movie terrific, but together? Forgetaboutit! Every step of the way, every scene, every emotion, these two men own the movie and watching their bromance is a treat from start to finish. Make no mistake about it, even when the world is on the brink of utter destruction what really matters is how these two men relate to one another. And when you watch the movie, you will care. 2. Everyone in the cast is good. Kevin Bacon has never been better, and Jennifer Lawrence is wonderful. Rose Byrne and January Jones aren't given much to do, Ray Wise and Michael Ironside only have a few short lines, but - across the board - the entire cast are a delight. 3. The story is tight. You've got a bad guy with a plan, which he sets about executing in A/B/C fashion. Against him, the good guys work together. Their motivations are different, of course, but they pretty much want him stopped so they unite. That's it. 4. Charles and Erik are fascinating characters. They debate. And viewers can debate endless about them, and about who is right, etc. As you watch you desperately wish they could stay friends, but you understand why they ultimately can't. Even if they themselves, in these early days, don't understand it yet. To have that so perfectly captured in a Summer Blockbuster movie is part of what makes this a treat and a future classic. But, aside from their relationship to each other, the movie takes time to make each of them interesting in his own right. We get to see Charles as a teacher, for instance, and come to understand how he impacts upon the lives of those he tutors. Some of Erik's best moments (away from Charles) are in his comments to Mystique about her appearance, making it clear that this man has more to him than the shadow of his past. 4. Most supporting characters have very little screen time. But that's okay, since this isn't THEIR story, really. Of the bunch, it is Mystique and Beast who are best served. Both have terrific character arcs that - in a lesser X-Men movie - might have been the highlight of the film. Here, their stories serve as quality background material to the main event (Charles and Erik). Beyond that, we just learn enough about everyone to know what they can do and like them a little bit, mostly through their banter and most obvious character traits. Once scene where most of the supporting characters are clearly terrified will certainly go a long way towards making you care about them for the rest of the movie. On the downside: Shaw's two henchmen don't get ANYTHING to do except use their powers, and at the end of the story we know as much about Emma Frost as we did at the beginning. But these are the exception, not the rule. 5. Visually, this movie is a treat. The FX are good, no surprise, but - much better - the actual sets/costumes are beautiful. Whether it's a remote CIA lab or a lap-dance club, whether it's the Magneto helmet or Mystique's everyday clothes, you are always admiring 'the look' of what's on screen. 6. There are action scenes all during the movie, but - having said that - the movie builds as it goes. The first half is more story-heavy/character-heavy so that when the action REALLY starts we care about everyone. And, again, it works. Even with the scant details given their characters, when Banshee and Havok (for example) go into battle you are invested in them to a certain degree. 7. There are surprises. Deaths, betrayals, cameos and name-dropping. But, as well as being cool, all of this makes perfect sense for the story/universe of the movies. Superb! Rock-solid script, two amazing lead performances (the film is basically a bromance). Haven't been this excited about the X-Men franchise since X2: X-Men United.

Fox can breath easy again because I think it's safe to say the even the extreme fanboys will be putting down their pitchforks and torches and smile after seeing this amazing film. I know for a fact that general audiences are going to love this movie. I know some fans can be irrational and hold on to their hate because they expect certain things they read in their books but I can't seeing anyone being that irrational when faced with a result that delivers what First Class manages to deliver. It honestly is a genre-defining movie on a level with any comic based film that has come before it. Everything in this movie is exceedingly better than what Fox delivered in their last two efforts with this franchise. Going back to the beginning and re-hiring the guy that brought us those films was a splendid idea. The acting here is superb and the dialogue is rich. Every character feels absolutely believable no matter what abilities they have on display. No cartoonish villains or cheese in sight, every side of the issue is presented by people who believe they are the ones who are in the right and the underlying message of tolerance and bigotry only add to the depth of this film. If not a genre-defining movie than maybe it redefines the comic book genre. It restores the sense of epic adventure and grand-scale storytelling that we saw in X2. In fact, it perfectly complements that great film and probably surpasses it.

This film is to X2 what Godfather 2 was to the Godfather. Seriously, First Class is an exceptional "flashback" look that links the best of the X-Men trilogy to the past. Instead of DeNiro playing young Vito Corleone we get James McAvoy as young Charles Xavier. Marlon Brando and Patrick Stewart made their respective characters popular but both were more fleshed out by incredible younger talent. I'm not placing the X-Men film itself on a par with the Godfather but both have become legendary in their particular genre. I am, however, saying McAvoy has a bright future as a complex and talented actor. Just like the young cast of Godfather 2 was legendary, the young cast of First Class has many great days and projects ahead of them.

Love this entire cast but Michael Fassbender delivers the best performance with an amazing presence and command of the screen. Everyone was extraordinary. What many expected indeed happens. By that I mean every scene that Fassbender and McAvoy are in together absolutely sing. It won't surprise anyone to know that Kevin Bacon, Oliver Platt and Jennifer Lawrence are superb in supporting roles but Nicholas Hoult did stunning work as the Beast and deserves some love as well. January Jones and Rose Byrne are hot as can be but aren't just simple eye candy. Sure, the story is compelling and the action is amazing but the performances elevate this movie far above a common summer flick.

Movie of the year so far...

There came a point, about half way through this film, when I emerged from the world of wonder on screen, took stock of my emotions in that instant, and realized that yes, by God, I am LOVING this movie.

I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.

Which they do. And how!

One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.

Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.

The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.

The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the… the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.

The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.

And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year – nay, decade – thus far. And considering how overcrowded that list is, this is really saying Something.

Huh. A prequel that does not, in any way, suck.

Amazing, isn't it?

-- Rachel Hyland, geekspeakmagazine.com

What stands out in this movie (besides the look of some of the mutants), is the clever way in which all the pieces fall into place as a prequel which cements the backdrop and tone for the previous X-men offers. This one however, stands above them though for the consideration and tact that has gone into developing these understandably complex characters. Resulting in a more complete movie experience.

The leading cast do a brilliant job in giving you a sense of their conflict with ingredients such as prejudice, ignorance, a sense of belonging and bitter revenge giving the film a more humane feel than a lot of dramas allowing you to connect with the characters more easily.

The special effects- lets not forget, are top notch as expected, but surprisingly very in-keeping with the film and doesn't take away from the other elements of it. The violence is clean but present, pitched right between a young and adult audience. There's also a decent amount of ironic humour thrown in, which, considering the party tricks on offer (by that I mean the powers and peculiarities of the mutants), just comes and goes naturally without feeling forced as like a lot of comedy moments in films of late.

Bottom-line, this is a well-constructed, well acted Marvel film. I wasn't totally convinced beforehand, casting James McAvoy as the young Xavier, a full head of hair and northern accent doesn't seem the best fit after all. I can say that he fully realised that role and showed his range in playing a more commanding lead. Michael Fassbender has great screen presence and does a good shift as the Magneto to-be and Mr Bacon adds another interesting element to the story. All the supporting cast give a solid performance with everyone focused on the exciting job at hand and no weak links.

Easily worth the cinema admission and thank god they didn't make it in hit-and-miss 3d, there's just no need! The best of the X-men franchise.

I love the Xmen, I won't beat around the bush. There are so many mutants, heroes and anti-heroes that you relate can to at least one of them. The franchise has had its ups and downs. The first two films made the superhero genre what it is today. Stunning set pieces, breath taking special effects and a group dynamic that was brilliantly cemented in the second film. The third struck a middle ground where the spectacle overshadowed the narrative but was still a fun ride, and the last title Xmen Origins: Wolverine, was the only miss-step in the series. Xmen first Class is really very good. It manages to keep up with the first two whilst retaining an originality in its own right.

The Direction is great, Vaughn's clearly got a knack for angles and keeping the audience engaged whilst the story chops and changes. The look of the film is modern, yet still has a 60's and almost retro look about it. The special effects are very good, though some how not quite up there with Xmen: The Last Stand. The energy is fast and relentless and the action sequences blend in with the dialogue sequences seamlessly.

The acting is very good, though Patrick Stewart and Ian Mckellen are definitely missed, McAvoy and Fassbender do excellent jobs and really are in keeping with the characters you already know and love. Emma Frost and Sebastian Shaw are deliciously malevolent and Moira Mctaggart is perfectly pitched. My only reservation about the acting in the film is of Mystique, who I believe wasn't quite right, her motives in the film don't seem in complete continuity with the rest of the films.

A sequel has already been planned and I shall be eagerly awaiting it. Having Storm back in the series would be a personal highlight for myself, but not necessary. I would highly recommend this film to anyone that has watched the original films and even for newcomers.

One thing I will add that I have noticed since watching the original trilogy is that in 1980 Charles is walking, but according to First Class he loses this ability in the 60's...